Gene Raymond Movies

John (Randolph Mantooth) seethes with jealousy and impatience as another paramedic, Tom Wheeler (Gary Crosby), is transformed into a media hero by virtue of several very minor rescues. Dr. Brackett (Robert Fuller) is likewise in a foul humor as the result of a clash of wills with a wealthy and powerful patient (Gene Raymond). Elsewhere, a captain is trapped in the rigging of his own ship, resulting in an embarrassing bout of seasickness for one of the firemen; a child falls down a well; and a horse is mired in a deep pit. ~ Hal Erickson, All Movie Guide

Suzanne Pleshette guest stars as Temple Alexander, a beautiful con artist who has targetted wealthy winery owner Harlan Franciscus (Gene Raymond) as her latest patsy. While romancing Harlan in preparation of fleecing him, Temple ends up genuinely falling in love with the man. This proves problematic when two of Temple's former accomplices catch up with her--and one of them plans to get even for an earlier double-cross. Cast as Franciscus' ill-mannered son is Larry Linville of M*A*S*H fame. ~ Hal Erickson, All Movie Guide

While vacationing in California's timber country, Ironside (Raymond Burr) is invited to visit an old hermit friend--who then mysteriously disappears. Investigating the situation, Ironside runs up against a stone wall of silence, with everyone in town--apparently under orders from a pair of wealthy lumbermen--refusing to cooperate in any manner. Ultimately, Ironside himself vanishes, and Mark (Don Mitchell) is charged with the Chief's murder! ~ Hal Erickson, All Movie Guide

Maurice Chevalier plays Philip Dulaine, a supposedly dying millionaire, while Sandra Dee co-stars as Cynthia, the elderly man's granddaughter. To allow Dulaine to die happy, Cynthia promises to find a husband. Actually, Dulaine is only pretending to be at death's door to get Cynthia married off. Subsequent complications involve Cynthia's personal choice for a husband, Warren Palmer (Andy Williams), and Dulaine's selection, Paul Benton (Robert Goulet). Deanna Durbin fans will quickly detect that I'd Rather Be Rich is a remake of Durbin's It Started With Eve (1941), with a gender switch (in the original, Robert Cummings is the grandson, and Durbin is the instant fiancee) and with Maurice Chevalier filling the sizeable shoes of Charles Laughton as the foxy grandpa. ~ Hal Erickson, All Movie Guide

Gore Vidal adapted his biting and bitter political satire from his hit Broadway play. Franklin J. Schaffner directed and Haskell Wexler provided the sharp-edged cinematography. The story concerns the political back-biting and smear politics involved in a presidential election year scramble by potential presidential party nominees. Lee Tracy (in an Oscar-nominated performance and his final screen role) is Art Hockstader, a dying president who refuses to throw his support behind any of his party's presidential hopefuls. Hoping to get the nod as the party's presidential candidate is liberal do-gooder William Russell (Henry Fonda). His wife Alice (Margaret Leighton) wants to get a divorce from Russell but is delaying the divorce proceedings until after the party convention. Opposing Russell for the nomination is Joe Cantwell (Cliff Robertson), a slick and unscrupulous political monster who will use any bit of dirt to get ahead in the party. When he discovers that Russell once suffered from mental problems, he threatens to use it against him. Russell then finds out that Cantwell once had a homosexual relationship. Russell, who abhors smear politics, now has to decide whether to use the information against Cantwell or bury the secret and risk losing the nomination. ~ Paul Brenner, All Movie Guide

Art Carney plays the title role, so to speak, in this live, 90-minute Playhouse 90 adaptation of Brandon Thomas' classic stage farce Charley's Aunt. The play's basic premise--Oxford undergrad Lord Fancourt Babberly (Carney) must pose as the elderly aunt of his roommate Charley Wyckeham so that Charley and his friend Jack Chesney will have a proper escort for their two girlfriends--is merely the springboard for a whole new batch of complications cooked up by the author of the TV version, the redoubtable Leslie Stevens. For starters, Babberly is now forced to don old-ladies' garb for an amateur theatrical production or else he'll lose his standing in the Oxford shot-putt team, necessitating the creation of a character not found in the original play, athletics coach Sandeford (played by former child star Jackie Coogan). Additionally, the character of Babberly's sweetheart Ela Delahey is eliminated, and a conspicuous duck pond figures largely in the slapstick proceedings. One of the few Playhouse 90 installments to be performed before a studio audience, Charley's Aunt boasts an astonishingly stellar supporting cast, including former MGM songbird Jeanette MacDonald as Donna Lucia (the real Aunt), MacDonald's husband Gene Raymond as Sir Francis Chesney, humorist Orson Bean as Jack, future novelist Tom Tryon as Charley, waspish Richard Haydn ("Uncle Max" in The Sound of Music) as Stephen Spettigue, and Sue Randall, later to achieve fame as "Miss Landers" on Leave It to Beaver, as Kitty Verdun. Charley's Aunt is one of several Playhouse 90 episodes currently available in kinescope form on home video. ~ Hal Erickson, All Movie Guide

Hit the Deck is the second film version of the same-named 1927 hit Broadway musical. Though updated for the 1950s, the basic plot remains the same. Sailors Tony Martin, Vic Damone and Russ Tamblyn spend their entire shore leave in pursuit of three beautiful gals. Martin is "that way" about Ann Miller, Damone is stuck on Jane Powell, and Russ Tamblyn only has eyes for Debbie Reynolds. Some fun is extracted from the fact that Tamblyn is the son of by-the-book admiral Walter Pidgeon. Additional comedy relief is provided by Alan King (the same!) and Henry Slate as a pair of dumb-dumb shore patrolmen. The Vincent Youmans-Leo Robin-Clifford Grey-Irving Caesar score includes such standards as "Sometimes I'm Happy", "I Know that You Know", and the showstopping "Hallelujah". The 1930 version of Hit the Deck, starring Jack Oakie, was filmed by RKO; that version was purchased by MGM and hasn't been seen publicly in nearly 70 years. ~ Hal Erickson, All Movie Guide

In this mystery, a stockbroker embezzles $1 million from his company and flees to Shanghai via plane. En route he encounters a man and a woman. The man is attempting to blackmail the woman, who has been accused of murdering her husband; the embezzler soon finds himself falling in love with her. He is so preoccupied that he does not see the extortionist running off with his briefcase full of loot until it is too late. He then follows the crook back to San Francisco, pursues him, beats him up, and decides to quietly put the money back where it belongs. Meanwhile, the woman attempts to clear herself of the charges against her. ~ Sandra Brennan, All Movie Guide

As Cold-War melodramas go, Sofia goes pretty well. Set in a backlot version of Turkey, the film stars Gene Raymond as former OSS man Steve Roark. Assigned to rescue two atomic scientists from Russia and spirit them across the Iron Curtain, Steve discovers that one of the scientists is his ex-lover Linda Carlsen (Sigrid Gurie). Meanwhile, sultry cabaret singer-turned-spy Magda Onescu (Patricia Morison) offers her services to both the Allies and the Communists, hoping to be financially renumerated by both sides (Guess how she ends up?) Some of the espionage techniques are amusing, especially when the rascally Russians are so easily fooled by the simplest subterfuges. ~ Hal Erickson, All Movie Guide

One of the less laudable results of the United States' wartime "good neighbor" policy with South America was the relentlessly unfunny comedy They Met in Argentina. Looking about as Latin as corned beef and cabbage, Maureen O'Hara stars as spoiled Argentine heiress Lolita, who meets her match in the form of stubborn Texan Tim Kelly (James Ellison). He has been instructed to purchase a champion race horse from Lolita's wealthy father at any price; she is determined not to allow the sale to go through. All sorts of "hilarious" hijinks take place before shrewish Lolita is tamed by the persistent Kelly. No one emerged from They Met in Argentina covered with glory, certainly not tunesmiths Rodgers and Hart, who contributed one of their least memorable scores ever. Losing twice as much money as it cost, the film was an ill-fated comeback effort by former RKO Radio production executive Lou Brock, who ended his days as a hotel night clerk. ~ Hal Erickson, All Movie Guide

In Hitchcock's rare foray into comedy (courtesy of a wittily risque script by Norman Krasna), Mr. Smith (Robert Montgomery) makes the mistake of telling Mrs. Smith (Carole Lombard) that if he had it to do all over again, he might not have married her. Shortly thereafter, Mr. Smith discovers that his marriage is invalid. Rather than say goodbye, the newly aroused Mr. Smith attempts to entice Mrs. Smith into the bedroom, thrilled at the prospect of an "illicit" romance. But Mrs. Smith has also been apprised that her marriage is no more--and, remembering Mr. Smith's "second thoughts", she kicks him out of the house. This comedy of misunderstanding rolls merrily along from this point onward, accommodating an uproarious scene at a fancy restaurant, a near-liaison between Mrs. Smith and new beau Gene Raymond on the World's Fair parachute jump, and a farcical denouement at a ski lodge, with Mrs. Smith's conjugally crossed skis symbolizing the carnal pleasures ahead for both Mr. and Mrs. Smith. ~ Hal Erickson, All Movie Guide

Before he became the high priest of realism, producer/director Andrew L. Stone was fascinated with classical music (he'd return to this fascination in his last production years with the disastrous Song of Norway and The Great Waltz). Two attractive jewel thieves, one female (Olympe Bradna), one male (Gene Raymond) escape together after their latest escapade and hide out in the home of an aged concert pianist (Lewis Stone). To cover their tracks and keep the old man from turning them in, the thieves pretend to arrange his comeback concert. The artifice becomes reality, the pianist makes a triumphant return, and the thieves reform. This 1938 film is not a remake of 1932's Stolen Heaven, which wove an entirely different story about a suicide pact. ~ Hal Erickson, All Movie Guide

In this musical comedy, an irresponsible young heir is betrothed to the singing daughter of a wealthy matron. Unfortunately, the willful young is not even slightly interested in her "fiance," preferring the attentions of another instead. Unfortunately, the other man has a big problem. Though he really loves the girl, he will lose his $3 million inheritance if he marries her before the age of 30. Complicating matters is the private detective assigned to keep him from getting to involved with women such as the heroine. ~ Sandra Brennan, All Movie Guide