Steve Randazzo Movies

A powerful behind-the-scenes man in politics and show business finds himself skidding into a very public scandal in this taut drama. Eli Wurman (Al Pacino) was raised in the deep South, attended Harvard Law School, and has devoted his spare time to progressive political causes since working alongside Dr. Martin Luther King Jr. in the 1960s. However, Wurman now makes his living as a press agent and PR man, and while he's near the top of his profession, years of overwork, constant smoking and drinking, and ceaseless tension are taking their toll, leaving him on the verge of collapse, with only the prescriptions of his friend Dr. Napier (Robert Klein) keeping him on his feet. One of Wurman's biggest clients is Cary Launer (Ryan O'Neal), a fading film star with political aspirations who, after attending a disastrous Broadway opening, asks Wurman to do him a big favor -- bail Launer's girlfriend, Jilli (Téa Leoni), out of jail and keep an eye on her. Wurman manages to get Jilli out of the stir, but she insists upon being escorted to an exclusive sex and opium den for a night of heavy drinking and drugging, and then reveals to Wurman that she owns a device which she's used to record footage of the most public figures who attend the club, including Elliott Sharansky, a billionaire Jewish civic leader (Richard Schiff). That night, a half out-of-it Eli accompanies Jilli back to her hotel room when an intruder barges in and forces an overdose on her, killing her instantly. The next morning, Wurman has only fuzzy memories of what transpired. He decides to focus on his attempts to set up a political fundraiser, but has a hard time getting the right A-list celebs to appear, just as many of New York's power brokers aren't especially interesting in working with Wurman or Launer. In the midst of this chaos, Victoria (Kim Basinger), who was married to Wurman's late brother, arrives in New York and urges him to leave the city and his career behind while he still can. People I Know was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, All Movie Guide

A teenager is found dead in a hospital ER. The subsequent investigation leads to a bizarre religious ritual, "dictated by a saint." Once the D.A.'s office takes over the case, they must deal with a self-styled prophet with a powerful gift for mass persuasion -- which may prove problematic once the fanatical defendant faces a jury of peers. ~ Hal Erickson, All Movie Guide

Alexandre Rockwell wrote and directed this follow-up to his award-winning In the Soup (1992) with a spin-off of two characters from his earlier success, singing landlords Louis Di Buffoni (Steven Randazzo) and Frank (Francesco Messina). Louis now has a family and a Queens removals business, while his cousin Frank has been training as a beautician in Sicily. Back in Queens, Frank suggests they return to professional singing. Billed as the Bitchin' Di Buffonis, they sign with unsuccessful talent manager Lenny Star Springer (Tony Curtis), who once managed a singing parrot that died. After debuting at a New Jersey bowling alley, they finally get a NYC booking -- but then learn they have to perform in drag. Steve Buscemi makes an uncredited appearance in drag. With a dream sequence in black-and-white, this comedy was shown at the 1998 Rotterdam Film Festival. ~ Bhob Stewart, All Movie Guide

Character actor Steve Buscemi made his debut as a writer and director with this seriocomic tale of a guy who is going through something but doesn't know just what it is. Tommy is a 31-year-old auto mechanic who lost his last job after "borrowing" 1,500 dollars from the cash register and heading to Atlantic City, where he wasted no time losing it all at the tables. The fact that he can't get his own car to run isn't impressing any prospective employers, so Tommy spends much of his time at the Trees Lounge, a local watering hole conveniently located downstairs from his apartment. Eventually Tommy lands some work driving an ice cream truck and becomes acquainted with his ex-girlfriend's 17-year-old niece, Debbie (Chloë Sevigny). When they half-heartedly fall into a romance, it's just one more thing for Tommy to be confused about. Buscemi draws upon a rich cast of supporting actors, including Elizabeth Bracco, Anthony LaPaglia, Carol Kane, Debi Mazar, Samuel L. Jackson, and Mimi Rogers. ~ Mark Deming, All Movie Guide

Denzel Washington stars in this adaptation of the novel by African-American crime author Walter Mosley, the first of his stories to reach the screen. Ezekiel Rawlins (Washington), known to his friends as "Easy," has just lost his job at an aircraft plant in post-WW II Los Angeles, a time when good-paying jobs for black men are hard to come by. He's wondering how to make his mortgage payment when he's approached by De Witt Albright (Tom Sizemore), who describes his job as "doing favors for friends." It seems that a woman named Daphne Monet (Jennifer Beals) has gone missing; Daphne is the former girlfriend of wealthy mayoral candidate Todd Carter (Terry Kinney) and a known habitué of the black jazz clubs and night spots on L.A.'s Central Avenue. Albright offers Easy $100 to help him find Daphne, and while he doesn't have any detective experience, the price is right, so Easy agrees. After a passionate affair with a friend of Daphne's, Coretta James (Lisa Nicole Carson), leads to that woman's murder, Easy enlists the help of his friend Mouse (Don Cheadle), who seems to know just a bit too well how to use a gun, which gives Easy all too clear a look at the lower depths of L.A.'s upper crust. ~ Mark Deming, All Movie Guide

A dissatisfied Manhattan sportswriter finds more than he expected when he searches for the biological mother of his adopted child in Woody Allen's comedy. Writer-director Allen also plays Lenny, a slightly more relaxed incarnation of his usual neurotic screen persona. Lenny is trapped in a bad marriage to high-strung art dealer Amanda (Helena Bonham Carter), but he finds solace in his relationship with his adopted young son. Indeed, he grows so fond of the boy that he decides to track down the boy's real mother, expecting to discover a brilliant professional. Instead, he finds Linda (Mira Sorvino), a ditzy prostitute and porno star who mingles casual vulgarity with disarming innocence. Despite his initial disillusionment, Lenny soon develops a fondness for Linda and decides to play matchmaker, setting her up with a handsome young boxer (Michael Rapaport) who is equally good-hearted and scatterbrained. While the contrast between the free-spirited Linda and the uptight Lenny provides the bulk of the laughs, hints of Allen's more literary humor are also present, particularly in the scenes involving a roaming Greek chorus commenting upon Lenny's fate. Sorvino received a supporting Oscar for her title role in a well-received movie that is nevertheless not at the level of Allen's best-known classics. ~ Judd Blaise, All Movie Guide

Hollywood wannabes struggle to succeed while striving for relationships that are doomed to fail in this gloomy comedy-drama from writer-director Alexandre Rockwell. Rosie Perez stars as Mercedes, a transplanted New Yorker now living in East L.A. and taxi dancing at a seedy Hollywood strip joint. Mercedes has dreams of achieving stardom as an actress, but her lack of talent means that her goal will probably always elude her. Her travels take her into contact with several eccentric characters including a sage transvestite (Steve Buscemi), a showbiz insider (Sam Fuller), a savvy bartender (Quentin Tarantino), and her useless agent George (Stanley Tucci). Although he won't leave his wife, Mercedes worships her boyfriend Harry Harrelson (Harvey Keitel), once a prominent actor on a TV western whose glory days are long past. In the meantime, Ernesto (Michael DeLorenzo), a faithful customer and gravedigger, falls helplessly in love with Mercedes, but his passion is unrequited, even though he tattoos Mercedes' name across his chest. ~ Karl Williams, All Movie Guide

There's a real murder and a real mystery in Woody Allen's Manhattan Murder Mystery, but these plot pegs are used mainly to allow Allen to explore modern urban relationships. Allen plays a N.Y.C. book editor, Larry Lipton, married to Carol (Diane Keaton, who replaced Mia Farrow at the last minute, for reasons well publicized at the time). Carol is a free spirit, ever willing to try new experiences, but Larry is a wet blanket. When it begins to look like a neighbor has killed his wife, Carol is eager to investigate the mystery, but Larry thinks her suspicions are nonsensical and doesn't want to leave his apartment. Undaunted, Carol finds another "Nick Charles" in the form of family friend Ted (Alan Alda), who joins the investigation, and feels attracted to Carol and isn't afraid to let her know. Meanwhile, a writer under Larry's aegis (Anjelica Huston), who feels romantically drawn to him, also decides to join in the fun. Slightly jealous of Carol in the face of her budding relationship with Ted, Larry reluctantly agrees to go along on her clue-hunting expedition -- and it is he who discovers the corpse, who as it turns out was killed after Carol started poking around the apartment building. ~ Hal Erickson, All Movie Guide

Alexandre Rockwell's quirky autobiographical comedy stars Steve Buscemi as Adolpho Rollo, a would-be screenwriter who is obsessed with getting his 500-page script "Unconditional Surrender" produced. Desperate for money, he places an ad for financial backing, which is answered by con man Joe (Seymour Cassel). The film was shot in color, but was released theatrically in black & white. Both verisions eventually made their way to home video release. ~ Jason Ankeny, All Movie Guide

One of Woody Allen's most seemingly biographical films, Husbands and Wives opens with upper-middle class Manhattan couple Sally (Judy Davis) and Jack (Sydney Pollack) announcing to their best friends, the Roths, that they are splitting up. Gabe Roth (Allen) and his wife Judy (Mia Farrow) are taken aback by their casual revelation. Jack begins dating his dim, but sexy, aerobics instructor and Sally starts up a tentative romance with Michael (Liam Neeson). Gabe and Judy begin analyzing their marriage, discovering that they might not be meant to stay together. English professor Gabe begins a serious flirtation with a student of his named Rain (Juliette Lewis) and Judy begins to have feelings for Michael. Eventually, Sally and Jack reconcile, but have not improved their relationship. Gabe and Judy end up going their separate ways. Husbands and Wives was seemingly influenced by Ingmar Bergman's Scenes From a Marriage. ~ Perry Seibert, All Movie Guide

Teamster Boss: The Jackie Presser Story is a made-for-cable adaptation of James Neff's Mobbed Up, a real-life account about Teamster president Jackie Presser. Brian Dennehy plays Presser, who was Jimmy Hoffa's successor as president of the Teamsters. Like Hoffa, Presser was caught between the Mafia, the FBI, and his own ambitions, and the film follows his rise to power, as well as all the trials and tribulations that arose while he was president of the Teamsters. ~ Stephen Thomas Erlewine, All Movie Guide

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, All Movie Guide