Vera Ralston Movies

In this drama, a singer finds herself implicated in the fatal immolation of her husband. ~ Sandra Brennan, All Movie Guide

Every time Republic Pictures head honcho Herbert J. Yates starred his minimally talented wife Vera Ralston in a film, the studio's stockholders began trembling in their boots. Like most of its predecessors, the 1957 Ralston vehicle Spoilers of the Forest just barely made back its cost. Vera plays Joan Milna, who shares several thousand acres of valuable Montana timberland with her stepfather (John Alderson). Coveting Joan's property, lumber baron Eric Warren (Ray Collins) sends out his foreman Boyd Caldwell (Rod Cameron) to persuade her to sell. Instead, Caldwell falls in love with the girl, vowing to protect her trees from the eco-unfriendly Warren. Republic's wide-screen Naturama process is shown to good advantage throughout Spoilers of the Forest. ~ Hal Erickson, All Movie Guide

Nightclub singer Ilona Vance (Vera Ralston) is Accused of Murder in this Republic programmer. And from the looks of things, Ilona is guilty; she was, after all, the last person to see crooked lawyer Hobart (Sidney Blackmer) alive. But Lt. Roy Hargis (David Brian) is convinced that Ilona is innocent, and he intends to prove it. Except for the mildly surprising denoument, there is little in Accused of Murder that is not thoroughly predictable. Star Vera Ralston, the wife of Republic chieftan Herbert J. Yates, is her usual expressionless self. ~ Hal Erickson, All Movie Guide

Based on a novel by Gwen Bristow, Jubilee Trail is a sprawling, all-star western from the Republic Studio mills. Despite is vaunted budget, the plot is strictly B-picture material. Ambitious California landowner Charles Hale (Ray Middleton) hopes to add to his riches by marrying off his brother Oliver (John Russell) to a wealthy Spanish family. But when Oliver weds a gal named Garnet (Joan Leslie) instead, Charles vows revenge against the new bride. Later, Oliver is killed, leaving Garnet to raise their baby alone. Charles intends to claim the baby for himself, but Garnet, who has subsequently fallen in love with John Ives (Forrest Tucker), isn't about to let that happen. Top-billed Vera Ralston plays saloon-hall chirp Florinda, a Woman With a Past who is peripherally involved in the plot proper, while Richard Webb, TV's "Captain Midnight", fills the obligatory "disgruntled suitor" role. The film is stolen hands down by Pat O'Brien as a drunken doctor who serves as last-minute problem-solver. ~ Hal Erickson, All Movie Guide

The much-maligned Vera Ralston turns in an acceptable performance as star of Republic's A Perilous Journey. Though seemingly inspired by MGM's Westward the Women, the film was actually based on The Golden Tide, a novel by Vingie Roe. In the year 1850, a group of 49 young women charter a full-rigger to sail for California to offer themselves as wives to the gold prospectors. As indicated by the title, the journey is indeed fraught with peril (not to mention a few geographical inaccuracies). Vera Ralston plays Francie Landreaux, who has undertaken the voyage in search of her no-good gambler husband. Instead, she finds romance in the arms of rough-and-ready Shard Benton (Scott Brady). A Perilous Journey is pepped up by several song numbers, written by Victor Young and Edward Heyman. ~ Hal Erickson, All Movie Guide

Wendell Corey and Forrest Tucker, the Clark Gable and Spencer Tracy of Republic, star as a pair of World War II Army Air Corps officers. In between their battles over the affections of beautiful nurse Vera Hruba Ralston, Corey and Tucker prepare to fly a bombing mission in the South Pacific. Before boarding their B29 Superfortress, Tucker appears to be chickening out, but he's steadfastly at his cockpit post at takeoff time. For a big-budget war picture, Wild Blue Yonder contains a surprising amount of chorus boy-style singing. The best musical vignette is supporting player Phil Harris' rendition of his hit song "The Thing" ("Get outta here with that [thump! thump! thump!] /Before I call a cop" etc.) ~ Hal Erickson, All Movie Guide

Of the many attempts by Republic Pictures' CEO Herbert J. Yates to turn his lady friend Vera Ralston into a star, Surrender is one of the better efforts. Ralston plays a conscienceless "femme fatale" who works out a complex scheme to secure her financial comfort. The plan, enacted in a western border town, involves bigamy, betrayal, and ultimately murder. She plays one man against another all too well; in the end Vera's perfidy backfires, and she falls victim to her own machinations. Vera Ralston tries hard indeed but the audience can sense that she is basically too nice to be making such mean faces. ~ Hal Erickson, All Movie Guide

Angel on the Amazon gives the viewer a pretty good notion of what Lost Horizon or She might have looked like had they been produced by Republic Pictures. Vera Ralston stars as huntress Christine Ridgeway, who embarks on one of her many hunting expeditions in the company of her husband Anthony Brian Aherne. While deep in the jungles of the Amazon, the Ridgeways and their party come across the wreckage of a plane. Among the survivors are pilot Jim Warburton George Brent and Dr. Karen Lawrence Constance Bennett. Warburton is impressed by the fact that, though apparently well on in years, Christine has retained her youthful appearance. Dr. Lawrence eventually discovers the secret of Christine's eternal beauty, which by film's end has atrophied considerably. The rambling screenplay whisks the viewer from Brazil to the Riviera to Pasadena, all courtesy of the Republic back lot. ~ Hal Erickson, All Movie Guide

Promoted from Republic B westerns to "A" productions, William "Wild Bill" Elliot found himself in the sort of roles previously essayed by John Wayne, Richard Dix and Errol Flynn. In the Republic "special" Wyoming, Elliot plays Charles Alderson, a wealthy Wyoming Territory ranch owner who takes an adversarial position against the congressional Homestead Act of the late 19th century. Alderson's grown daughter Karen (Vera Ralston, whose foreign accent is "explained" by the fact that she's been educated in Europe!) tries to dissuade her father from his ruinous path, but it is only through the villainy of crooked landgrabber Duke Lassiter (Albert Dekker) that Alderson realizes he's been all wrong about the incoming homesteaders. Only in a Republic picture would a film's supporting cast include both Maria Ouspenskaya and Gabby Hayes! This Wyoming, incidentally, is not a remake of the 1940 Columbia film of the same name. ~ Hal Erickson, All Movie Guide

The 87-minute running time of Plainsman and the Lady was evidence aplenty that this was no mere Republic B western. William Elliot (formerly and latterly "Wild Bill" Elliot) stars as cattleman Sam Cotten, who offers his services-and his six-guns-to the newly formed Pony Express. Erudite villain Peter Marquette (Joseph Schildkraut) is a rival stagecoach owner who'll stop at nothing to keep the mail from going through. Ordering his minions to disguise themselves as Indians, Marquette masterminds a series of bloody raids on the pony express riders. But Cotton, aided and abetted by grizzled sidekick Dringo (Andy Clyde) proves to be more than a match for the bad guy. The lady of the title is high-born Ann Arnesen, played by Queen of Republic Vera Ralston; she's decorative enough, but no match for her talented costar Gail Patrick, cast as Ann's sister and the despicable Marquette's wife. ~ Hal Erickson, All Movie Guide

According to Hollywood lore, both John Wayne and director Frank Borzage refused to work with Vera Hruba Ralston, the Czech-born inamorata (and future wife) of Republic Pictures owner Herbert I. Yates. Yates somehow managed to convince Wayne to change his mind, but Borzage was replaced by contract director Joseph Kane. The result was Dakota, the company's major release of 1945, a potentially sprawling empire-building Western. Wayne and Ralston play newlyweds heading for Fargo, North Dakota, where they plan to buy land in anticipation of the coming of the railroad. They are opposed by saloon owner Jim Bender (Ward Bond), who also knows about the expansion and is coercing the homesteaders into selling their land to him and his chief lieutenant, Collins (Mike Mazurki). The latter has been elected president of the Wheat Growers Association, and soon the farmers find themselves indebted to Bender. But Wayne, with his wife's help, beats Bender and his henchman at their own game, making certain that the farmers are well compensated for selling their land to the railroad company owned by Ralston's father (Hugo Haas). Contrary to popular belief, Vera Hruba Ralston was not Dakota's chief liability. For some reason, Republic Pictures, normally a leader in action-oriented melodrama, chose to employ an inordinate amount of rear projection footage this time around, making for rather dull viewing. The Western only leaves the confines of the studio back lot for the climactic prairie fire scenes, filmed by a second unit under the direction of stunt expert Yakima Canutt. Apparently a better figure skater than an actress, Ralston actually shows a bit of spirit in some of her scenes but is rather obviously upstaged by the veteran Ona Munson as a kind-hearted saloon entertainer. Munson was borrowed from Warner Bros. and her singing of "Coax Me" by Andrew B. Sterling and Harry Von Tilzer remains one of Dakota's main pleasures despite editor Fred Allen's endless cross-cutting to Ralston's reactions. The latter was reportedly a very pleasant person devoid of a prima donna ego and would be cast opposite John Wayne again in The Fighting Kentuckian (1949). Republic serial heroines Linda Stirling and Adrian Booth can be spotted among Munson's dancing girls. ~ Hans J. Wollstein, All Movie Guide

In this musical romance, an ice skater comes to America to represent her country at a Lake Placid carnival. Unfortunately, while she is there the war breaks out and she is unable to go home. While in America, she is cared for by her rich uncle. She soon falls in love with his handsome junior partner who is already engaged to another. When she discovers this, the skater runs away. Her lover follows and true love ensues. Songs include: "Deep Purple", "My Isle of Golden Dreams", "National Emblem March", "Winter Wonderland", "Intermezzo", "Waiting for The Robert E. Lee", "When Citrus is in Bloom", "Drigo's Serenade", "While Strolling in the Park". ~ Sandra Brennan, All Movie Guide

Republic's ongoing professional association with the celebrated "Ice-Capades" skating show yielded a number of flashy but forgettable musicals, including 1942's Ice-Capades Revue. Though a plot is hardly necessary, the story concerns New England farm gal Ann (Ellen Drew), whose already-mounting debts are escalated when she inherits a near-bankrupt ice show. Her efforts to revivify this operation are regularly thwarted by a conniving promoter named Duke Baldwin (Harold Huber), who has already tied up all the best arenas for his own skating spectacular. But Baldwin's second-in-command Jeff (Richard Denning) falls in love with Ann and vows to see to it that her show will be staged, come heck or high water. Jerry Colonna goes through his customary zaniness as an eccentric would-be backer who turns out to be a phony, while Barbara Jo Allen again trots out her dizzy "Vera Vague" characterization. Foremost among the skating acts in Ice-Capades Revue is Vera Hruba Ralston, who'd later be elevated to leading-lady status at Republic by her ardent admirer (and future husband), studio president Herbert J. Yates. ~ Hal Erickson, All Movie Guide