Catherine Rabett Movies

Legendary low-budget mogul Roger Corman made a somewhat inauspicious return to the director's chair for the first time in nearly twenty years (unless one counts his uncredited participation in "pickup" shoots for several New World Pictures productions) for this quaint sci-fi/horror outing, based on the popular novel by Brian Aldiss. Opening in the year 2031, the story begins with scientist Joseph Buchanan (John Hurt) working on a top-secret military project that creates a rift in time in space, hurtling him and his ultra-high-tech hotrod backwards through time to the early 19th century. Buchanan manages to adapt quite well to his new surroundings, particularly after making the acquaintance of fellow scientist Baron Frankenstein (Raul Julia). Curiously, the Baron is presented here as an authentic historical figure, and his monster-making efforts the basis for the famed book by Mary Shelley (Bridget Fonda), which was a work of fiction. After ruminating about his situation with Mary and her future husband Percy Shelley (late INXS frontman Michael Hutchence) at the villa of mad poet Lord Byron (Jason Patric), Buchanan is approached by the Baron to help construct a mate for his intelligent but homicidal creature (Nick Brimble). Unfortunately, things do not go according to plan, leading to an ironic denouement that finds Buchanan pondering the apocalyptic results of his life's work. The film boasts solid production values and some beautiful location photography (most of the film was shot in Italy); however, the classy look and high-profile casting can't disguise the overall feel of an early New World outing, albeit with a much larger budget. The script, adapted by Corman and writer F.X. Feeney, eliminates many of the novel's intellectual twists and turns; much of the remaining dialogue comes off as merely pretentious. ~ Cavett Binion, Rovi

Director James Ivory brings his subdued, "Masterpiece Theater" style to a forbidden subject -- homosexual love. Maurice is based on E.M. Forster's suppressed 1914 novel that was held back from publication until after his death. The film takes place at Cambridge, before World War I, when homosexuality was outlawed in Great Britain. Clive (Hugh Grant), an aristocratic Englishman with a life of privilege, suddenly shocks his close friend Maurice (James Wilby) by declaring his love for him. Maurice is initially stunned by the pronouncement, but in the end finds himself giving Clive a passionate kiss and telling him that he loves him as well. Clive, in the stiff-upper-lip British manner, considers their love to be more of an intellectual concept, but Maurice becomes passionate about the affair. Clive, afraid of being exposed as a homosexual, backs off and breaks up with Maurice for marriage, family, and politics. Maurice is crestfallen, but then he has a passionate affair with Clive's gamekeeper, Scudder (Rupert Graves), and Maurice and Scudder decide to risk their reputations by openly living together as lovers. ~ Paul Brenner, Rovi

"The Crooked Man" is an episode of the television series The Adventures of Sherlock Holmes, an excellent adaptation of the Sherlock Holmes mystery stories, produced in Britain for Granada TV. In this episode, directed by Alan Grint, Jeremy Brett portrays the famed detective, aided by his companion Dr. Watson (David Burke) as the two help investigate and solve the mysterious murder of Colonel Barclay (Denys Hawthorne). This episode, written by Alfred Shaughnessy, re-creates the adventures of Conan Doyle's Victorian detective with impeccable faithfulness to the original story first published in the Strand Magazine during the late-19th century. ~ Linda Rasmussen, Rovi

In this British romance, a lively London lad decides to create a little excitement by dreaming up a convincing story involving the theft of a Rembrandt; he then tells the story to a local newspaper. According to the imaginative imp, the painting was stolen by a motely gang who worked for a powerful South African guerilla leader. Unfortunately for the boy, there is a real Rembrandt thief about, and he is out to get the boy before his lies end up getting the crook captured. Meanwhile, the boy is in love with a pretty girl, about whom he frequently fantasizes. He does get together with the girl for a while, but the she jilts him. Fortunately, by the story's end, the crook is captured, she returns, and happiness ensues. ~ Sandra Brennan, Rovi