David Prowse Movies

In the final episode of the Star Wars saga, Han Solo (Harrison Ford) emerges intact from the carbonite casing in which he'd been sealed in The Empire Strikes Back. The bad news is that Solo, together with Luke Skywalker (Mark Hamill) and Princess Leia (Carrie Fisher), is prisoner to the grotesque Jabba the Hutt. But with the help of the charismatic Lando Calrissian (Billy Dee Williams), our heroes and our heroine manage to escape. The next task is to rid the galaxy of Darth Vader (body by David Prowse, voice by James Earl Jones) and the Emperor (Ian McDiarmid), now in command of a new, under-construction Death Star. On the forest moon Endor, the good guys enlist the help of a feisty bunch of bear-like creatures called the Ewoks in their battle against the Empire. ~ Hal Erickson, Rovi

The second entry in George Lucas' Star Wars trilogy finds Luke Skywalker (Mark Hamill), the green-as-grass hero from the first film, now a seasoned space warrior. Luke's Star Wars cohorts Han Solo (Harrison Ford) and Princess Leia (Carrie Fisher) are likewise more experienced in the ways and means of battling the insidious Empire, as represented by the brooding Darth Vader (body of David Prowse, voice of James Earl Jones). And, of course, "The Force," personified by the ghost of Luke's mentor Ben Kenobi (Alec Guinness), is with them all. Retreating from Vader's minions, Luke ends up, at first, on the Ice Planet Hoth, and then the tropical Dagobah. Here he makes the acquaintance of the gnomish Yoda (voice of Frank Oz), whose all-encompassing wisdom comes in handy during the serial-like perils of the rest of the film. Before the film's open-ended climax, we are introduced to the apparently duplicitous Lando Calrissian (Billy Dee Williams) and are let in on a secret that profoundly affects both Luke and his arch-enemy, Vader. Many viewers consider this award-winning film the best of the Star Wars movies, and its special-effects bonanza was pure gold at the box office. ~ Hal Erickson, Rovi

The second presentation of the BBC/PBS 37-installment project The Shakespeare Plays was the Bard's As You Like It. The plot, borrowed from Thomas Lodge's romance tale "Rosalynde", takes place in the forest of Arden. Rosalind (Helen Mirren) is forced by various political intrigues to disguise herself as a man. She loves Orlando (Brian Stirner), but of course can't declare herself in her "male" state. Meanwhile, Phebe (Victoria Plucknett) pines away for Rosalind, who she assumes to be a very good-looking man. Other romantic entanglements involve Rosalind's friend Celia (Angharad Rees), the buffoonish Touchstone (James Bolan), the toothsome Audrey (Marilyn Le Conte) and Silvius the shepherd (Maynard Williams). Taped on location at Glamis Castle in Scotland, As You Like It mades its American TV debut on February 28, 1979. ~ Hal Erickson, Rovi

In this fantasy adventure tale based on a novel by Edgar Rice Burroughs, Ben McBride (Patrick Wayne) sets out to find Bowen Tyler (Doug McClure), a fellow explorer who was lost during an expedition to the island of Caprone, a tropical oasis in the midst of the arctic. McBride arrives at Caprone to discover that Tyler is fending off tribes of savage cavemen, doing battle with strange prehistoric beasts, and contending with frequent volcanic erruptions. Of course, life on Caprone isn't all bad, as a glimpse of Tyler's significant other Ajor (Dana Gillespie) would suggest, but the men still face many significant challenges as they try to get off the island and back to civilization. The People That Time Forgot was Doug McClure's third go-round in an Edgar Rice Burroughs adventure vehicle, following adaptations of The Land That Time Forgot and At the Earth's Core. ~ Mark Deming, Rovi

George Lucas' mythological popcorn movie is a two-hour roller-coaster ride that has passed into movie legend. The story, for the tiny number of people not familiar with it, concerns a farm boy named Luke Skywalker (Mark Hamill) who discovers that the used robot recently purchased by his family plays back a message from one Princess Leia (Carrie Fisher), begging for help from Obi-Wan Kenobi. Luke asks his father's friend Ben Kenobi (Alec Guinness) about this, and he discovers that Ben and Obi-Wan are one and the same. Kenobi tells Luke of the battle of the rebels against the ruling Empire and the spiritual energy called "The Force." Soon Luke, Kenobi, and a mercenary named Han Solo (Harrison Ford) join forces to rescue Princess Leia from the Empire's mammoth warship, the Death Star, controlled by evil genius Darth Vader (David Prowse, with the voice of James Earl Jones). George Lucas has frequently cited the influence of several films on Star Wars, particularly Akira Kurosawa's The Hidden Fortress and Yojimbo and John Ford's The Searchers, as well as the original Flash Gordon serials. After Star Wars became a success, Lucas announced his intention to turn the film into a series, originally totalling nine films (later pared back to six). Consequently, most reissue prints now feature the title Star Wars: Episode IV -- A New Hope, with The Empire Strikes Back (1980) and Return of the Jedi (1983) serving as Episodes Five and Six in the serial, and Star Wars: Episode I -- The Phantom Menace (1999) going back to the myth's beginnings. ~ Mark Deming, Rovi

The sixth entry in Hammer Films' Frankenstein series, this film finds Baron Frankenstein (Peter Cushing) in charge of a lunatic asylum. When young doctor Simon Helder (Shane Bryant) is institutionalized for attempting to create synthetic life, Frankenstein is delighted: now he'll have an assistant for his own diabolical experiments. This time out, the monster is played by David Prowse, who later went on to international fame as Darth Vader in Star Wars (though of course Vader's voice was provided by James Earl Jones). A new wrinkle to the old story is the Monster's cannibalistic tendencies, allowing for a number of gruesome, gore-encrusted horror highlights. ~ Hal Erickson, Rovi

In the conclusion of the six-part story "The Time Monster," those eternal enemies the Doctor (Jon Pertwee) and The Master (Roger Delgado) are forced to rely upon each other to survive the rampaging "time-eater" Kronos the Kronavore. In a final showdown, the two TARDISes owned by the rival Time Lords are trapped in a nebulous void with the triumphant Kronos determining the fate of all concerned. Whether or not the story ends happily is entirely in the eye of the beholder. Written by Robert Sloman, Doctor Who: The Time Monster, Episode 6 originally aired on June 24, 1972, as the final episode of Doctor Who's ninth season. ~ Hal Erickson, Rovi

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, Rovi

This bawdy entry in the long-running series of British "Carry On" comedies is set in the court of King Henry the VIII and centers on the gang's attempt to freshen up the odiferous Queen Marie and thereby save her head. ~ Sandra Brennan, Rovi

This uneven spy saga finds secret agent Charles Hood (Vince Edwards) on the trail of the criminal master spy Hammerhead (Peter Vaughan). He tries to discover some NATO secrets in between his hobby of collecting antique erotica from around the world. Hood must stop the evil Hammerhead before he uses the secret information to spark an incident of international terrorism. In order to stop Hammerhead's sordid plan, he poses as a courier delivering erotica to the spy. Distaff interests are provided by Diana Dors and Judy Geeson in this feature that fails to take advantage of some beautiful scenes of Portugal. ~ Dan Pavlides, Rovi