Jed Prouty Movies

Zachary Scott plays Max Thursday, an alcoholic ex-police detective working as a bouncer at a sleazy rooming house owned by Smitty (Mary Boland), a likeable, earthy old lady. Thursday's former wife, Georgia (Faye Emerson), shows up one night, while her ex-husband is in an alcoholic stupor, to tell him that their three-year-old son Jeff is missing, taken by her brother, Fred, on some errand from which he did not return. Thursday goes after his ex-brother-in-law's employer, Doc Elder (Jed Prouty), a broken-down physician with a shady past, who manages to get the former cop drunk before knocking him cold. Awakening in a police cell, Thursday is questioned by his former boss, Capt. Mark Tonetti (Sam Levene), about where he was last night, and who might've murdered Doc Elder. Thursday has no choice but to stay sober as he tries to trace the leads he has left. No one admits to knowing anything about the person named Saint Paul, who Elder was meeting, so he tries to find the man Elder was afraid of, Otto Varkas, a notorious smuggler. Varkas (J. Edward Bromberg) isn't much help, though he reveals that he is worried about a hired killer named Stitch Olivera (Elliott Sullivan). While leaving Varkas' office, Thursday spots Angel (Kay Medford), a "business girl" he last saw near Elder's building. He finds out that she's the girl Fred was seeing, and that she's got him on ice, wounded, but he hasn't said anything about a kid; he also won't reveal the whereabouts of the package that he was picking up for Doc Elder (a diamond necklace worth 400,000 dollars) which was to go to Saint Paul. Before they can get to Fred, two of Varkas' men grab him, and Thursday is just drunk enough from his stop with Angel to be unable to stop them. He tries to get to Varkas, but the gang leader and his men are killed and Fred is taken by Olivera. Thursday fights off the hit man in a vicious battle in a Brooklyn subway station that leaves him with a clue that to his astonishment seems to point Thursday back where he started: to the rooming house where he lives. He pieces it together through a fading alcoholic haze, and figures out what's been bothering him about Olivera being a step ahead of him each time he was getting close to Fred: Smitty is Saint Paul, and has been manipulating Thursday since he left with Georgia. The wounded Fred tells the ex-cop what he knows, and Thursday, sober and focused for the first time, takes Olivera in a sudden explosion of gunfire. Ignoring Smitty's offer of a half-share from the sale of the jewels, he calls police headquarters and then his wife, so they can go and get their son together. ~ Bruce Eder, All Movie Guide

RKO Radio's film series based on the popular radio serial Scattergood Baines rolled into 1942 with Scattergood Rides High. Guy Kibbee returns as Scattergood Baines, the grocer-sage of the small town of Coldriver. On this occasion, Baines champions the cause of orphan boy Dan Knox (Charles Lind), who has been cheated out of his family's racing stable and horse-breeding farm. Using common sense and a bit of genteel larceny, Scattergood out-slickers the crooks who've victimized Dan. He also puckishly stage-manages the romance between Dan and wealthy city gal Helen Van Pelt (Dorothy Moore). Mild comedy relief is provided by black youngsters Philip Hurlic and Paul White. ~ Hal Erickson, All Movie Guide

Though musical-comedy favorite Jane Frazee was well established at Universal in mid-1942, every so often she'd head to Republic to star in such confections as Moonlight Masquerade. Frazee is cast as Vicki Forester, daughter of oil-company executive Robert Forrester (Jed Prouty). When the girl was born, Forrester entered into an agreement with his partner John Bennett Sr. (Paul Harvey) that Vicki would marry Bennett's son John Jr. (Dennis O'Keefe) upon reaching her 21st birthday. Never having met, Vicki and John imagine the worst about each other, and both try to figure out a way to earn their respective family inheritances without going through with the wedding. It is inevitable, then, that our heroine and hero will assume phony names somewhere along the line, then fall in love without realizing their true identities. Eddie Foy Jr. provides occasional respites from the film's standard mistaken-identity routines with his manic characterization of "Lord Percy Tickleberry". ~ Hal Erickson, All Movie Guide

In this entry in the "Weaver Family" series, the town of Farmington is being plagued by a crime wave. The angry citizens are ready to impeach the mayor, June Weaver, and the police chief, Leon Weaver. To end the crime and preserve her career, June feigns corruption and hires a real gangster to get rid of the local mobs. Unfortunately, a bona fide crooked councilman intervenes and makes real mob connections causing an earnest journalist to launch a front page attack. Things look bleak until the police chief rallies to the rescue and arrests all the guilty parties. ~ Sandra Brennan, All Movie Guide

Several popular radio personalities converge in the RKO Radio "comedy salad" Look Who's Laughing. Taking a vacation from his radio series, ventriloquist Edgar Bergen sets out in his private plane, accompanied by his dummy Charlie McCarthy. Developing engine trouble, Bergen makes a forced landing in the town of Wistful Vista, home of Fibber McGee and Molly (Jim and Marian Jordan). Here he gets mixed up in a municipal dispute between Fibber and Throckmorton Gildersleeve (Harold Peary) over the impending construction of a local aircraft factory. Before the film's multitude of complications can be straightened out, Fibber and Molly find themselves aloft in a runaway plane, while Charlie McCarthy falls in love with a squeaky-voiced little girl (who turns out to be Molly in disguise). Best scene: A disconsolate Charlie getting "wasted" on ice-cream sodas while counterman Sterling Holloway looks on sympathetically. Lucille Ball is largely wasted as Bergen's secretary, while Fibber McGee and Molly's radio announcer Harlow Wilcox shows up in a character bit. A box-office bonanza, Look Who's Laughing spawned an abundance of future screen assignments for Bergen, McCarthy, Fibber, Molly, and "Gildersleeve." ~ Hal Erickson, All Movie Guide

Universal's "Baby Sandy" series officially ended with Sandy Gets Her Man, but the infant star still had one picture left on her contract, so that's why Bachelor Daddy was born. Edward Everett Horton, Donald Woods, and Raymond Walburn carry the burden of the plot as the Smith Brothers, Joseph, Edward and George. Confirmed bachelors, the Smiths are forced to play nursemaid when a baby is accidentally abandoned at their doorstep. The laughs arise from the brothers' bumbling efforts at parenthood, culminating in a slapsticky finale wherein the runaway Baby Sandy takes charge of a hand-operated elevator. Ironically, one of the minor players in Bachelor Daddy is teenager Juanita Quigley, who once enjoyed brief stardom at Universal as "Baby Jane". ~ Hal Erickson, All Movie Guide

James Stewart once classified Pot O' Gold as his worst film, though this may have stemmed from his reported inability to get along with his costar Paulette Goddard (who is supposed to have dismissed Stewart's acting technique with a flippant "Anyone can swallow.") Inspired by the popular radio giveaway series of the same name, the film represented an ill-fated production venture for James Roosevelt, son of President Franklin D. Roosevelt. Stewart plays Jimmy Haskell, nephew of breakfast-food mogul C. J. Haskell (Charles Winninger). Befriending bandleader Horace Heidt (playing himself) and his orchestra members, Jimmy and his sweetheart Molly McCorkle (Paulette Goddard) tries to persuade C. J. to sponsor Heidt's radio program. The elder Haskell refuses until Jimmy and Molly's landlady mother (Mary Gordon) come up with a sure-fire "gimmick" for the program: they'll pick names from the phone book at random, call up those numbers, and give away huge prizes to whomever answers-provided that the call-ees are tuned into Heidt's show. This format worked beautifully for the real Pot O' Gold radio program, but tends to fall flat on screen, despite the energetic musical contributions of Horace Heidt and his entourage (including a very young and astonishingly articulate Art Carney, in his film debut). In England, Pot O' Gold was retitled The Golden Hour. ~ Hal Erickson, All Movie Guide

Warren William is back as suave thief-turned-sleuth Michael Lanyard, alias the Lone Wolf, in Columbia's The Lone Wolf Keeps a Date. Freshly arrived at the Miami airport after a sojourn in Havana, Lanyard and his general factotum Jamison (Eric Blore) rescue beautiful Pat Lawrence (Frances Robinson) from a pair of hooligans. It turns out that the thugs were after the satchelful of ransom money carried by Pat, with which she hopes to rescue a kidnapped millionaire. Invetibly, the money is stolen, leading Lanyard and Jamison on a merry chase all through Miami and its environs. Along the way, Lanyard tries to spring Pat's boyfriend Scotty (Bruce Bennett), who's been thrown in jail because the authorities think he was responsible for the kidnapping. In the final scenes, Lanyard exposes the genuine miscreant, and also unearths an insidious fraud scheme. ~ Hal Erickson, All Movie Guide

This "Jones Family" entry does without the services of Pa Jones, inasmuch as actor Jed Prouty was having contract problems with 20th Century-Fox. When Mr. Jones is hospitalized by a heart attack, the rest of the Jones clan must figure out a way to pay the ever-mounting medical bills. They head to California, where they open up a bungalow court. Hoping to improve their business (which is virtually nonexistent), the Joneses open their doors to families with children and pets. As a result, a rival landlord sues the family for "noise pollution", leading to a raucous courtroom finale. On Their Own was the last screen appearance for Florence Roberts (Grandma Jones), who passed away two days after the film's release. ~ Hal Erickson, All Movie Guide

This domestic comedy is the final episode of the 17-film "Jones Family" series. The story begins as restless Father decides to leave the simplicity of small-town life for the sophistication and excitement of the city, so he sells the family drugstore and moves his family to the Big Apple. Soon they find themselves surrounded by con men, and sleazy women trying to steal everything they own. Mayhem ensues until they decide they've had enough and hightail it for the safety of home. ~ Sandra Brennan, All Movie Guide

The Jones family goes to Tinseltown in this entry in the series. They go so Father can attend an American Legion meeting. While there, the daughter has a terrible screen test. Later the family visits a movie studio and chaos ensues. ~ Sandra Brennan, All Movie Guide

Hollywood Cavalcade was a fictionalized history of silent films and the growth of the movie industry. Don Ameche portrays a character based on equal portions of Mack Sennett and D. W. Griffith, while Alice Faye's silent star is an amalgam of Mabel Normand and Gloria Swanson. Ameche breaks into pictures with slapstick comedies, initiating the first "pie throwing" scene, with Buster Keaton the thrower and Alice Faye the throw-ee. Thanks to Ameche, Faye becomes a major comedy star, appearing in wild Keystone Kops chase comedies. But success goes to Ameche's head, and soon he's staging elaborate Intolerance-like historical spectacles. As Ameche's artistic aspirations climb, his relationship with the faithful Alice deteriorates. She finds solace with her young leading man (Alan Curtis) and becomes a top dramatic star. Having made and lost several fortunes, Ameche talks Alice into appearing in his "comeback" picture, but shortly before filming ends, she and her husband are in a serious auto accident. The husband is killed, and as Faye recuperates, Ameche agonizes over how he'll save his uncompleted masterpiece. He witnesses the premiere of Al Jolson's part-talking The Jazz Singer and decides to risk everything by scrapping his film and remaking it as a talkie. Faye, who's never really stopped loving Ameche, agrees to star in this new project. On a level of accuracy, Hollywood Cavalcade is for the birds, but it scores on its energetic performances and nostalgic appeal. As a bonus, several past movie greats appear in cameos: Al Jolson, Buster Keaton, Mack Sennett, Ben Turpin, Chester Conklin, Jimmy Finlayson, Hank Mann and even Rin Tin Tin Jr. ~ Hal Erickson, All Movie Guide