Colette Proust Movies

1975  
 
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The second of director Bernard Tavernier's first three critically acclaimed films, this historical costume drama was the winner of four Cesars. Philippe Noiret stars as Philippe d'Orleans, regent to nine-year-old King Louis XV in 1719, four years after the death of the regent's grandfather, Louis XIV. A hedonist and free thinker who is somewhat limited by his love of sexual excess, his noble stature, and his complete lack of empathy for those on the lower social strata, Philippe serves during a time of rebellious talk and famine, swimming against the tide of social upheaval to maintain the status quo by allying himself with the Abbé Dubois, a foreign minister (the son of a peasant), who claws his way to the post of archbishop because its God-given power and authority isn't contingent on men. Meanwhile, the Marquis de Pontcallec (Jean Pierre Marielle) begins to set forth plans to secede from France and incorporate the Republic of Brittany. The musical score of Que la Fete Commence. . . was composed by the real-life Philippe d'Orleans.

~ Karl Williams, Rovi

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Starring:
Philippe NoiretJean Rochefort, (more)
 
1967  
 
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Arriving nearly a decade after Mon Oncle, Playtime continues the adventures of M. Hulot. More than a decade seems to have passed since its predecessor, however. The colorful Paris of Mon Oncle, last seen being slowly chipped away by progress, has now vanished almost entirely. Playtime takes as its setting an ultra-modern Paris where familiar landmarks appear only as fleeting reflections in the new buildings of glass and steel. Alternating between Hulot and a group of American tourists, Tati exploits the chaos just below the overly ordered surface of this brave new world. Again moving from one nearly wordless episode to another, Tati sends his alter ego off to make an appointment in a whirring, featureless office complex. He subsequently moves on to an exhibition of new inventions, meets an old friend at an aquarium-like apartment, wreaks havoc in a snooty new restaurant, and, again, almost falls in love. The most ambitious and technically complex of the Hulot films, it proved unprofitable and helped usher in the financial difficulties that would plague Tati late in life before later getting the recognition it enjoys today. ~ Keith Phipps, Rovi

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Starring:
Jacques TatiBarbara Dennek, (more)