Michael Prince Movies

The Haunted is a Fox Network TV-movie purportedly based on eyewitness testimony. The story goes that in the mid-1980s, the Smurl family of Pittston, Pennsylvania began noticing something askew in their four-bedroom Victorian home. Apparently there are agents of Satan at work, bedeviling the family and smashing the crockery. None of the Smurls believes in ghosts--"until," as the ad copy for this film proclaims, "they have no choice." Since this film was shown on Fox, the "standards and practices" people were a wee more lax than they would have been on another network; hence the "Parental Discretion Advised" tag on the film's original telecast. The Haunted is some distance removed from believability, but stars Sally Kirkland and Jeffrey DeMunn seem to be having a high old time playing scared. ~ Hal Erickson, All Movie Guide

In this excellent thriller, crisply directed by Sidney Lumet, Alex Sternbergen (Jane Fonda), a washed-up, alcoholic actress who never quite made it, wakes up one morning in an unfamiliar, luxurious loft apartment, only to find the corpse of a stranger next to her in bed. Alex can remember nothing of the night before. In a panic, she tries to flee but is unable to get a flight out of Los Angeles, and short of cash, she hitches a ride with Turner Kendall (Jeff Bridges), a disabled former policeman who happens to be fixing his car in the airport parking lot. Alex tries to get rid of Turner and returns to the loft which she cleans in a futile attempt to get rid of her finger prints. Turner continues to take an unappreciated interest in Alex and keeps turning up unexpectedly, much to her annoyance. Finally, desperate and on the run, and never sure that she didn't commit the murder, Alex allows Turner to help her. Alex also confides in and is helped by her ex-husband and friend Joaquin Manero (Raul Julia), the only man she completely trusts. Despite Alex's suspicion of Turner, she slowly falls in love with him. The movie quickly moves to a surprising conclusion, and creates a good deal of suspense, particularly when Alex is confronted with a corpse that just won't stay put. The highlight of the film is the performance by Jane Fonda reminiscent of her magnificent performance as Bree Daniels in Klute. The Morning After never rises to the quality of Klute, but Fonda's performance was strong enough to earn her an Oscar nomination. ~ Linda Rasmussen, All Movie Guide

James Coburn stars in this TV movie as the powerful head of a major law firm. Glynnis O'Connor is the firm's prize attorney--and also the lover of Coburn's son Ted Wass, a blue-collar worker long estranged from his father. Coburn stages a reconciliation with his son, but it's only so he can enjoy Glynnis' sexual favors himself. After only token resistance, Glynnis defers to Coburn's desires. The question raised by Sins of the Father: which of the two lawyers is the most opportunistic? ~ Hal Erickson, All Movie Guide

John Travolta and Olivia Newton-John attempt to rekindle the box office sparks of Grease with this screwball fantasy comedy. The tale begins during a golf match in heaven among four angels --Charlie (Charles Durning), Earl (Scatman Crothers), Gonzales (Castulo Guerra), and Ruth (Beatrice Straight)-- who have been in charge of heaven for the last twenty-five years. But their game is interrupted by God (voice of Gene Hackman), who has now returned to the office and doesn't like what he sees down on earth. God wants to order up another flood and start all over again, but the angels persuade God to reconsider, reasoning that if a typical earth man can reform, it would prove that all mankind is capable of it. God agrees to the scheme and the typical man selected is Zack Melon (John Travolta) a failed inventor who, threatened by loan sharks, decides to hold up a bank. Zack points his gun at bank teller Debbie Wylder (Olivia Newton-John) and she gives him all of the money. But when Zack peers into the sack after the robbery, he sees that Debbie has substituted bank deposit slips for the cash and realizes that she has kept the money for herself. Zack tracks her down to reclaim his stolen money and the two fall in love. ~ Paul Brenner, All Movie Guide

Paul Kersey's (Charles Bronson) self-appointed one-man vigilante squad goes bi-coastal in Michael Winner's sequel to his Death Wish. Kersey has taken up residence in Los Angeles, but lunatic violence follows him across the country like toilet paper sticking to his shoe. Kersey's Spanish cook is immediately gang-banged and killed, while his daughter, still suffering from a catatonic stupor after her brutal rape in the first film, finds herself raped yet again. Vincent Gardenia as New York detective Frank Ochoa, reprises his role from the first film here -- traveling to Los Angeles to locate Kersey but finding death waiting for him off a LA freeway ramp. After all this mayhem, Kersey cannot cringe in hiding for long, and once again he loads up his tube socks with rolls of quarters and goes hoodlum hunting. ~ Paul Brenner, All Movie Guide

Alan J. Pakula directs the political thriller Rollover, produced by leading lady Jane Fonda's production company, IPC Films. Featuring a racist plot and negative stereotypes about the Arab world, this film reflected the American fear of the Middle East prevalent in the early '80s. Fonda stars as former film star Lee Winters, who inherits a multimillion-dollar company when her corporate bigwig husband is murdered. She teams up with banker Hubbell Smith (Kris Kristofferson) in order to find her husband's killer and survive in the world of high-stakes international finance. They become lovers and travel together to Saudi Arabia to secure a loan and to guarantee Lee's spot as the company's board chairman. However, they end up discovering an Arab company's plan to withdraw money from the world's banks in order to destabilize the Western economy. Rollover also stars Hume Cronyn and Josef Sommer. This story also foreshadowed Jane Fonda's marriage to corporate bigwig Ted Turner in 1991. ~ Andrea LeVasseur, All Movie Guide

In the first episode of a two-part story, Almanzo (Dean Butler) asks Charles' permission to marry Laura (Melissa Gilbert), but Charles insists that she cannot wed until she is 18 -- two years from now. Upset that Laura concedes to her father's wishes, Almanzo leaves town. Meanwhile, Mrs. Oleson (Katherine MacGregor) hires a new restaurant worker named Percival Dalton (Steve Tracy) -- who promptly falls in love with Mrs. Oleson's daughter, Nellie (Alison Arngrim). And outside of Walnut Grove, Adam Kendall (Linwood Boomer), the husband of Laura's sister Mary (Melissa Sue Anderson), receives some discouraging news. ~ Hal Erickson, All Movie Guide

My Old Man was adapted from Ernest Hemingway's short story of the same name by Jerome Kass. Hemingway's story told of a down-on-his-luck horse trainer who is given a second chance at making something of his life by his son. This made-for-TV version changed the son to a daughter, played by Kristy McNichol; the "old man" was portrayed by Warren Oates. Eileen Brennan also stars as a waitress who acts as surrogate mother for McNichol--and who'd like to act as wife to Oates. Filmed at Saratoga Springs, New York, My Old Man premiered on December 7, 1979. An earlier, less sentimental theatrical-feature version of the same Hemingway tale was filmed in 1950 as Under My Skin, with John Garfield in the lead. ~ Hal Erickson, All Movie Guide

The producers of The Greek Tycoon insisted that their film was not based on any "actual persons, living or dead." Yeh, right. Anthony Quinn stars as Greek shipping-magnate Theo Tomassis, who becomes the second husband of socialite Liz Cassidy (Jacqueline Bisset). It seems that Liz is the widow of young, charismatic American president James Cassidy (James Franciscus), who was felled by an assassin's bullet. When Tomassis marries the former Mrs. Cassidy, it is over the strident protests of his former love, Paola Scotti (Luciana Paluzzi), not to mention the millions of American who consider Liz to be an icon. Too long at 106 minutes, The Greek Tycoon was nonetheless expanded to 112 minutes for home video. ~ Hal Erickson, All Movie Guide

"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible: by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working Everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations; the challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen. ~ Lucia Bozzola, All Movie Guide