Erich Ponto Movies

1957  
 
17th century author Daniel Defoe is assisted by a group of children in this drama. ~ Rovi

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1952  
 
Aka House of Life, this German film takes place in a busy maternity hospital. The multicharactered, multistoried narrative is somewhat reminiscent of the 1930s Hollywood production Life Begins. The expectant mothers run the usual stereotypical gamut, from the unwed mom worthy of love and motherhood to the selfish socialite who really shouldn't be permitted to procreate. Linking the stories together are Dr. Haidt (Gustav Froelich) and his female assistant (Cornell Borchers), who has her own deeply personal reasons for her choice of profession. Not unexpectedly, romance blooms between hero and heroine. ~ Hal Erickson, Rovi

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Starring:
Gustav FroehlichCornell Borchers, (more)
 
1950  
 
The reminiscences of a maid provide the basis for this German drama. The story is told via flashback. The maid recalls the affair between she and the employer who fell in love with her. They are separated, but then they come back together. All of this is from the imagination of the screenwriter who while sauntering about looking for inspiration, sees a couple walking on the street. His resulting story is interspliced with an actor who interprets the story. ~ Sandra Brennan, Rovi

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Starring:
Hildegarde NeffWilly Fritsch, (more)
 
1949  
 
It must be noted that the "Paul Verhoeven" credited with the direction of the German Palace Scandal is not the current Dutch director of Robocop and Basic Instinct fame. Now that that's been established, on to the plot. Set in the 19th century, this amiable comedy stars Elfie Meyerhoffer as Christine Holm, a popular singer who returns to her hometown. Christine wants to learn the true identity of her father, and when she does, it's quite a jolt for everyone concerned. A clue to daddy's identity can be found in the film's title. Filmed in eye-pleasing Agfacolor, Palace Scandal might have made an entertaining operetta with the addition of a few more songs. ~ Hal Erickson, Rovi

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Starring:
Erich Ponto
 
1949  
 
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In this Cold War spy classic, Holly Martins (Joseph Cotten), a third-rate American pulp novelist, arrives in postwar Vienna, where he has been promised a job by his old friend Harry Lime (Orson Welles). Upon his arrival, Martins discovers that Lime has been killed in a traffic accident, and that his funeral is taking place immediately. At the graveside, Martins meets outwardly affable Major Calloway (Trevor Howard) and actress Anna Schmidt (Alida Valli), who is weeping copiously. When Calloway tells Martins that the late Harry Lime was a thief and murderer, the loyal Martins is at first outraged. Gradually, he discovers not only that Calloway was right but also that the man lying in the coffin in the film's early scenes was not Harry Lime at all--and that Lime is still very much alive (he was the mysterious "third man" at the scene of the fatal accident). Thus the stage is set for the movie's famous climactic confrontation in the sewers of Vienna--and the even more famous final shot, in which Martins pays emotionally for doing "the right thing." Written by Graham Greene, The Third Man is an essential classic, made even more so by the insistent zither music of Anton Karas. The film is currently available in both an American and British release version; the American print, with an introduction by Joseph Cotten, is slightly shorter than the British version, which is narrated by director Carol Reed. Nominated for several Academy Awards, The Third Man won Best Cinematography for Robert Krasker. ~ Hal Erickson, Rovi

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Starring:
Joseph CottenAlida Valli, (more)
 
 
1942  
 
This biography looks at the life of Rudolf Karl Diesel, and the story of his invention and development of the motor he developed. ~ Rovi

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1938  
 
In this Swedish drama, four graduates of an industrial design school team up and form a small business. The protagonist is so excited by the venture that she turns down the proposal of her dashing instructor. Time passes and her three partners lose interest in the business for different reasons. This leaves the heroine who has a change of heart and decides to forgo the business and marry the instructor after all. ~ Sandra Brennan, Rovi

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1936  
 
In this drama, a poor mother gives her child up for adoption and travels to America with her spouse. The child is taken in by an orchestra conductor and his wife. When the lad's biological father kills himself, his real mother comes back and gets a job as his nurse. Meanwhile, the conductor's wife, feeling great remorse over her frequent affairs, takes her life. The nurse and the conductor are initially accused of murder, but they are acquitted. At the story's end, the marry. ~ Sandra Brennan, Rovi

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1935  
 
The English-language title of this complex German romantic melodrama is Love, Death and the Devil. After three years at sea, sailor Kaethe Von Nagy stops over at a strange novelty shop where he comes into possession of an old, old bottle. Legend has it that the genie in the bottle will grant three wishes, whereupon the owner's soul will be turned over to Satan until said owner is able to sell the bottle for a lower price to someone else. Thanks to his new possession, Von Nagy inherits a fortune and marries gorgeous native girl Brigette Horney. But when it becomes obvious that he and Horney will be forever damned unless he gets rid of the bottle, he searches around desperately for a buyer. Alas, the most recent asking price for the bottle was a half-penny -- and there's nothing of lower value than that! Liebe Tod and Teufel is based on Robert Louis Stevenson's The Bottle Imp. ~ Hal Erickson, Rovi

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Starring:
Kaethe von NagyAlbin Skoda, (more)
 
1931  
 
Released in English-speaking countries as The Man Who Murdered, this German melodrama was based on a play by Pierre Frondale (itself inspired by a novel by Claude Farere). Set in pre-WWI Constantinople, the story concerns French diplomatic attache Conrad Veidt, who seduces Trude von Molo, the wife of British aristocrat Heinrich George. Confronted by George, Veidt kills the man, then turns himself into the authorities. But because George was known to be a sadist and a wife-beater, a compassionate Turkish official allows Veidt to return to Paris -- and the arms of Molo -- without fear of arrest or repercussions. Director Kurt Bernhardt regarded Der Mann der den Mord Beging as one of his best films, not so much because of what happens in the film, but because of the omnipresent atmosphere of tension over what might happen. ~ Hal Erickson, Rovi

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Starring:
Conrad VeidtHeinrich George, (more)