Larry Pine Movies

To an even greater degree than Oskar Schindler, Dr. Israel Kasztner played a key role in saving the lives of well over 1,000 Jews from the Holocaust (1,600 in Kasztner's case; 1,200 in Schindler's), but a fascinating and deeply sad irony lay buried in the differences between the men's stories: Schindler was a Nazi party member who manipulated the Gestapo in such a way that it enabled him to save the said individuals, and he died a veritable hero; Kasztner was a Jew who bargained with Adolf Eichmann for the salvation of the 1,600 (whom he shuttled off to Switzerland on a train), and was not ultimately laurelled as a hero, but branded a traitor by his own people. This occurred largely because the notion of bargaining with the Nazis struck many as morally unacceptable (indeed, a greater moral infraction, in the eyes of some, than simple party membership). Kasztner's tale thus speaks volumes about the complex loyalties, conflicting allegiances, and deep-seated confusion at the heart of World War II, and those are the gray areas explored by director Gaylen Ross in this penetrative documentary account of Kasztner's life. The film ultimately poses key questions about the extent to which collaboration with the enemy is morally acceptable in a time of war; it reveals the extent to which Kasztner touched innumerable lives, and features deeply moving interviews with Kasztner's family (who are still attempting to restore his legacy), even as it also features conversations with Kasztner's political opponents and detractors. ~ Nathan Southern, All Movie Guide

A circle of friends who met in college struggle to come to terms with their successes, their failures, and their ambitions as they approach their 30th birthdays in this independent drama. Yuppie Julie (Nicole Bilderback) has been scaling the corporate ladder with skill and enthusiasm since graduation, and her longtime boyfriend and husband-to-be, Andrew (Ryan Locke), wants to take what he's learned from his years as a businessman and apply it to a new firm he plans to launch. However, Andrew is lured away from his plans by fast-talking financier Louie (Terry Serpico), who takes advantage of Andrew's workaholic nature and causes a rift between him and Julie. Julie's brother Tony (Andrew Wei Lin) hasn't had much success with long-term relationships until he meets Robert (Bill Sage), a handsome and charming academic. However, Tony is troubled by the fact Robert is almost two decades older than he is, and has been diagnosed as HIV-positive. Ben (Colin Fickes) is overweight, painfully shy and lonely, and is hoping that Andrew will give him a job with his new company that will take him out of his rut. And Felix (Thomas Sadoski) is embarking on a tentative romance with Lucy (Cordelia Reynolds), but that, like everything else in his life, is compromised by his ongoing addiction to heroin. The New Twenty was the first feature from writer and director Chris Mason Johnson. ~ Mark Deming, All Movie Guide

A man tries to rebuild his life and reconnect with his family after a stretch in prison in this independent drama. Eben Cole (Thomas Hildreth) is a lobster fisherman who lives and works on a small island off the coast of Maine. Eben takes pride in his work and works hard to provide for his wife, Cheryl (Amy Jo Johnson), and daughter, Sara (Mackenzie Young). However, Eben also has a temper, and when a pair of commercial fishermen from the mainland try to take over one of his fishing spots, the argument escalates into violence. Eben's attack on the fishermen earns him five years behind bars, and his father (Larry Pine) tells him he'll no longer have anything to do with him. After serving his time, Eben is released from jail only to find that many of his worst fears have been confirmed: Cheryl refuses to see him anymore, she's moved in with Jimmy (Mark Kiely), another local lobster trapper, and she won't allow Eben to visit with Sara (now played by Emma Ford). Regarded as a black sheep by the local fisherman, Eben takes a job at a scrap yard to keep body and soul together, but it's not until Popper (Philip Baker Hall), a veteran fisherman, befriends him that he begins to regain his self-respect and show the world he's changed. Islander was screened at the 2006 Los Angeles Film Festival. ~ Mark Deming, All Movie Guide

A minor car accident brings Richard (Edward Herrmann) and Emily (Kelly Bishop) back together. Christopher (David Sutcliffe) is made to understand the seriousness of the relationship between Lorelai (Lauren Graham) and Luke (Scott Patterson). Rory (Alexis Bledel) helps Logan (Matt Czuchry) write an article for the "Yale Daily News", hoping to wangle an introduction to Logan's publisher father. And Lane (Keiko Agena) mulls over her mother's invitation to attend a Lunar New Year Party--but will she bring Zach (Todd Lowe)? ~ Hal Erickson, All Movie Guide

While Woody Allen has long fused comedy and drama in his films, he embraces the two styles in a new and unusual way in this feature. Sy (Wallace Shawn) is enjoying dinner with some friends when they begin debating the nature of the tragic and the humorous. Sy, observing that a very fine line separates the two, decides to demonstrate this notion by showing how the same essential story can be either funny or sad depending on the way certain elements are handled; for the rest of the film, we jump back and forth between two versions of the story of Melinda (Radha Mitchell), a young woman with some serious problems in her life. In the tragic version, Melinda crashes a dinner party thrown by old friends Laurel (Chloë Sevigny) and Lee (Jonny Lee Miller). When she arrives, Melinda is distraught and under the influence of pills and alcohol, much to the annoyance of Lee, an actor hoping to impress a producer who is one of his guests. After a bad breakup with her husband, Melinda lost custody of her children and came to New York City, where she became involved with Ellis Moonsong (Chiwetel Ejiofor), a handsome and well-mannered composer whose promises to her proved to be worthless. Meanwhile, on the funny side of town, Melinda shows up dazed and confused at the home of Susan (Amanda Peet) and Hobie (Will Ferrell), who are in the midst of a dinner party. Learning about the sad state of Melinda's love life after divorcing her husband and losing custody of her children, Susan decides to play Cupid and fix her friend up with a well-to-do dentist. However, neither Susan nor Melinda are aware that there is another man deeply interested in the troubled divorcée -- Hobie. Melinda and Melinda also features Josh Brolin, Vinessa Shaw, and noted theatrical director Gene Saks. ~ Mark Deming, All Movie Guide

Nola (Emmy Rossum) is a Kansas teen who runs away to New York City to escape an abusive stepfather. Once she gets to the big town, she sets about looking for a job and for her father, whom she's never met. She attacks both tasks with fierce determination, but has little success, until she stumbles upon a greasy spoon near Union Square where the eccentric owner, Gus (Sam Coppola), immediately takes a liking to her. Soon, she's waitressing at the diner and crashing in a room upstairs with the handsome fry cook, Ben (James Badge Dale), who also goes to law school when he feels like it. Nola spends her spare time using the phone book in an effort to track down the man she knows only as "Hutch." Things look up for Nola when she meets the sassy owner of the diner, Margaret (Mary McDonnell), who also runs a very classy escort service. Margaret sees something in Nola, and hires the girl as her assistant. As Nola's relationship with Ben gets more intimate, she tells him about her dream of being a successful songwriter. But things take an ugly turn when one of Margaret's escorts, a transsexual named Wendy (Michael Cavadias) offends a rich and powerful client, Niles (Thom Christopher). Niles is determined to have his revenge, and tries to use his media contacts to have an exposé written about Margaret's business. But the reporter assigned to the story, Leo (Steven Bauer), turns out to be an old friend of Margaret's. Nola, the feature debut of writer/director Alan Hruska, a former trial lawyer, had its world premiere at the 2003 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

Lilli (Jennifer Elster, who also wrote and directed the film) is unhappy. She's a struggling artist, living in New York City and cynical about everything, including her own talent. Her father (Alan Samulski) is dying, and Lilli barely acknowledges his existence, while her mother (Susan Floyd), clearly divorced from reality, pretends that her husband left town years ago. The trauma of being raised by two junkies and of her parents' eventual breakup still affects all of Lilli's relationships and her view of herself. She's got a group show opening at a major gallery, but she doesn't even know if she wants to attend. One day she meets Morrison (Gale Harold of Showtime's Queer as Folk), an obsessive-compulsive poet who lives in relative luxury but is too afraid of germs to get out of his car when he first tries to talk to Lilli. While he's better off financially, Morrison has his own family problems, as his father (Larry Pine) and mother (Leslie Lyles) are keeping crucial secrets from each other. While they're attracted to each other almost instantly, Lilli and Morrison have a tremendous struggle ahead of them to forge any kind of moderately healthy relationship. Particles of Truth had its world premiere at the 2003 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

Can a wealthy Republican politician find happiness with a chambermaid from the Bronx? One man is about to find out, though he hardly realizes it at first, in this romantic comedy from director Wayne Wang. Marisa Ventura (Jennifer Lopez) is a single mother who is raising her gifted but under-confident son Ty (Tyler Garcia Posey) on her own, with some help from her mother Veronica (Priscilla Lopez), after divorcing her husband. Marisa works as a housekeeper at the exclusive Beresford Hotel in Manhattan, where her boss Paula Burns (Frances Conroy) and chief butler Lionel Bloch (Bob Hoskins) urge Marisa and her best friend and fellow maid Stephanie (Marissa Matrone) to be as efficient and inconspicuous as possible. One day, while cleaning the room of noted socialite Caroline Lane (Natasha Richardson), Stephanie spies a beautiful designer gown and dares Marisa to try it on; against her better judgment, she does, and while all dolled up, she bumps into Christopher Marshall (Ralph Fiennes), a wealthy and well-bred bachelor who is running for the Senate. Immediately charmed, Chris asks Marisa to join him for a walk in Central Park, assuming she's the blue-blooded Caroline. Marisa manages to join Chris for the afternoon, with Ty in tow, and Chris finds himself quite taken with Marisa's beauty and down-to-earth personality, as well as Ty's precocious interest in politics. Chris later calls Caroline's room to set up a lunch date, but soon discovers the stuffy Ms. Lane is not the woman he met before. Marisa is also attracted to Chris, but while her friends encourage her to pursue a romance, Veronica believes her daughter is asking for trouble by trying to win a man so far out of her social strata. The supporting cast also includes Stanley Tucci and Amy Sedaris. ~ Mark Deming, All Movie Guide

The Pulitzer Prize-winning novel by E. Annie Proulx becomes this drama from director Lasse Hallström. Kevin Spacey stars as Quoyle, a struggling, emotionally drained newspaper reporter suffering through a wretched marriage with the abusive Petal (Cate Blanchett), a promiscuous wild woman who tries to sell their daughter, Bunny, into adoption before she's killed in a car wreck. Retrieving his daughter, Quoyle sets out for Newfoundland, his ancestral home, with his long-lost Aunt Agnis (Judi Dench). Although he initially finds life on the island to be as forbidding and severe as Agnis herself, Quoyle gets work as a shipping columnist for the local newspaper "The Gammy Bird," owned by eccentric fisherman Jack Buggit (Scott Glenn). Quoyle's work soon finds an appreciative audience and he begins to rebuild his life, dating local single mother Wavey (Julianne Moore), learning some sea craft, discovering his family's dark history, and finally earning some self-respect. Agnis, in the meantime, starts her own successful business and faces a traumatic incident from her childhood involving Quoyle's late father. The Shipping News (2001) co-stars Rhys Ifans and Pete Postlethwaite. ~ Karl Williams, All Movie Guide

The D.A.'s office has quite a full docket in this episode. Vital ingredients include an assault on a former attorney, a messy divorce, the death of a patient during a routine operation, charges of criminal negligence leveled against two doctors, and a significant name spoken in passing. As A.D.A. Abbie Carmichael, actress Angie Harmon provides most of the episode's dramatic intensity. ~ Hal Erickson, All Movie Guide

Writer-director Jonathan Nossiter's first feature film is a moody exploration of assaults upon, and shifts in, personal identity. The movie's action all takes place on a Sunday in a poor section of the New York City borough of Queens. Oliver (David Suchet) is a newly homeless middle-aged man who was downsized out of his job as a mid-level functionary at a computer corporation and lost his wife and family because of his employment troubles. Out walking in the borough, Oliver collides with Madeleine Vesey (Lisa Harrow), an out-of-work British actress who is in the process of breaking up with her American husband, Ben (Larry Pine). Madeleine mistakes Oliver for Matthew Delacorta, a famous film director, and Oliver goes along with the mistake, hoping that it will help him to escape his misery. Madeleine hopes that she can make an impression that will land her a film role, so she invites her new friend up to her apartment. When Oliver tells her his life story, she mistakes it for an invented movie plot because Madeleine lives her life in a fantasy world, pretending reality is a film. After the two lost souls have sex without emotion, Ben shows up. He tells Oliver that his recent open-heart surgery wounds were caused by a knife attack from Madeleine. Oliver leaves as the estranged couple argues, but he returns to retrieve his precious winter coat, and he becomes further entangled in the fantasy of a new identity. Sunday won the Grand Jury prize at the 1997 Sundance Film Festival. ~ Michael Betzold, All Movie Guide

Director Barbet Schroeder and screenwriter Ted Tally adapted the novel by Rosellen Brown into this intriguing drama that, while heavily criticized for a third-act revelation that is something of a cop-out, nevertheless features -- typically of Schroeder's work -- compelling performances, domestic discord, and a search for the truth. Meryl Streep stars as Carolyn Ryan, a rural Massachusetts pediatrician married to Ben (Liam Neeson), a handsome, rugged sculptor. Although theirs is not a picture-perfect marriage, the Ryans consider themselves happy, until police arrive at their home one morning to inform them that their son Jacob (Edward Furlong) was the last person seen the night before with a teenage girl who has been murdered. Jacob is missing, and the Ryans frantically search for him, but when the boy returns, it is obvious that he's not being completely truthful about the night's events. While Carolyn wants the truth, Ben is willing to go to whatever lengths are necessary to defend Jacob, hiring an expensive lawyer (Alfred Molina), destroying evidence, and encouraging Jacob to be deceitful. Carolyn and Ben's opposing views of their son's legal trouble cause serious turmoil in the Ryans' marriage, which may be irreparably harmed in spite of the 11th hour appearance of the truth. ~ Karl Williams, All Movie Guide