Wendell Pierce Movies

Filmmaker Luke David looks back on the team that changed the sport of lacrosse forever in this documentary detailing the inspirational story of the Morgan State University Bears. The Bears were America's first and only college lacrosse team at a historically black university, and few could have predicted what a profound impact they would ultimately have on the sport. It all began when a young white administrator was offered a position as head lacrosse coach at Morgan State University in Baltimore. Though initially reluctant to accept the position, the coach eventually helped guide his players to success through one of the most racially charged periods in American history. Interviews with the players, their parents, their peers, and their coaches highlight how perseverance, determination, and unyielding optimism helped the Morgan State Bears overcome incredible odds and make sports history. ~ Jason Buchanan, All Movie Guide

Actor/comedian Chris Rock directs and stars in this American remake of Eric Rohmer' s classic French comedy Chloe in the Afternoon. Richard Cooper (Rock) is a high-powered investment banker with a beautiful wife and two wonderful children. Though on the surface it would appear that Richard could want nothing more out of life, his thoughts always seem to drift toward sex. Whether it's during his daily commute into the city, his endless barrage of meetings, or even his downtime changing diapers at home, Richard's mind is constantly preoccupied by fantasies about the women he sees on the commuter train, on the city streets, and in the boardroom. Richard's daily life has gradually devolved into a blur of mind-numbing banality, and these days sexual fantasy has become his sole means of escaping the constant pressures of work and fatherhood. Though Richard never had any real intention of cheating on his faithful but preoccupied wife Brenda (Gina Torres), a chance run-in with his old friend Nikki (Kerry Washington) -- a drop-dead gorgeous stunner who appears at his office door one day seeking career advice from the successful banker -- finds his steely resolve fast turning flimsy. It's not long before the smitten Richard and the smoldering Nikki are meeting for clandestine lunches, and temptation begins to turn Richard's once-predictable life upside down. As his uncontrollable fantasies begin to lead him down the dangerous path of infidelity, the man who once kept his libido safely in check finds it increasingly difficult to refrain from acting on his impulses. ~ Jason Buchanan, All Movie Guide

A group of teens discover that the next generation of survival horror games are more realistic than they thought when they begin dying in the same manner as their pixilated counterparts in director William Brent Bell's bloody tale of video games gone bad. In the days following the mysterious death of an old friend, a young group of gaming enthusiasts comes into possession of a chillingly realistic game based on the exploits of a 17th century noblewoman who earned the name "The Blood Countess" for her murderous exploits. Their curiosity piqued by the fact that they were obviously not supposed to come into possession of the grisly game, the teens soon give in to temptation and begin doing battle for high score. When the chilling events of the game begin to bleed over into the real world and the real-life deaths of the players begin to mirror the deaths of their in-game characters, the race is on to defeat the murderous Blood Countess and ensure that other curious gamers don't fall into the same deadly trap that they did. ~ Jason Buchanan, All Movie Guide

A teenage girl struggles with her sexuality and her identity in this short coming-of-age drama from filmmaker Dee Rees. Alike (Adepero Oduye) is a seventeen-year-old African-American woman growing up in the Bronx. Alike's parents are devout Christians, and around them she's well mannered and behaves in a soft and feminine fashion. However, one night Alike sneaks out to a nightclub and we're given a glimpse of her other life as she displays the harder, more masculine attitude she can reveal when she's out among her friends. However, as Alike's curfew approaches, the two sides of her personality begin to meld, as she has to become her parents' little girl on the way home from the dance club where she can reveal her secret self. Produced as a preview of an upcoming feature film, Pariah was voted Best Narrative Short at 2007's NewFest: The New York Lesbian, Gay, Bisexual and Transgendered Film Festival. ~ Mark Deming, All Movie Guide

Directed by Taylor Hackford, this biopic profiles the life of legendary musician Ray Charles. Despite humble beginnings and the loss of his eyesight due to glaucoma at the age of six, Charles, depicted by Jamie Foxx, would nonetheless become an icon in both the music industry and the civil rights era. While the film delves into his problems with drugs and women, the bulk of the story details his career; among the highlights of that career are 12 Grammy awards and 11 R&B chart-toppers, such as "Unchain My Heart," "Hit the Road, Jack," "Georgia," "Doin' the Mess Around," and "Hallelujah I Just Love Her So." Also among the cast are Larenz Tate as Quincy Jones, as well as Regina King, Kerry Washington, and Clifton Powell. Charles' son, Ray Charles Jr. helped produce the film. ~ Tracie Cooper, All Movie Guide

Season three of The Wire continues the series' even-handed dissection of the Baltimore "drug wars," as seen through the eyes of both the police investigators and the drug lords. With charismatic hoodlum Stringer Bell (Idris Elba) emerging as the unofficial leader of the Barksdale drug empire, and with narcotics detective James McNulty (Dominic West) allowing his personal demons to catch up with him vis-à-vis an ever-increasing dependence upon booze, a curious dichotomy is established whereby Stringer often comes off as the more mentally stable and morally responsible of the two men. Even so, Stringer and McNulty are but two of the series' 40-plus recurring characters, meaning that their individual travails are never permitted to overwhelm the series' overall narrative thrust. Dictating the direction in which the 12 episodes of season three will follow is a burgeoning political-reform movement in Baltimore, with the ongoing drug investigation becoming a volatile campaign tool. Before long, "body counts" on both sides are being publicly tallied in a manner that dredges up grim memories of Vietnam. And though the story arcs have become more complex and multi-layered, there is still plenty of time to develop such quirky vignettes as the "trading" of drug-free urine from Baltimore's daycare centers. The season's final episode is titled "Mission Accomplished" -- as grotesquely ironic as when those same two words were prematurely applied to war in Iraq. The most startling development of the season-three finale is the sudden demise of one of the series' main players...with his greatest enemy becoming his biggest mourner. ~ All Movie Guide

A Hole in One is set in 1950s America. Anna (Michelle Williams), a passive young woman living in a small town, where she is betrothed to a powerful local hoodlum, Billy (Meat Loaf Aday), is searching for a key to her unhappiness. Her younger brother came home from the World War II a different man, and was subjected to shock treatments in a mental hospital before his untimely death. Dr. Harold Ashton (Bill Raymond) has been selling his new book, intended to advance the cause of a new scientific "advancement" in psychiatric care, the transorbital lobotomy. Ashton promotes this procedure, done with an ice pick that he keeps tucked in his vest, as a cure for all kinds of mental illness, major and minor. After witnessing Billy commit a brutal murder, Anna reads a Life Magazine article on lobotomies, and soon decides that the procedure is right for her. She asks Billy for his permission. Billy, concerned about Anna's ability to function, convinces Tom (Tim Guinee), one of his employees, to pose as a doctor so he can tell Anna that she doesn't need a lobotomy. But when the two meet, they quickly find that they have a connection that will put their lives in imminent danger. A Hole in One marks the feature debut of writer/director Richard Ledes. The film had its world premiere at the 2004 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

The Baltimore "drug wars" enter a new phase (with a few diversions along the way) as The Wire launches its second season of 12 hour-long episodes. Although he was instrumental in weakening the Barksdale drug empire during the previous season, narcotics-division detective James McNulty (Dominic West) ruffled too many high-ranking feathers in the process, and has been demoted and reassigned to the Baltimore Police Harbor Unit. Swallowing his pride, McNulty is able to unearth a hotbed of corruption and duplicity within the Dockworker's Union, his investigation sparked by the recovery of a woman's body floating in the harbor -- which in turn leads to the recovery of 13 other corpses, all female. This season, the fly in the ointment vis-à-vis the "negotiations" between the good guys and the bad guys is Ziggy Sobotka (James Ransome), the loose-cannon son of the Union's secretary treasurer, Frank Sobotka (Chris Bauer). These new plot developments do not in any way eclipse the Baltimore PD's ongoing campaign to bring the drug-dealing Barksdale family to its knees. In fact, one of the predominant subplots involves the willingness of the Barksdales' main rival, Omar Little (Michael K. Williams), to testify in court...if he lives that long. The season's final episode is titled "Port in a Storm" -- and be assured that this port will be tragically elusive to several of the main characters. ~ All Movie Guide

A woman wonders if it's just friendship or real love she feels when a close male friend announces he's tying the knot in this romantic comedy. Dre (Taye Diggs) and Sidney (Sanaa Lathan) became best friends when they were ten years old -- the same time that both first became aware of the first rumblings of the Hip Hop revolution in New York City. Today, Dre runs a successful record label, and Sidney is a respected music journalist; both have managed to turn their love for the music into careers, and both are still close friends. Close enough, in fact, that many of their pals wonder why they've never become boyfriend and girlfriend. While both have always denied their attraction to one another, Sidney begins to have second thoughts when Dre proposes to his girlfriend Reese (Nicole Ari Parker), a lawyer. Even though Sidney has a relationship of her own with professional basketball player Kelby (Boris Kodjoe), as Dre's wedding draws closer, Sidney begins to suspect that her longtime best friend is actually the love of her life. Brown Sugar features supporting performances form real life Hip Hop stars Mos Def and Queen Latifah; former basketball star Earvin "Magic" Johnson served as executive producer. ~ Mark Deming, All Movie Guide

Writer/director Nancy Savoca, who wrote and directed Household Saints and True Love, handles the same duties in this tale of Grace Santos (Rosie Perez). The producer of a New York City local morning show targeted at women, Grace has an active professional life under the watch of her executive producer, Joan Marshall (Patti LuPone), that already intersects her personal life as she is married to co-host Eddie Diaz (Diego Serrano). When the other co-host, Margo (Karen Duffy), reveals Grace's pregnancy on- air, Joan seizes the opportunity to monitor Grace's development on the show. The ratings grow along with Grace, as the show pursues such topics as "The ABC's of C-Sections" and "You & Your Epidural." While Grace takes comfort in her marriage and her new assistant Madeline (Marianne Jean-Baptiste), who has just returned from six years of raising her young children, Grace worries about the needs of her unborn child versus her much-loved career and Eddie's beckoning film career. Her fears realized through her daughter's first year, Grace must determine what it means to be a "24-Hour Woman." ~ Chris Gore, All Movie Guide

Warren Beatty directed, co-produced (with Pieter Jan Brugge), co-scripted (with Jeremy Pikser), and stars in this political satire, a comedy-drama about a U.S. senator who decides to start speaking the truth. Despondent California Sen. Jay Bulworth (Beatty), up for re-election, is disillusioned by the usual campaign banalities; his marriage to Constance (Christine Baranski) seems equally hollow. In the midst of a nervous breakdown, Bulworth goes without sleep or food for three days and takes out a $10 million insurance policy on himself while arranging his own assassination. Drinking during a return to Los Angeles, Bulworth is scheduled to speak at an African-American church in South Central L.A. Once there, he tosses aside his prepared speech, startling both the audience and his campaign manager Murphy (Oliver Platt) by improvising truthful remarks instead of the familiar rhetoric. These loose-cannon salvos gain the attention of an attractive young woman, Nina (Halle Berry). Bulworth finds an exhilaration with this new freestyle approach, and after shocking a gathering in Beverly Hills with further fulminations, Bulworth invites Nina and her girlfriends into his limo. During a spaced-out sojourn at one of South Central's more frenzied after-hours clubs, Bulworth gains respect for hiphop culture. Still reeling from insights gained by this nightlife, he arrives the next day for a fund-raising function at the Beverly Wilshire, startling everyone with a diatribe delivered in the intonations of a rap artist. His interest in Nina and his new optimistic outlook on life give Bulworth a sense of elation and a will to live. He phones to call off the hit, but gears have been set in motion. After an assumed hitman turns up during a church appearance, Bulworth flees, and Nina offers him a safe-house hideout at the home of her family, veterans of the Civil Rights movement. Here Bulworth goes through the final steps in his transformation -- making a Kennedy-styled connection with the disenfranchised as he tunes into forgotten memories of the '60s. Outfitted in homeboy clothing, the born again Bulworth heads for a TV station to unleash even more caustic comments on the American political scene. Language and drug use brought this film an R rating. ~ Bhob Stewart, All Movie Guide

When popular San Francisco Condors basketball star Joe Campbell (Holt McCallany) is accused of rape, nobody--not the public, not his teammates--can bring themselves to believe that the sweet, babyfaced "White Knight" is guilty of the crime. Still, the case against Joe seems pretty solid, thanks to the emotional testimony of alleged victim Jennifer Darling (Jessica Tuck). Enter attorney Abe Ringel (Ken Olin), who has lost several high-profile cases of late and who needs a strong win to get back on top. Sincerely believing in Joe Campbell's innocence--or at least telling himself that he does--Ringel manages to get his client off by thoroughly discrediting and defaming the unfortunate Jennifer. Normally, that would be the end of the story...but in the months following Joe's acquittal, Abe begins picking up disturbing evidence indicating that his client was guilty as hell--and worse, that he is a dangerous serial rapist who uses the internet to stalk his previous victims. In an act of judicial attrition, Abe publicly turns against his former client. And this is when things really get ugly, as Joe orchestrates a vicious plan of vengeance--beginning with the seduction of Abe's own teenaged daughter Emma (Gina Phillips). Based on a novel by famed defense attorney Alan Dershowitz, the made-for-TV The Advocate's Devil debuted October 5, 1997 on ABC. ~ Hal Erickson, All Movie Guide