Leslie Phillips Movies

Boy A director John Crowley followed up that award-winning film festival favorite with this eerie yet eloquent drama concerning a young boy fascinated by death due to the fact that he lives in the hospice home for the elderly that's owned by his parents. Perhaps due to the morose surroundings in which he was raised, wide-eyed Edward (Son of Rambow star Bill Milner) possesses both an acute sense of death and an obsessive desire to find out what happens after we pass on from this life. These interests are most noticeably evident in Edward's ongoing fascination with the paranormal, an obsession that his overworked parents merely tolerate as the curious boy makes his way around the hospice with a tape recorder determined to better understand the concept of mortality. Suddenly, into Edward's world rolls embittered, burned-out ex-magician Clarence (Michael Caine) -- who makes no attempts to hide the fact that he's not in the hospice by his own free will. Clarence has long since ceased to practice his trade, and no longer possesses the ability to recognize anything positive in either his surroundings or the people who inhabit them. He's irascible, ornery, and indignant, and he's just barely able to tolerate the young boy who's so interested in the one topic that plagues his thoughts most -- death. Before long, however, these two outsiders discover that their mutual need to make sense of the world means they have more in common than initial appearances would suggest. Soon embarking on a series of comic misadventures that help them both to better understand the many mysteries of life, Edward and Clarence form an unlikely bond that provides them both with the comfort they so desperately need during this uncertain stage in each of their lives. ~ Jason Buchanan, Rovi

In the mid-'90s, an Englishman by the name of Alan Conway (John Malkovich) conned many people into believing that he was the reclusive American director Stanley Kubrick, despite the fact that Conway was openly gay, bore no physical resemblance to Kubrick, and knew little about the director's work. Conway's story has been loosely adapted into the comedic feature Colour Me Kubrick. Anthony Frewin, who worked as Kubrick's personal assistance for many years, wrote the script, and Brian Cook, who served as Kubrick's assistant director on several films, including Barry Lyndon and Eyes Wide Shut, marks his directorial debut with the film. Colour Me Kubrick follows Conway on a number of adventures, wherein he cadges drinks, cash, sex, and more from unsuspecting victims, ranging from a heavy metal band to a wine bar owner (Richard E. Grant) to a British lounge singer (British television comic Jim Davidson making his feature-film debut), who are awestruck by his purported fame and fortune, and willing to overlook Conway's genuinely bizarre behavior in the hopes of impressing the great director. Conway's act reached its pinnacle when he temporarily pulled the wool over the eyes of then-New York Times theater critic Frank Rich (William Hootkins). Colour Me Kubrick features cameos by Ken Russell, Honor Blackman, Peter Sallis, and Marc Warren. The French production had its international premiere at the 2006 Tribeca Film Festival. ~ Josh Ralske, Rovi

Director Danny Boyle revisits a theme from his Shallow Grave and Trainspotting days -- greed -- but focuses on a much younger protagonist with this comedy drama. Millions opens with recent widower Ronnie (James Nesbitt) moving his two precocious pre-pubescent sons to the suburbs. Missing his mother and the comforts of his old neighborhood, the young Damian (Alex Etel) builds a cardboard-box fort on the outskirts of the suburb, where one day his placid introvert existence is literally crushed by a giant gym bag full of thousands of pounds' worth of cash. Less concerned with the origin of the money than with how to spend it, Damian and his older brother, Anthony (Lewis McGibbon), decide to keep it a secret from their father, which becomes an increasingly tricky proposition as the days pass. His conscience getting in the way of his spending, Damian debates the ethics of his ill-gotten gains with a handful of imaginary saints, and begins to try to spend his cash a little more altruistically. But his charitable deeds inadvertently attract the attention of a mysterious, threatening man who's desperate to get his hands on the money. Marking a distinct change of pace for Boyle after the horror film 28 Days Later, Millions world-premiered at the 2004 Toronto Film Festival. ~ Michael Hastings, Rovi

A popular video game comes to the screen with this big-budget adventure starring Angelina Jolie as a buxom heroine recalling equal parts Indiana Jones and James Bond. Jolie is Lara Croft, a proper British aristocrat groomed at schools for the children of the elite. Croft leads a double life, however, as an acquirer of lost antiquities through questionable means, highly trained in combat skills with the help of a robotic opponent called Simon. Despite her exciting profession and a life of wealth and breeding, Lara pines for her father, Lord Croft (Jon Voight), whose passing left her orphaned. On the eve of a celestial event that will also mark the anniversary of Lord Croft's death, Lara comes up against an ancient organization called the Illuminati, represented by the sinister Powell (Iain Glen), who's in pursuit of an ancient relic with power over time and even death itself. With the aid of her high-tech support team, Lara travels to some exotic locales in search of the artifact, including a foray into a decrepit Asian temple guarded by lethal stone apes and other creatures that spring to life. Filmed at various locations in Great Britain as well as Iceland and the Angkor Wat temples of Cambodia, Tomb Raider co-stars Noah Taylor, Chris Barrie, Daniel Craig, Rachel Appleton, Leslie Phillips, Mark Collie, and Julian Rhind-Tutt. ~ Karl Williams, Rovi

A trio of women, off on a country holiday decide to enter an amateur talent show in this British comedy. Much of the fun comes from trying to watch them devise a suitable act. The rest comes from the show itself which is of course, perfectly dreadful. ~ Sandra Brennan, Rovi

Agatha Christie's super sleuth Mark Easterbrook gets involved with a trio of contemporary witches while looking into the death of a priest. ~ Sandra Brennan, Rovi

A sensible civil servant on the verge of resigning from his dreary job is assigned the task of assessing the functionality of a long-abandoned government research facility, only to become enamored with the quirky population of the remote, East Anglia town that houses it, in director Martyn Friend's adaptation of John Hadfield's acclaimed novel. Jasper Pye has never been what one would call an impulsive or exciting man, but upon venturing out to Arcady to fulfill his latest assignment, he soon finds that a change of scenery may be just the thing to turn his boring life around once and for all. Despite his initial assumptions that the population of Arcady would be little more than backwater country bumpkins, the colorful personalities of the friendly townfolk continually sidetrack Jasper from his official duties as wild drinking binges at the local pub, lively traction engine rallies soon begin to take precidence over his work priorities. If he's not careful, Jasper may even find himself experiencing a little moonlight romance with the naughty daughters of the town aristocrat. ~ Jason Buchanan, Rovi

Sometimes a family title, among the nobility of England, goes to the "collateral" heirs -- people not in the direct line of decent, like cousins, great-nephews and the like. On rare occasions, these people are not even aware that they are about to be elevated to the House of Lords, and they have been living more-or-less ordinary lives. In this comedy, the family which lacks direct heirs is the Royal Family of England -- as all of the likely heirs have died one after the other in swift succession. In this comedy, the "collateral heir" is an exuberant, fence-busting All-American slob (and pretty good rock n' roll musician) by the name of Ralph (John Goodman). Unknown to him, his grandmother had an affair with a royal prince. Ralph's a good guy, and eager to please. He recognizes the importance of the royal hoopla to England and works very hard to fit in as its new designated king. He is assisted by the ever-unctuous, very serious family factotum Willingham (Peter O'Toole). The trouble is, he doesn't have instincts for politics English-style, and he is constantly "putting a foot wrong," as they might say. The most difficult situation for him is when he develops a new love interest, and she's not "acceptable" to the upper crust. In addition to being hounded by the tabloids, he finds that "the good of the state" requires that he drop his new girlfriend. Things really come to a head just before Ralph's coronation as king. Reviewers generally loathed this feel-good comedy, but audiences seem to have enjoyed it tremendously, and it has done well in video and TV airings. ~ Clarke Fountain, Rovi

Adapted by John Mortimer from his own novel, the British miniseries Summer's Lease starred Susan Fleetwood as British housewife Molly Pargeter who, with her family, spent an eventful summer vacation at La Felicita, a villa in Tuscany. Molly had hoped to soak in the local color and revel in the artistic masterpieces all around her, but instead ended up trying to solve a couple of mysteries involving a dried-up water supply and a missing landlord (who turned out to have several shady "friends"). In the process, Molly took up with an old flame, all the while attempting to patch up her tottering marriage to the plodding Hugh Pargeter. Stealing the show (and winning several TV awards in the process) was John Gielgud as Molly's father, Haverford Downs, a libidinous and slightly daft author. First telecast by BBC2 in 1989, the four-part Summer's Lease was subsequently aired in America as part of PBS's Masterpiece Theatre anthology in the spring of 1991. ~ Hal Erickson, Rovi

Based on J.G. Ballard's autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes. ~ Hal Erickson, Rovi