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Joanna Pettet Movies

Blonde, British-born leading lady Joanna Pettet was raised in Canada and studied acting at New York's Neighborhood Playhouse. Along with several other promising young actresses, Pettet made her movie debut in the 1966 filmization of Mary McCarthy's The Group. While most of that film's cast went on to dramatic or character roles, Pettet gravitated to sexpot characters, notably silky secret agent Mata Bond (the illegitimate daughter of Mata Hari and James Bond!) in Casino Royale (1967). Joanna Pettet's many TV-movie credits include The Weekend Nun (1972) and The Return of Frank Cannon (1980). ~ Hal Erickson, Rovi
1990  
R  
A young couple go to a picturesque island for a romantic holiday, but when they witness the activities of a terrorist group, they become the next targets. ~ Rovi

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1987  
R  
The Chilean Revolution of 1973 provides the framework of this propaganda drama that chronicles the aftermath of the assassination of President Salvador Allende. Much of the story centers on the effects the revolution has upon an American couple who lived there during the tumult. ~ Sandra Brennan, Rovi

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Starring:
Jane AlexanderJohn Cullum, (more)
 
1987  
 
Cornell Wilde guest stars as Duncan Barnett, the ruthless founder-CEO of Barnett Industries. Gathering his board of directors (and their wives and loved ones) to his lavish New York estage, Barnett seems poised to name his successor. Instead, he is killed in an accident--or, at least, it looks like an accident. Among the board members is a certain Maine-based mystery writer named Jessica Fletcher (Angela Lansbury), who begins to suspect that there's dirty work afoot as she watches Barnett's employees wheel, deal, bicker and backstab incessantly throughout the balance of the episode. ~ Hal Erickson, Rovi

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1982  
R  
Double Exposure is a dull, predictable mystery thriller with a fine cast but hampered by a poor script and bad direction and production. A photographer (Michael Callan) begins to have a series of nightmares concerning bloody, gruesome murders. When those murders become reality, he is the prime suspect and must find the real killer. The cast including Joanna Pettet, James Stacy, Cleavon Little, Sally Kirkland and Seymour Cassel, makes the most of their underwritten and poorly developed characters, but producer/director/writer William Byron Hillman substitutes nudity and lurid, gory special effects for both plot and character. Viewers looking for an interesting thriller based on the same premise might enjoy The Eyes of Laura Mars, and not waste their time with this plodding rip-off. ~ Linda Rasmussen, Rovi

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1982  
 
Producer, writer, director, and lead actor Max Boulois gives credit to William Shakespeare in the credits to this film, but Will's last name is misspelled. This is one of several oversights which tend to leave Othello's story a little disjointed in parts. In Boulois' incarnation, Othello is a black U.S. mercenary in Africa who falls in love with the daughter of a Senator from Boston. The commando group that includes Othello and the erstwhile Desdemona then gets transferred over to a Central American country where the rest of the plot unfolds to the detriment of the lead characters, killing off all chances for a sequel. ~ Eleanor Mannikka, Rovi

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Starring:
Max H. BouloisTony Curtis, (more)
 
1980  
 
Add Cry of the Innocent to Queue Add Cry of the Innocent to top of Queue  
Filmed in Ireland, Cry of the Innocent stars Rod Taylor as an American insurance executive on a grim mission. A private plane has exploded, killing Taylor's wife and children. Also on board was a scientist who was the target of the criminals who engineered the tragedy. The "maguffin" is a secret formula worth untold millions, and aiding Taylor in bringing the murderers to justice is journalist Joanna Pettet, who bears a close resemblance to Taylor's ex-wife (and no wonder, since Pettet plays both roles). Based on a novel by Frederick Forsyth, this made-for-TV espionager premiered on June 19, 1980. ~ Hal Erickson, Rovi

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1980  
 
As made obvious by its title, this TV movie was an attempt to revive the once-popular private eye series Cannon, which ran from 1971 to 1976. Emerging from self-imposed retirement, corpulent gumshoe Frank Cannon (William Conrad) investigates the death of an old friend who formely worked for the CIA. Officially, the death has been ruled a suicide, but Cannon, as usual, has his doubts. Also mixed up in the intrigue is Cannon's former sweetheart and a Hughes-like millionaire. First telecast November 1, 1980 on CBS, The Return of Frank Cannon did not result in a weekly series, but William Conrad was able to find solace in his starring role on the subsequent weekly Nero Wolfe. ~ Hal Erickson, Rovi

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1979  
 
An angel helps a struggling basketball team and especially one player who wishes to regain his former glory in order to earn the respect of his 9-year-old son. ~ Rovi

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1978  
R  
This superbly chilling haunted-house opus stars Richard Crenna as a therapist who, with wife Joanna Pettet, selects a lavish mansion for use as a drug rehab clinic. No sooner have the staff and their assistants set up housekeeping when a nightmarish force emerges from a trap door in the basement, and the house begins preying on the occupants in horrendous ways, from freak electrical bursts to sudden flash fires (leading to some extremely graphic scenes of people being burned alive). Director Gus Trikonis keeps the tension unbearably high and drives the plot on the strength of an excellent cast -- especially Victor Buono in a magnificent but brief role as the Devil himself. Amazingly, some prints of the film deleted his appearance altogether. ~ Cavett Binion, Rovi

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Starring:
Richard CrennaJoanna Pettet, (more)
 
1977  
 
Sex and the Married Woman stars Joanna Pettet as a housewife and Barry Newman as her liberal-minded husband. Encouraging his wife to find her "inner self," Newman has no notion that Pettet will translate this invitation into writing a book based on the sex habits of her friends and neighbors. The book becomes a best-seller, Pettet becomes a celebrity, and Newman seethes with envy. When first telecast in 1977, Sex and the Married Woman was advertised on the basis of its large cast of celebrity cameos (Jayne Meadows, Keenan Wynn, etc.) Virtually ignored was the fourth-billed F. Murray Abraham, seven years away from his Oscar win as Salieri in 1984's Amadeus. ~ Hal Erickson, Rovi

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1976  
 
One of four dramatic miniseries carried by NBC under the blanket title Best Sellers, Captains and the Kings was adapted from a novel by Taylor Caldwell. Covering a time span from 1857 to 1912, this was the saga of the Irish-immigrant Armagh clan, with emphasis on the rags-to-riches career of Joseph Armagh (Richard Jordan). Achieving fame and prominence (if not full-fledged social acceptance) through a Byzantine series of investments in the oil industry, the elder Armagh was obsessed with the notion of having one of his sons become the first Irish-Catholic President of the United States (does this story sound vaguely familiar?). Along the way, Joseph and his offspring indulged in innumerable romantic liaisons, extramarital and otherwise. Featured in the all-star cast is Patty Duke Astin, who won an Emmy award for her portrayal of Bernadette Hennessey Armagh. Captains and the Kings was broadcast from September 30 to November 18, 1976 in seven installments, two of which ran 120 minutes, and the other six lasting 60 minutes -- a total of nine hours' air time in all. ~ Hal Erickson, Rovi

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1976  
 
Add The Dark Side of Innocence to Queue Add The Dark Side of Innocence to top of Queue  
This pilot film for a TV series titled Hancock was initially telecast as The Dark Side of Innocence. The Hancocks are a tightly-knit, prosperous California family. Mom and Pop Hancock (John Anderson and Kim Hunter) oversee a thriving lumber business--when they're not refereeing the travails of their five children. The pilot episode concentrates on the oldest daughter (Joanna Pettet), who has decided she's sick of being a society matron and has returned to the Hancock manse with her own kids in tow. The remaining Hancock kids all have problems of their own, especially embittered divorcee Anne Archer. The Hancocks didn't fly as a series, which means that some of the crises presented in the pilot are never resolved. ~ Hal Erickson, Rovi

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1975  
 
Tony Musante has the unenviable task of portraying the least appealing paraplegic hero in TV-movie history in Desperate Miles. Musante plays Joe Larkin, a disabled Vietnam vet who wants to prove to the world that neither he nor his incapacitated brethren are helpless. To do this, he takes to the highway in his wheelchair, bound and determined to complete a 130-mile journey. His progress is threatened by a mean-tempered truck driver (John Chandler), who tailgates Larkin's chair, honks his horn, and screams things like "You think you're someone special?" Unfortunately, Larkin is such a strident and obnoxious character that the audience may be inclined to sympathize with the driver. This is not a hindsight observation: many critics turned thumbs down on the well-intentioned Desperate Miles when it was first broadcast on March 5, 1975. ~ Hal Erickson, Rovi

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1975  
 
When a killer leaves the body of an actress under a tree, a private detective's wife sets out to identify the killer. ~ Rovi

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1975  
 
Appointment with a Killer began life as a British TV movie, then took up residence in the US as part of ABC's Wide World Mystery anthology. As with most videotaped thrillers of this ilk, the cast is headed by a well-known American actor, in this case Joanna Pettet. The plot concerns a murder that remains unsolved for five years. Ms. Pettet may well be the next victim unless she can determine the killer's identity post-haste. Tony Anholt and Freddie Jones costar. ~ Hal Erickson, Rovi

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1974  
 
This passable British TV movie (shot on video) stars Patrick Magee as a quirky psychology professor who invites three of his students (including the excellent Joanna Pettet) to participate in a little extra-credit research project at his home one weekend. Unbeknownst to the hapless trio, the prof's planned behavior-modification experiments are designed to induce homicidal behavior in the subjects. Things turn out pretty much as planned, and the requisite killing spree begins. Not bad as made-for-TV thrillers go, this definitely benefits from an arch performance by the always-interesting Magee, but the cheap sets and the flat, washed-out videography may take their toll on the viewer's patience. ~ Cavett Binion, Rovi

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1974  
R  
The consumption of human flesh is the main course of this off-beat horror movie that centers on a war veteran who returns to California a cannibal. His sister likes peopleburgers too. The trouble begins when a gentle hippie chick encounters the hungry duo enthusiastically eating their latest meal. The terrified girl heads for the police, but they refuse to believe her. ~ Sandra Brennan, Rovi

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1974  
 
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Gilbert Wright's novel Madman's Chain had already been adapted to television by Alcoa/Goodyear Theatre by the time that Cry in the Wilderness premiered March 26, 1974. While the first version, titled Chain and the River, was a moderately suspenseful half hour, Cry in the Wilderness manages to keep viewers on the very edges of their seats for a full 74 minutes. George Kennedy stars as a farmer who is bitten by a rabid skunk. To protect his family from the madness that he is sure will overtake him, Kennedy has his wife Joanna Pettet chain him to a post in their barn. Left alone, Kennedy discovers that the dam has burst, and that his farm will soon be consumed by flood. The climactic deluge was largely (and superbly) created in the lab by special effects maestro Albert Whitlock. Cry in the Wilderness premiered March 26, 1974. ~ Hal Erickson, Rovi

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1973  
 
Though set in Wyoming, Pioneer Women was lensed in the unspoiled wilderness of Alberta, Canada. Joanna Pettet plays the title role, one of many Wyoming homesteaders of the post-Civil War era. Joanna endures the death of her husband (William Shatner), then must decide whether or not to make a go of her new home with only the help of her children. The supporting cast is dotted with past and future TV series stars: The Fugitive's David Janssen, Werewolf's Lance LeGault, and Mad About You's Helen Hunt, here cast as Pettet's 10-year-old daughter. Made for television, Pioneer Woman first aired December 19, 1973. ~ Hal Erickson, Rovi

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Starring:
Joanna PettetWilliam Shatner, (more)
 
1972  
 
Weekend Nun was an unsold TV pilot film based on the life and career of Louisiana nun Sister Fabian (real name: Joyce Duco). Joanna Pettet stars as Sister Mary Damien (aka: Marjorie Walker), who on weekdays holds down a job as a probation officer (she even packs a gun). The schism between the outside world and Sister Fabian's religious calling is brought sharply into focus when tragedy strikes. Vic Morrow costars as the sister's probation department associate, while Ann Sothern appears as the head nun. The real Sister Fabian/Joyce Duco, who had left the Order long before this film was made, acted as technical adviser on Weekend Nun. ~ Hal Erickson, Rovi

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1972  
 
In this sports drama, a small college, desperate for a grid iron win, hires an ultra tough new coach. ~ Sandra Brennan, Rovi

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1972  
 
Delphi Bureau was the pilot film for a short-lived TV espionage series. Lawrence Luckinbill plays an operative for a secret agency that answers only to the US President. His current mission is to locate an entire fleet of obsolete Air Force planes that have vanished without a trace. Very ordinary cold-war fare, The Delphi Bureau contains one or two neat touches, notably the cryptic poems that appear on-screen just before the commercial breaks. Celeste Holm, playing the Washington social leader who acts as Luckinbill's contact, was replaced by Anne Jeffreys when this TV movie graduated to a weekly series. ~ Hal Erickson, Rovi

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1972  
 
In this crime drama, corporate thieves, plan to steal an experimental car that is being sent to Boston via rail. ~ Sandra Brennan, Rovi

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1969  
 
In this British farce, the British Home Secretary satisfies the men of London by sanctioning a government-run brothel. This comedy chronicles what happens when secretary John Bird appoints Sir Francis Leybourne to run the place. Bird then has his lovely girlfriend Babbette act as the Madame. Sir Leybourne owns an opium plantation in India and one day goes there to see it. Unfortunately, he gets killed in an uprising, leaving his prim niece Josephine Pacefoot in charge of the cathouse. A staunch believer in social reform, she is quite sure what to do with the disreputable business. Leybourne's son has plenty of ideas too and wants the fortune and the bordello for himself. The ensuing struggle creates plenty of trouble and many laughs. Though the film originally received a British "X" rating, the sex is pretty tame by modern standards. ~ Sandra Brennan, Rovi

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Starring:
David HemmingsJoanna Pettet, (more)
 
1968  
 
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An international collection of second-string actors grace the cast of this bargain-basement Sergio Leone knock off. Terence Stamp stars as Azul, the son of evil Mexican bandit Ortega (Ricardo Montalban). Although Azul is a mean, low-down, varmint like Ortega's three other sons, there is a slight glimmer of goodness in his soul since he is adopted. He proves it when he kills one of his brothers who was attempting to rape beautiful Texan maid Joanne (Joanna Pettet). Renouncing his adopted family and claiming a new moniker by the name of Blue, he helps Joanne and her father on their farm, and soon Blue and Joanne are in love. Remorseful at the loss of Blue, Ortega tracks him down to regain his love. Instead, Blue rejects him, and Ortega, humiliated and disgraced by his son's rejection, gathers together an army in order to return to wreak revenge upon the Texans. Now Blue must organize the Texans into a fighting force to face the bandit army of his father. ~ Paul Brenner, Rovi

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Starring:
Terence StampJoanna Pettet, (more)