Mark Peterson Movies
Eric Christian Olsen and Jeremy Sumpter star as brothers Randy and Skeet Dobson in this coming-of-age surfer movie from director Ron Moler. With their widowed mother working to provide for the family, Randy is left to look after 12-year-old Skeet. Despite the fact that a kid brother is a bit of a style-cramper, Randy lets Skeet tag along with him to the beach where he and his friends surf the summer days away. But trouble begins to brew when a pretty girl named Samantha (Shelby Fenner) chooses Randy over the leader of a rough-and-tumble surfer gang. Meanwhile, all is not well at home either when Skeet befriends Jim Wesley (Mark Harmon), a legendary surfer who begins a romantic relationship with the boys' mother, Jessica (Stacy Edwards), much to Randy's chagrin. ~ Matthew Tobey, Rovi
- Starring:
- Eric Christian Olsen, Stacy Edwards, (more)
In 1998, rapper Jay-Z's third album, Vol. 2: Hard Knock Life made him one of hip-hop's biggest crossover acts, with the single "Hard Knock Life" becoming a major hit on radio and the sales charts. In 1999, Jay-Z, who also runs the hip-hop oriented Rock-A-Fella Records label, launched a major concert tour, in which he joined forces with fellow rappers Method Man, DMX, and Redman for a road trip that packed halls at 54 shows in two months, earning $18 million at the turnstiles. This documentary takes a close look at the music Jay-Z and his friends created onstage, as well as their adventures -- both positive and negative -- as they take one of rap's biggest shows on the road. Hard Knock Life Tour also features new music from The Lox, Memphis Bleek, and T-Boz from the R&B group TLC. Incidentally, if the title sounds a bit familiar to non-rap fans, it may be because it was sampled from a song featured in the musical Annie. ~ Mark Deming, Rovi
A man convinces his wife to participate in one of his sexual fantasies and lives to regret it in the farcical comedy The Sex Monster. Marty (Mike Binder) is a building contractor who is married to a beautiful woman named Laura (Mariel Hemingway). While reasonably happy in his marriage, Marty has always had a fantasy about having a menage a trois, and when he starts to feel his sex life with Laura is getting stale, he suggests they bring in another woman and give it a try. Laura is reluctant at first, but Marty refuses to drop the subject and eventually she relents, and a second woman is introduced to the bedroom. However, Marty is soon too tired to continue with the fun, and Laura and her new friend go on without him. While she's coy about it at first, it quickly becomes obvious Laura enjoys adding another woman to the mix a lot more than Marty does, and she starts aggressively pursuing new female companions. While Laura doesn't mind if Marty joins in, she and her partners seems to be enjoying themselves enough that's he feels like a fifth wheel, since Laura seems to have much clearer ideas about female eroticism than he does. Mike Binder wrote and directed The Sex Monster, as well as playing the male lead; Stephen Baldwin also appears in a supporting role. Despite its subject matter, this film features little nudity, with the sexual escapades discussed or inferred rather than shown. ~ Mark Deming, Rovi
- Starring:
- Mariel Hemingway, Mike Binder, (more)
A young girl is faced with the emotional and personal responsibilities of an adult in this drama set in rural Massachusetts in 1963. Nora (Stephanie Castellarin) is a 12-year-old girl who has been forced into a maturity beyond her years; her mother Dolores (Patricia Kalember) lost three younger children in a car wreck years before, and ever since, she's been subject to episodes of severe depression, while her father, Martin (Brian Delate), must struggle to hold the family together while trying to find work as a carpenter. When John F. Kennedy is assassinated, Dolores (who once met the slain president) is thrown into an emotional tailspin and is placed in a mental institution in Boston. While Martin and the younger children move to the city to be near her, Nora must stay behind to continue with her schooling, and she is sent to live with her Aunt Rose (Katherine Ross), a dour woman with an unhappy marriage. Nora doesn't care for Rose, and Rose doesn't like having children in her house; when Rose discovers that Nora is writing a short story based on her family's troubles, she forbids her to submit it for a literary competition sponsored by Seventeen Magazine. Nora responds with the threat of blackmail, promising to reveal the truth about Rose's extramarital affairs to her husband unless she can publish the story. Home Before Dark marked the feature debut for writer and director Maureen Foley. ~ Mark Deming, Rovi
- Starring:
- Stephanie Castellarin, Brian Delate, (more)
On the eve of her sister's wedding, suburban teenager Samantha (Molly Ringwald) suffers silently as her family forgets her birthday. Even worse, some total dork (Anthony Michael Hall) keeps propositioning her with sophomoric innuendo when she really craves romantic attention from high-school hunk Jake (Michael Schoeffling). Moving from Samantha's family home as it's invaded by outre relatives to a high-school dance where nothing seems to go her way, this bittersweet teen comedy traces the hopes and disappointments of not only Samantha, but also a host of incidental but memorable characters, from a hapless Japanese exchange student to a prom queen and a posse of barely pubescent nerds. A climactic party scene at which these various strata of young America overcome their rigid hierarchies sets the stage for resolutions both tender and torrid. ~ Brian J. Dillard, Rovi
- Starring:
- Molly Ringwald, Anthony Michael Hall, (more)
Among the great François Truffaut films, Two English Girls is likely the least known. Its story of a romantic triangle inevitably invites comparison to Truffaut's Jules and Jim, and not surprisingly, as both are based on novels by Henri-Pierre Roche (the only two novels Roche authored). Truffaut regular Jean-Pierre Leaud is Claude, the Frenchman who on a turn-of-the-century trip to Wales with his mother meets the Brown sisters, Anne (Kika Markham) and Muriel (Stacey Tendeter). Anne is a sculptress and more outgoing than Muriel, who is a teacher. Over the next 20 years, affections between Claude and the sisters shift, but consummation of any romantic feelings is often blocked by distance, a pair of very strong-willed mothers, and the conventions of the time. Claude becomes an art critic, and the trio each has to express blocked passions in his or her work. Disappointed by the mild reception that greeted the original version of the film, Truffaut determined to restore over 20 minutes of footage to the film, a project he completed just before he died in 1984. The posthumously released, full-length version rounds out the characters and their motives and makes Two English Girls worthy of comparison to The 400 Blows, Jules and Jim, and Day for Night in the Truffaut filmography. ~ Tom Wiener, Rovi
- Starring:
- Jean-Pierre Léaud, Kika Markham, (more)
Dr. Who was/is the longest-running entertainment series ever to run on the BBC, and for a variety of reasons, including its sassy humor, delightfully idiotic sets and special effects, and some first-class star-turns by a series of usually underrated actors in the title role, it generated a fanatic and devoted following in the U.K. One of the earliest "Doctors" in the movies was the great horror favorite Peter Cushing, and in this movie he saves the universe and, not incidentally, our dear old earth, from domination by the mostly robot and decidedly anti-biological Daleks (predecessors of the Borg, no doubt), a group of endearingly awfully designed (and made) A-frame shaped robots which, when massed together, appear to be engaged in a bumper-car race. No matter, the story races along at a furious and improbable pace, punctuated by wisecracks and gags, most of them from the almost-wise Doctor himself as he races about in his infinitely large (on the inside) antique London telephone booth known as "the Tardis" (Time And Relative Dimensions In Space), protecting the innocent. Fans of the series will be delighted with the film, but as is so often the case, newcomers to the series will wonder what all the fuss is about. The cumulative cheesiness of the whole Dr. Who concept does take quite a bit of getting used to, and any attempt to take the series or this movie seriously is doomed to failure. ~ Clarke Fountain, Rovi
- Starring:
- Peter Cushing, Roy Castle, (more)









