Lisa Jane Persky Movies

Monica (Roma Downey) is the leader of a support group consisting of five terminally ill people: Corey (David Kaufman, Stasi (Lisa Jane Persky), Dolores (Eileen Brennan), Larry (Lenny Clarke), and Rachel (Nancy McKeon). It is Monica's task to help each group member realize the one big goal that must be achieved before his or her death. All are willing to take on the challenge (though Rachel is at first strangely resistant), but the journey towards that goal is fraught with surprises--not least of which is the fact that the five main characters have always shared a common bond. ~ Hal Erickson, Rovi

Although she knew from the outset that she'd never be a "traditional" mother, Murphy (Candice Bergen) nonetheless is willing to shed her unorthodox approach to parenthood when she concludes that she hasn't spent enough quality time with baby Avery. This explains how Murphy came to join a group of new mothers who are dedicated to such old-school customs as singing nursery songs and playing games with their offspring. Of course, it doesn't take long for Murphy and the other moms to get on each other's nerves in a spectacular fashion. ~ Hal Erickson, Rovi

First telecast September 18, 1986, Crime Story was the two-part pilot for the subsequent series which traced the longstanding relationship between Chicago cop Lt. Mike Torello (Dennis Farina) and mobster Ray Luca (Anthony Dennison). As head of the major crime unit, Torello is not above circumventing the rules to bring Luca's minions to justice. In the pilot, Luca deliberately provokes the lieutenant by hiring the son of one of Torello's close friends to pull off a series of robberies. The level of realism is heightened by the fact that star Dennis Farina is in fact a former Chicago police officer, while John Santucci, playing one of Luca's henchman, had once been a genuine criminal. Crime Story was created by Miami Vice mentor Michael Mann. ~ Hal Erickson, Rovi

The made-for-TV Shattered Vows stars Valerie Bertinelli as a young nun named Mary Gilligan. Though she tries to honor the edicts of her calling, Mary falls in love with a handsome priest (David Morse). Her overwhelming desire to marry and raise a family culminates in her leaving her order before taking final vows. The real-life Mary Gilligan Wong eventually became a clinical psychologist. Her autobiography Nun: A Memoir served as the basis for Shattered Vows, which first aired October 29, 1984 ~ Hal Erickson, Rovi

A young Rob Lowe plays a supporting role in this Emmy Award-winning ABC Afterschool Special. The main focus, however, is on high-school senior Lisl Gilbert (Karlene Crockett), who must reconcile herself to her mother's terminal cancer. In the agonizing months that follow the initial prognosis of her mom's illness, Lisl is forced to draw upon the inner strength and resourcefulness that she never knew she had. ~ Rovi

Quincy (Jack Klugman) is invited to appear on the talk show emceed by Dick Wilcox (Ron Masak). Also appearing on the same show is Corinne O'Connor, the author of a best-selling diet book. Almost immediately, Quincy goes on the offensive against Corinne, claiming that her controversial diet was a contibuting factor in the death of young model Gretchen Stone (Lori Street). Although no real crime is committed on this episode, there is plenty of punishment to go around--especially when Corinne slaps Quincy with a multimillion-dollar libel suit. ~ Hal Erickson, Rovi

This made-for-television film, an unusual collaboration between hard rock group Kiss and children's television kings Hanna Barbera, became one of NBC's highest-rated programs of 1978. The plot, reminiscent of the average episode of Scooby-Doo, begins with crazed inventor Abner Devereaux (Anthony Zerbe) getting fired from his job at California's Magic Mountain amusement park for ignoring safety standards in his quest to create bigger and better attractions. Devereaux retreats to his underground lab and plots a revenge scenario that coincides with the arrival of rock group Kiss (playing themselves) to perform a concert at the park. Using his knowledge of animatronics, Devereaux creates android duplicates of Kiss and uses them to create havoc. However, he soon discovers he's in for a fight because the group has secret talisman amulets that give them special powers. Thus, the stage is set for a superhero-style showdown between Kiss and Devereaux's squad of animatronic henchmen. Although it is a live-action effort, Kiss Meets the Phantom of the Park is cartoonish in the extreme as it dishes out plenty of bad jokes and low-budget special effects. It was a considerable ratings success, but also unfortunately branded Kiss with a "kiddie group" image that took years to shake. As a result, the members of the group consider Kiss Meets the Phantom of the Park an embarrassment. Nevertheless, it remains a cult favorite with the group's fans and aficionados of odd television. ~ Donald Guarisco, Rovi

In this quirky drama, Julian Goddard is stranded in the desert and dying of thirst when suddenly Johnny Destiny drives up and gives him a ride to the ramshackle Marilyn Motel near Las Vegas. There they meet the owner, Harry Thoreau, with whom Julian attempted to rob a bank three years before. It is revealed that Julian is an escaped convict who has returned to get his share of the take and reclaim his former girlfriend Lucille, who is working as a lounge singer at her boyfriend's casino. While Julian endeavors to realize his goal, Destiny frequently appears to guide him and the others along their proper paths. ~ Sandra Brennan, Rovi

Marisa Silver helmed this tightly directed hospital drama reminiscent of David Swift's 1962 The Interns. Jimmy Smits plays Dr. David Redding, who guides seven student doctors through their third year of residency at Los Angeles Central's medical school. The cast includes Laura San Giacomo as Lauren Rose, a hard-working waitress putting her uncaring husband Kenny (Jack Gwaltney) through medical school; Kenny eventually breaks down the resistance of cool fellow student Gena Wyler (Diane Lane). Kenny is also competing with doctor's son Michael Chatham (Adrian Pasdar), who wants to become the best surgeon at L.A. Central; Michael, however, has to reconsider his goals when he realizes that he also needs Gena's love. Bobby Hayes (Tim Ransom) and Suzanne Maloney (Jane Adams) are also struggling with medical school, but they are a support team who study, work, and even sleep together. Through all the competitions and love affairs it eventually takes the wisdom of a dying cancer patient (Norma Aleandro) to make the medical students realize the important things in life. ~ Paul Brenner, Rovi

Rob Reiner's romantic comedy When Harry Met Sally stars Billy Crystal and Meg Ryan as the title pair. The film opens with the two strangers, both newly graduated from the University of Chicago, share a car trip from Chicago to New York, where they are both going to make their way. During the trip, they discuss aspects of their characters and their lives, eventually deciding it is impossible for men and women to be "just friends." They arrive in New York and go their separate ways. They meet a few years later on an airplane and Harry reveals he is married. They meet again at a bookstore a few years after that where Harry reveals he is now divorced. From that point on, the two form a friendship. Eventually their closeness results in their respective best friends (played by Carrie Fisher and Bruno Kirby) meeting and falling in love with each other. At a New Year's Eve party Harry and Sally confront the complex tangle of emotions they feel for each other. The soundtrack consists primarily of Harry Connick Jr. crooning standards like "It Had to Be You." ~ Perry Seibert, Rovi

Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, Rovi