Earl Pennington Movies

Certainly the low point in Glenn Ford's acting career, this Canadian production is, nevertheless, one of the slickest-looking slasher films from that subgenre's early-'80s heyday. The plot (what one can make of it) involves an unseen killer stalking a group of college students at the prestigious Crawford Academy. The well-staged murders are mysteriously linked to the slightly off-kilter Virginia (Melissa Sue Anderson, formerly of Little House on the Prairie), whose disturbing past holds the key to the killer's identity. Though this film brought nothing new to the psycho-horror field, it did feature one of the more interesting ad campaigns of the period. One-sheets loudly boasted, "Six of the most bizarre murders you've ever seen!" and barred all late-arriving patrons from entering the theater during the final ten minutes (a promotional stunt stolen from Psycho). This hype proved less than apropos since the murders in question are not particularly bizarre or original (aside from the shish-kabob impalement depicted in the ads), and the film's climax is so painfully contrived that latecomers may be more able to comprehend it than those bemused viewers who watched the film from the beginning. ~ Cavett Binion, Rovi

Adapted from a children's story by Mordecai Richler, Theodore J. Flicker's comic fantasy stars Stephen Rosenberg as Jacob Two-Two, so nicknamed because he must repeat everything he says in order to get adults to hear him. Escaping into a fantasy world, he dreams that he is the captive of the child-hating Hooded Fang (Alex Karras). ~ Jason Ankeny, Rovi

City on Fire, a disaster thriller filmed in Canada with dialogue in both French and English, tells the story of an oil-refinery explosion in a small town. Dr. Frank Whitman (Barry Newman) and his co-workers, including Nurse Harper (Shelley Winters) and Dr. Matwick (Donald Pilon), fight bravely to save the victims even when they, themselves are endangered by the fire. The film also features cameos by Ava Gardner and Henry Fonda. The film moves at a fast pace and creates a great deal of suspense as the fire closes in on the survivors. Director Alvin Rakoff uses creativity instead of a big budget and, aided by the splendid cinematography of Rene Verzier, succeeds in creating an exciting disaster film. ~ Linda Rasmussen, Rovi