Jason Patric Movies

Visionary Canadian filmmaker Guy Maddin takes viewers on a surreal journey into the psyche of a desperate gangster backed into a dangerous corner in this surreal, psycho-sexual take on Homer's Odyssey. Late one night, a criminal bursts into the living room of a large house and waits nervously for the arrival of their leader Ulysses Pick (Jason Patrick). Ulysses has a knack for getting out of tense situations, and with the cops all around they need him now more than ever. But when Ulysses arrives with a teenage girl and a bound young man in tow, some of his henchmen start to think it's time for a new boss to take over. An already tense situation turns downright surreal as Ulysses begins venturing through the labyrinthine house in search of his wife Hyacinth (Isabella Rossellini), who remains locked in her room somewhere on an upper floor. Meanwhile, Hyacinth's father offers cryptic commentary on the unfolding events, and the harder Ulysses searches for a wife the more secrets he begins to uncover about his eccentric family. ~ Jason Buchanan, Rovi

Director Nick Cassavetes collaborates with screenwriter Jeremy Leven (The Notebook) for this drama about a pair of parents who resort to unorthodox methods in order to save their young daughter's life, only to find their decision coming back to haunt them in a manner neither could have ever foreseen. Sara (Cameron Diaz) and Brian (Jason Patric) are coasting through life with their young son and daughter when tragedy threatens to tear the family apart. Suddenly, their baby girl falls ill, and her only hope for survival rests in her parents' ability to find a compatible bone marrow donor. Desperate to save their daughter's life at any cost, Sara and Brian conceive another child in hopes that the baby will be a genetic match. But that decision raises a series of moral and ethical questions that rapidly begin to erode the foundation of the once-happy couple's relationship. Incensed upon learning that she was brought into this world for the singular purpose of prolonging the life of her ailing older sister, the young girl (Abigail Breslin) ultimately decides to sue her parents for the rights to her own body. Alec Baldwin, Sofia Vassilieva, and Joan Cusack co-star. ~ Jason Buchanan, Rovi

When a model soldier who recently returned to the U.S. from the front lines of Iraq goes AWOL, his veteran father enlists the aid of a dedicated police detective in seeking out his son's true fate in director/screenwriter Paul Haggis' follow up to the Oscar-winning 2004 indie-hit Crash. Mike Deerfield (Jonathan Tucker) has served his country faithfully, and now the time has come for him to return home to the United States. Shortly after returning, however, Mike simply vanishes without a trace. Mike's father, Hank (Tommy Lee Jones), is a former MP from the Vietnam era, and quickly recruits Detective Emily Sanders (Charlize Theron) to assist him in his search for the missing soldier. While it remains to be seen whether Hank will ever find his missing son, he gets quickly enmeshed in a tangled web of intrigue, cover-ups, and murder, all related to the Iraqi conflict. The drama thus highlights the profoundly personal toll combat takes on soldiers, while striking at the very heart of the American experience in Iraq. Inspired by a Playboy Magazine article written by Mark Boal, Haggis's fictionalized version of the actual events co-stars Jason Patrick, Susan Sarandon, James Franco, and Josh Brolin. ~ Jason Buchanan, Rovi

Desperate circumstances force a man to make a terrible choice in this period drama. It's 1957, and Walker Payne (Jason Patric) is a good but troubled man who struggles to keep his appetite for whiskey and women under control for the sake of his two daughters after breaking up with his wife (Drea de Matteo). Like most of the men in the small Illinois town he calls home, Payne provides for his daughters by working in a nearby coal mine, and when the mine suddenly closes, jobs become all but impossible to find. Payne's money problems come to a head when his ex-wife, who has decided to leave town and attend nursing school, demands 5,000 dollars or otherwise she will take custody of their children and he'll never see them again. Opportunity comes to Payne in the form of Syrus (Sam Shepard), a charming but unscrupulous man who offers Payne the chance to make some big money fast. Syrus runs an illegal dog-fighting circuit outside of town, and he's certain Payne's pooch Brute, a good-natured but massive animal, has the stuff to be a champion. Can Payne sacrifice his loyal canine friend to maintain the custody of his daughters? Walker Payne also stars Bruce Dern as Walker's friend Chester and KaDee Strickland as Audrey, a divorcée with an unpleasant past who falls for Payne. ~ Mark Deming, Rovi

Re-teaming Dennis Quaid with John Lee Hancock, the director of 2002's The Rookie, The Alamo retells the story of the historic 1836 battle in the Texan War of Independence. Facing 4,000 Mexican troops, 186 Texan soldiers and volunteers -- including William Travis (Patrick Wilson), Davy Crockett (Billy Bob Thornton), and Jim Bowie (Jason Patric) -- retreat within the walls of the Alamo, a Franciscan mission that was converted into a military fort. Once inside, the men prepare themselves for what will be a bloody battle to the death, as General Sam Houston (Quaid) leads the charge from the outside. Emilio Echevarria and Jordi Molla co-star. ~ Matthew Tobey, Rovi

For the follow-up to In the Company of Men, the misogyny-on-parade debut that became an out of nowhere indie hit, auteur Neil LaBute wrote and directed a piece that gives more equal representation to the shortcomings of both genders than his earlier film. Three men stand on one side: Cary (Jason Patrick), a womanizing doctor who rehearses make-out lines and keeps his body almost grotesquely ripped; Jerry (Ben Stiller), a self-obsessed theater instructor who chews over every emotion like a morsel of dessert; and Barry (Aaron Eckhart), a man grown soft in his marriage to a woman who can't satisfy him sexually as well as he can himself. On the other side we have three equally well-defined women: Terri (Catherine Keener), a writer/editor whose prefers to keep words out of the bedroom, much to the chagrin of live-in beau Jerry; Mary (Amy Brenneman), a freelance writer whose attempts to find her own sexual fulfillment with both husband Barry and paramour Jerry meet with a similar lack of success; and Cheri (Nastassja Kinski), an art assistant who meets most of the other characters one by one at a gallery but directs her sylph-like affections in an unexpected direction. The lies, double-crosses, and confrontations between these characters resolve into a sinisterly comic indictment of the very idea of romantic fulfillment. ~ Brian J. Dillard, Rovi

Indications were that this action sequel was in trouble before production began, when the male lead from the first film, Keanu Reeves, declined a role in the follow-up. Sandra Bullock returns as Annie Porter, an accident-prone ditz who is thrilled when her boyfriend Alex (Jason Patric) presents her with two tickets for a cruise ship vacation to the Bahamas. The trip is a peace offering presented because Annie has just learned that Alex is a police officer who's been lying to her about his choice of profession. Little does the happy couple know that the disgruntled John Geiger (Willem Dafoe), designer of the ship's computer system, has plotted a violent takeover of the vessel and a diamond hijacking that puts everyone on board in mortal danger. Being the dashing police officer he is, Alex leaps into action and tries to stop Geiger, but not before the ship crashes at top velocity into a Caribbean port town. Sandra Bullock agreed to star in this flop of a sequel in order to get financial backing for a pet project, Hope Floats (1998), a low-budget drama that turned a healthy profit. ~ Karl Williams, Rovi

This drama chronicles the moral fortitude and courage of a simple North Carolina farmer in 1815. The trouble begins when the widowed farmer August King takes his wagon to a nearby town to get supplies and make the final payment on his land. He arrives to find the townsfolk quite agitated as two slaves have escaped from the estate of Olaf Singletary, the richest man in town. August had earlier seen the fleeing 17-year-old slave girl. That night, he is camped out and the starving runaway stumbles in. August is a good, highly-principled man and decides to ignore his own personal risk and help her. He conceals the fugitive from Olaf and his posse as he hurries back to the safety of his farm. Still despite his efforts, word leaks out that a traveler is harboring the slave and that he has a milk cow attached to the back of his wagon. To fool the pursuers, August kills his cow, and later as he is shooting some wild rapids he loses his new pig. Eventually, August comes upon Olaf and sees him capture the other slave and brutally chop him up because he is angry that the young slave girl, for whom he has a special reason for wanting back, isn't with him. By the time August makes it back to his home, almost everything he values has been lost or destroyed, but he has learned some valuable lessons about what is really important in life. ~ Sandra Brennan, Rovi

Walter Hill directs John Milius's script (co-written by Larry Gross) depicting a revisionist perspective on the "Geronimo Campaign" and how Geronimo, with 34 men, managed to elude 5000 U.S. cavalry men between 1885 and 1886 before his surrender at the Canyon of the Skeletons in September 1886. The film centers upon Charles Gatewood (Jason Patric), the U.S. Cavalry lieutenant who is charged with capturing the elusive Apache leader. Gatewood is torn by a grudging respect for Geronimo and his people and his duty to his country. But then all the white men in the film have a respect for Geronimo, even as they are trying to hunt him down and kill him. General Charles Crook (Gene Hackman), charged with overseeing the forced settlement of the Apaches on reservations, has nothing but admiration for Geronimo. ~ Paul Brenner, Rovi

Based on a gritty, semi-autobiographical novel by author Kim Wozencraft, this crime thriller was adapted for the screen by noir novelist Pete Dexter and marked the directorial debut of producer Lili Fini Zanuck. Jennifer Jason Leigh stars as Kristen Cates, a rookie police officer recruited to partner with Jim Raynor (Jason Patric), an undercover Texas cop trying to infiltrate the criminal ring of major drug dealer Will Gaines (Gregg Allman) in the 1970s. What Kristen isn't told is that, as part of his deep cover masquerade, Jim must take drugs in order to be convincing and, unsurprisingly, has become an addict. Although this dangerous practice is not acceptable police procedure, Jim and Kristen's zealous superiors Larry Dodd (Sam Elliott) and Donald Nettle (Tony Frank) are obsessed with taking Gaines down because he has corrupted the daughter of a prominent local citizen. Jim and Kristen, who fall in love and move in together, befriend a petty car thief, Walker (Max Perlich), who has ties to Gaines. Since they both become drug addicts, Jim and Kristen's case makes little progress, until they clean up and convince Walker to turn on Gaines. Their investigation becomes tainted, however, when they are pressured from above to manufacture false evidence against their target. The soundtrack for Rushcontained the hit song "Tears in Heaven" by Eric Clapton. ~ Karl Williams, Rovi

Legendary low-budget mogul Roger Corman made a somewhat inauspicious return to the director's chair for the first time in nearly twenty years (unless one counts his uncredited participation in "pickup" shoots for several New World Pictures productions) for this quaint sci-fi/horror outing, based on the popular novel by Brian Aldiss. Opening in the year 2031, the story begins with scientist Joseph Buchanan (John Hurt) working on a top-secret military project that creates a rift in time in space, hurtling him and his ultra-high-tech hotrod backwards through time to the early 19th century. Buchanan manages to adapt quite well to his new surroundings, particularly after making the acquaintance of fellow scientist Baron Frankenstein (Raul Julia). Curiously, the Baron is presented here as an authentic historical figure, and his monster-making efforts the basis for the famed book by Mary Shelley (Bridget Fonda), which was a work of fiction. After ruminating about his situation with Mary and her future husband Percy Shelley (late INXS frontman Michael Hutchence) at the villa of mad poet Lord Byron (Jason Patric), Buchanan is approached by the Baron to help construct a mate for his intelligent but homicidal creature (Nick Brimble). Unfortunately, things do not go according to plan, leading to an ironic denouement that finds Buchanan pondering the apocalyptic results of his life's work. The film boasts solid production values and some beautiful location photography (most of the film was shot in Italy); however, the classy look and high-profile casting can't disguise the overall feel of an early New World outing, albeit with a much larger budget. The script, adapted by Corman and writer F.X. Feeney, eliminates many of the novel's intellectual twists and turns; much of the remaining dialogue comes off as merely pretentious. ~ Cavett Binion, Rovi

In this hit '80s hybrid of the horror movie and the teen flick, a single mom and her two sons become involved with a pack of vampires when they move into an offbeat Northern California town. Lucy (Dianne Wiest) and her sons, Michael (Jason Patric) and Sam (Corey Haim), move to Santa Carla to live with Lucy's lovable but curmudgeonly father (Barnard Hughes). Lucy gets a job from video-store owner Max (Edward Herrmann), then begins dating him, while Sam hangs out with Edward and Alan Frog (Corey Feldman and Jamison Newlander), a pair of vampire-obsessed comic-shop clerks. Soon Michael falls in with some actual vampires after becoming enamored of one of their victims: Star (Jami Gertz), a gypsy-like vixen who is trying to hold on to her humanity even though vampire leader David (Kiefer Sutherland) wants to play Peter Pan to her Wendy. When Michael visits the cavernous hangout of David and his cronies and unwittingly drinks from a wine bottle full of vampiric blood, he becomes an unwilling member of the bloodsucker biker gang. Soon, it's up to Sam and the Frog brothers to destroy David and his ilk without killing Michael and Star. Shot on location in the coastal California town of Santa Cruz and directed by Hollywood pro Joel Schumacher, The Lost Boys became a pop-culture phenomenon thanks to its attractive young stars, offbeat soundtrack, and hip, clever marketing campaign. The film's tagline -- "Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire." -- perfectly captured its knowing mixture of attitude and gore. The effects team who transformed Sutherland and company into snarling bloodsuckers would go on to provide equally gruesome effects for Blade, another revisionist vampire flick, more than a decade later. ~ Brian J. Dillard, Rovi

This made-for-TV drama was inspired by the real-life Toughlove program, set up to help parents of kids with severe alcohol, drug and behavior problems. Lee Remick and Bruce Dern star as a middle-aged couple who have completely lost control of their teen-aged son Jason Patric. When all else fails, the couple joins Toughlove, adhering to the organization's policy of being cruel (but not abusive) in order to be kind. Their story alternates with the travails of Toughlove member Piper Laurie and her suicidal daughter DeDee Pfeiffer (sister of Michelle). Toughlove was originally telecast October 13, 1985. ~ Hal Erickson, Rovi