Willard Parker Movies

The romantic and professional life of composer Johann Strauss Jr. provides the basis of this colorful remake of the 1938 version. Highlights include the location shots in Austria and the soundtrack. ~ Sandra Brennan, All Movie Guide

This obscure little science fiction/horror film (a British-American co-production) stars Willard Parker as a heroic astronaut who returns from a test flight to discover that most of England has been utterly destroyed by alien invaders, whose armies of killer robots have transformed nearly all of their victims into zombies. Parker manages to rally together a small resistance army from a few scattered survivors in outlying villages, and they eventually find the earth-based relay point for the transmissions which have enabled the invaders to coordinate the robot attack by remote control. Although entertaining overall, the story lags after a thrilling first half, with the final battle hampered by budget limitations. ~ Cavett Binion, All Movie Guide

The High-Powered Rifle is a "B"-grade, private detective flick about Dancer (Willard Parker), a PI with a serious problem. Some hired hitmen are trying -- again and again -- to kill him, and now Dancer has had enough. He starts to get to the bottom of these attempts on his life, and that search leads to one suspect in particular. On the way to checking it out, Dancer gets involved with his suspect's girlfriend (Allison Hayes) and without knowing it puts himself in serious jeopardy. ~ Eleanor Mannikka, All Movie Guide

Few outlaws can equal Jesse James for name recognition, or for the number of Hollywood films on their exploits. This standard western biopic by director William F. Claxton stars Ray Stricklyn as Jesse during his formative years, the only years handled here. He and brother Frank (Robert Dix) somehow survive the Civil War and then join Quantrill's Raiders as they begin their career on the wrong side of the law. All the familiar characters are there, with Frank and Jesse, Belle Starr (Merry Anders), Cole Younger (Willard Parker) and the other Youngers (Bob and Jim), as well as a few invented hoodlums. Aside from depicting Jesse as particularly brutal, this imaginary look at the outlaw shows him as a budding mystic, at least for awhile. ~ Eleanor Mannikka, All Movie Guide

Based on a novel by Gil Brewer, Lure of the Swamp top-bills Marshall Thompson as a Florida swamp guide. Thompson is hired by mysterious stranger Willard Parker, who intends to a hide a large sum of money somewhere in the deepest recesses of the swamp. It later turns out that Parker is a bank robber, and that he has double-crossed his three cohorts. After murdering Parker, the robber's confederates try to beat Thompson to the location where the money is secreted. Inevitably, their greed overwhelms them, and finally destroys them. ~ Hal Erickson, All Movie Guide

Within its own modest limits, The Great Jesse James Raid is a well-crafted western. Willard Parker plays Jesse James, who when the film opens is seen comfortably settled into respectable retirement. At the instigation of the unscrupulous Bob Ford (Jim Bannon), Jesse leaves hearth and home behind to commit one last robbery. Somewhere in the deep recesses of a mine is $300,000 in hidden loot, and Jesse aims to get his mitts on it. Featured in the cast of The Great Jesse James Raid are Barbara Payton and Tom Neal, whose turbulent real-life romance resulted in a great deal of negative publicity. The film is stolen by Wallace Ford as a Scripture-quoting dynamiter; perhaps it is true, as one historian observed, that Ford was in more movies than anyone else in the 1930s, 1940s and 1950s. ~ Hal Erickson, All Movie Guide

Cole Porter's Kiss Me Kate is a musical within a musical -- altogether appropriate, since its source material, Shakespeare's The Taming of the Shrew, was a play within a play. Howard Keel and Kathryn Grayson star as famous Broadway singing team who haven't worked together since their acrimonious divorce. Keel, collaborating with Cole Porter (played by Ron Randell), plans to star in a musical version of The Taming of the Shrew titled "Kiss Me Kate." Both he and Porter agree that only one actress should play the tempestuous Katherine, and that's Grayson. But she isn't buying, especially after discovering that Keel's latest paramour, Ann Miller, is going to be playing Bianca. Besides, Grayson is about to retire from showbiz to marry the "Ralph Bellamy character," played not by Bellamy, but by Willard Parker. A couple of gangsters (James Whitmore and Keenan Wynn) arrive on the scene, convinced Keel is heavily in debt to their boss; actually, a young hoofer in the chorus (Tommy Rall) owes the money, but signed Keel's name to an IOU. But since Grayson is having second thoughts about going on-stage, Keel plays along with the hoods, who force Grayson at gunpoint to co-star with her ex-husband so that they'll get paid off. Later the roles are reversed, and the gangsters are themselves finagled into appearing on-stage, Elizabethan costumes and all, though that scene is less of a comic success. This aside, Kiss Me Kate is a well-appointed (if bowdlerized) film adaptation of the Porter musical. Virtually all of the play's songs are retained for the screen version, notably "So in Love," "Wunderbar," "Faithful in My Fashion," "Too Darn Hot," "Why Can't You Behave?," "Brush Up Your Shakespeare" (a delightful duet delivered delightfully by Keenan Wynn and James Whitmore), and the title song. Additionally, Porter lifted a song from another play, Out of This World, and incorporated it in the movie version of Kiss Me Kate; as a result, "From This Moment On" has been included in all subsequent stagings of Kate. This MGM musical has the distinction of being filmed in 3-D, which is why Howard Keel and Kathryn Grayson throw so many chairs, dishes, and pieces of fruit at the camera in their domestic battle scenes. ~ Hal Erickson, All Movie Guide

Caribbean was another box-office winner from Paramount's "two dollar bills," producers William H. Pine and William Thomas. Set in the 18th century, the film stars John Payne as adventurer Dick Lindsay, hired by pirate leader Charles Barclay (Sir Cedric Hardwicke) to pose as the long-lost nephew of wealthy slave-trader Andrew McAllister (Francis L. Sullivan). It's all part of Barclay's revenge scheme against McAllister, his bitterest enemy for the past 20 years. Through a series of exciting (if slightly incredible) plot twists, Lindsay manages to foment a slave revolt against McAllister and to settle the hash of Barclay. As the exotic leading lady, Arlene Dahl looks terrific in Technicolor. In one priceless moment, both Cedric Hardwicke and Francis L. Sullivan intone "I've waited this long, I can wait a little longer" within a few moments of each other--and the word-for-word repetition is not intended to be funny! ~ Hal Erickson, All Movie Guide

Shortly before his death, horror film producer Val Lewton switched creative gears by overseeing the Universal western Apache Drums. The scene is the potentially prosperous western town of Spanish Boot, built from nothing by a group of determined settlers. Before they can enjoy the fruits of their labors, the townsfolk are threatened with an imminent Apache attack. Delivering this sobering news is gambler Sam Leeds (Stephen McNally), previously kicked out of town by the "proper" citizens. At first, no one believes Leeds, but soon the Apaches prove the veracity of the gambler's claims. The rest of the film is light on action but heavy on tension, as the true personalities of all concerned are revealed while they await the final, fatal Apache assault. ~ Hal Erickson, All Movie Guide

The Secret Fury works best if one is willing to suspend one's disbelief from the outset. Claudette Colbert stars as Ellen, a famed concert pianist who, on the day of her wedding, is accosted by a stranger who insists that she's already married to someone else. Ellen is willing to laugh this off, until the stranger produces witnesses, records and the justice of the piece. Has Ellen lost her mind, or is she merely the victim of an elaborate scam. With the help of fiancé David (Robert Ryan), Our Heroine begins her own investigation -- and ends up accused of murder and shunted off to a mental institution. And the story isn't over yet! Featured in a pivotal role is future I Love Lucy co-star Vivian Vance, who'd previously worked in an L.A. theatre company with Secret Fury-director Mel Ferrer. For reasons best known to himself, Willard Parker, a fairly well-known film actor in 1950, appears unbilled. ~ Hal Erickson, All Movie Guide

1950's Emergency Wedding is a remake of 1940's You Belong to Me. The later film stars Larry Parks, who'd had a bit role in the original. Parks plays wealthy Peter Kirk, a playboy, while Barbara Hale co-stars as female doctor Helen Hunt. When Peter marries Helen, it is a "given" that he'll stay home while she works. Unfortunately, Peter becomes jealous of the amount of time Helen spends at the hospital with her patients. Out of pique, Peter makes the supreme sacrifice and offers to get a job himself. All sorts of misunderstandings and remonstrations ensue before the title Emergency Wedding is explained at the very end. ~ Hal Erickson, All Movie Guide

Long before she became a TV cosmetic-commercial spokeswoman, Barbara Britton essayed the title role in Bandit Queen. Britton plays Lola, daughter of a American father and Spanish-aristocrat mother. When her parents are murdered, Lola forms an outlaw band, dedicated to reclaiming those portions of California illegally seized from her fellow Spaniards. She is aided in this endeavor by dashing bandit Joaquin Murietta (Philip Reed). The film really comes to life whenever Lola settles an argument by wielding her bull-whip! Bandit Queen was Lippert Studios' final release for 1950. ~ Hal Erickson, All Movie Guide

For various reasons, the 1949 western Calamity Jane and Sam Bass has a rather poor reputation amongst film buffs. Many observers feel that stars Yvonne de Carlo and Howard Duff merely go through the motions, while others complain that the usually dependable Universal-International production values are largely absent. Recent cable-TV showings of this film have revealed that, while not in the same league as Stagecoach or Winchester 73, Calamity Jane and Sam Bass is a relatively entertaining rehash of a familiar story. Most of the film consists of Bass' rise to notoriety as a colorful outlaw. On the verge of retirement, he agrees to one last holdup, which proves his undoing. According to the film, Calamity Jane remains by Bass' side throughout his various exploits, even though she ultimately loses him to "nice" girl Katharine Egan (Dorothy Hart). ~ Hal Erickson, All Movie Guide