Peyton Park Movies
There are angels among us, and they like lots of sugar in their coffee, in writer-director Nora Ephron's comic fantasy Michael. Vartan Malt (Bob Hoskins) is the editor of a tabloid called the National Mirror that specializes in unlikely stories about celebrities and frankly unbelievable tales about ordinary folks. When Malt gets word that a woman is supposedly harboring an angel in a small town in Iowa, he figures that this might be right up the Mirror's alley, so he sends out three people to get the story -- Frank Quinlan (William Hurt), a reporter whose career has hit the skids; Huey Discoll (Robert Pastorelli), a photographer on the verge of losing his job (even though he owns the Mirror's mascot, Sparky The Wonder Dog); and Dorothy Winters (Andie MacDowell), a self-styled "angel expert." They arrive at the rooming house of Patsy Millband (Jean Stapleton), who informs them that she does indeed have an angel for a tenant, and introduces them to Michael (John Travolta). Michael has wings like an angel, but the resemblance ends there; Michael loves cigarettes, has an uncontrollable sweet tooth (and a pot belly to match), tends to use a large number of non-angelic phrases, is not much on personal hygiene, and likes to hang out with the ladies. Michael informs his visitors that in Heaven, an angel is allowed a certain number of "vacations" on Earth, and he's in the midst of one now; trouble is, this is the last one he's entitled to, and he wants to make the most of it. Frank and Huey then stumble on a great story idea -- if Michael wants to have some fun, why not take him to Chicago, where he can really kick up his heels? Michael was written in part by Jim Quinlan, himself a one-time reporter, though with a much more respectable tabloid than the Mirror -- he wrote for the Chicago Sun-Times. ~ Mark Deming, Rovi
- Starring:
- John Travolta, Andie MacDowell, (more)
Based on the award-winning play by Sam Shepard, this drama offers an unblinking look at a family desperately clinging to the last threads of the American dream. Weston Tate (James Woods) is an alcoholic Viet Nam veteran struggling to hold on to the family's farm; he often brags about his grand plans for the place, but in truth the land is just one step away from foreclosure. His wife Ella (Kathy Bates) is determined to hold her family together, though she often dreams of running away and isn't above sleeping with corrupt land developer Taylor (Randy Quaid) if it will help keep the farm in her family's hands. Their son Wesely (Henry Thomas) has the soul of a poet and dreams of a better life, while his sister Emma (Kristin Fiorella) has inherited her mother's strength, but also her mother's burden in holding the Tates together. Noted filmmaker Bruce Beresford adapted Shepard's play for the screen and served as executive producer; Michael McClary directed. ~ Mark Deming, Rovi
- Starring:
- James Woods, Kathy Bates, (more)
A prequel to Horton Foote's 1918, On Valentine's Day was filmed in 1984, then held back from release till 1986. On the titular day, Elizabeth Vaughn (Hallie Foote, Horton's daughter) and Horace Robedeaux (William Converse-Roberts) elope. Horace stubbornly refuses to ask for financial assistant from his parents or in-laws, so the penniless couple is compelled to live in an inexpensive boarding house. Their fellow tenants are the usual assortment of eccentrics, including alcoholic Bobby Pate (Richard Jenkins), spinster Miss Ruth (Carol Goodheart), heartbroken George Tyler (Steven Hill) and garrulous young Bessie (Jeanne McCarthy). After several months of enduring the woes of the other boarders, Horace swallows his pride and agrees to allow father-in-law Michael Higgins to support him and Elizabeth. There's a reconciliation, but one tinged with the premonition that Horace and Elizabeth aren't out of the woods yet. Together with Portrait of a Marriage (never released theatrically), On Valentine's Day and 1918 were later reedited and incorporated into a Horton Foote TV trilogy on the PBS network. ~ Hal Erickson, Rovi
- Starring:
- William Converse-Roberts, Hallie Foote, (more)





