Marisa Paredes Movies
Artistically adventurous Spanish actress Marisa Paredes has worked with a number of renowned international directors during her career, but she is most famous for her work with Spain's flamboyant Pedro Almodóvar. Madrid native Paredes was studying acting at the city's Dramatic Arts Conservatory when she began her professional career in the 1960s. Making her name as an actress in Spanish TV, stage, and film work during the 1960s and '70s, Paredes began to attract more international attention in the 1980s. After appearing in Sus Anos Dorados (1980) and Fernando Trueba's comedy Opera Prima (1980), Paredes starred in her first Almodóvar film, the ribald comedy Dark Habits (1984). Among her other 1980s work, Paredes earned the Onda Madrid Prize for her performance as the wife of a Nazi concentration camp doctor in Tras El Cristal (1985). Paredes earned more acting laurels as the unbalanced actress and potential murderess Becky in Almodóvar's High Heels (1991). Solidifying her international prominence, Paredes worked in French, Mexican, and Italian productions, as well as Spanish, throughout the 1990s. After acting with Philippe Loiret in Tombes du Ciel (1993), Paredes starred as a troubled pulp romance writer in Almodóvar's The Flower of My Secret (1995). Paredes starred as Marcello Mastroianni's ex-wife in innovative Chilean expat Raoul Ruiz's comedy Three Lives and Only One Death (1996); appeared in Mexican director Arturo Ripstein's florid crime drama Deep Crimson (1996), based on the same story as The Honeymoon Killers (1969); and played Roberto Benigni's mother-in-law in the Oscar winning Holocaust dramedy Life is Beautiful (1997). After adding a U.S. production to her credits with Talk of Angels (1998), Paredes once again made a colorful role even more so with her passionate turn as diva actress Huma Rojo in Almodóvar's critically hailed, award-winning drama All About My Mother (1999). Though it did not draw as much attention, Paredes also won kudos that same year in Arturo Ripstein's No One Writes to the Colonel (1999). Paredes' consistent excellence earned her Spain's National Film Award in 1996. ~ Lucia Bozzola, Rovi
In modern-day Paris, a cabalist known as the Maharal has created a golem, an artificial being constructed of earth and clay, infused with spirit through the recitation of a special formula. The legendary being he brings to life is known in this instance as "The Spirit of Exile," and the magician's goal in creating her was to create a protector for Jews in need of one. In this movie, the golem is motivated to assist numerous people whose lives are marked by tragedy. In the main story, she must try to help Shemesh, a woman whose many troubles cause her to resemble the Biblical character of Job. She has been evicted from her home after her husband and sons die, and she and her daughter-in-law must find some means for surviving their difficult situation. ~ Clarke Fountain, Rovi
- Starring:
- Hanna Schygulla, Vittorio Mezzogiorno, (more)
- 1991
- R
Written and directed by Spanish filmmaker Pedro Almódovar, Tacones Lejanos is a murder mystery centering on flamboyant actress Becky del Paramo (Marisa Paredes) and her daughter Rebecca (Victoria Abril), a television anchorwoman. After being estranged for 15 years, Becky re-enters Rebecca's life when she comes to perform a concert. Rebecca, she finds, is now married to one of Becky's ex-lovers, Manuel (Feodor Atkine). As the mother and daughter begin making up for lost time, Manuel is suddenly murdered at his home. Unfortunately, which of the ladies is responsible for the homicide remains unclear, even after one of them confesses. Released in the U.S. under the title High Heels, Tacones Lejanos was nominated for several Goya Awards as well as the Best Foreign Language Film at the 1992 Golden Globes. ~ Matthew Tobey, Rovi
- Starring:
- Victoria Abril, Marisa Paredes, (more)
- 1987
Two gunmen chase after an anthropologist on the run in this convoluted, low-budget drama. In spite of several technical flaws in production and amateurish performances, the film shared prize money given by the CIGA hotel chain at the 1987 San Sebastian Film Festival. ~ Dan Pavlides, Rovi
- Starring:
- Rafael Diaz, Jorge De Juan, (more)
- 1986
Tata (Imperio Argentina) is a matronly nurse hired by a wealthy heiress who has spent the last 13 years in a convent. Fearing she is prone to nymphomania, Tata oversees the romantic antics of the sex-starved woman as she attempts to rejoin society. Satirical jabs at the military government, the aristocracy, and the Church highlight this comedy. ~ Dan Pavlides, Rovi
- Starring:
- Imperio Argentina, Alfredo Landa, (more)
- 1986
- R
Antonio (Jose M. Sacristan) is a vagabond traveler who hitches a ride into a small town. He takes a job in a restaurant before landing a better job in the local movie theater. Antonio remembers the owner as the woman who employed his acting troupe years before when he was a young child. He later gets mixed up in a plot to steal a valuable painting from a convent. The English title of Cara de Acelga is Spinach Face. ~ Dan Pavlides, Rovi
- Starring:
- José M. Sacristán, Fernando Fernán Gómez, (more)
- 1985
Stylistically compelling, morally ambiguous, and profoundly unsettling, this Spanish psychodrama from writer-director Agustin Villaronga stands beside Pier Paolo Pasolini's Salo as one of cinema's most unflinching depictions of human depravity. The story opens in post-WWII Catalonia as former Nazi death camp "doctor" Klaus (Gunter Meisner) consummates his torture-murder of a young man by hurling himself from the roof of his house; this act, motivated either by a sudden attack of conscience or by some form of sexual mania, leaves him paralyzed from the neck down and unable to breathe on his own. We soon find Klaus lying prone in an archaic iron lung, attended by his stern wife Griselda (Marisa Paredes) and young daughter Rena (Gisela Echevarria). When they become unable (or, in his wife's case, unwilling) to look after him, Griselda hires handsome young nurse Angelo (David Sust), unaware that the young man is one of Klaus' former victims, who has maintained a detailed dossier on the "doctor" and his countless unspeakable atrocities. Thus begins a perverse and surreal manipulation of master/servant roles between the immobile Klaus and his equally demented attendant, as the young man attempts to recreate the nightmare world of the camps, even procuring more young victims for his former tormentor's amusement. Though it could be asserted that the stylistically accomplished Villaronga has made a passionate artistic statement about mankind's capacity for unspeakable atrocities, his film may be construed as being one of those horrors in itself. At any rate, Tras el Cristal is not for the faint of heart or weak of stomach. ~ Cavett Binion, Rovi
- Starring:
- Günter Meisner, David Sust, (more)
In this Pedro Almodóvar film, a singer at a low-end nightclub hides out at a convent after her lover dies of a bad dose of drugs, and she meets a group of off-the-wall nuns while in hiding. The nuns range from one who writes sensationalist pulp fiction under a pseudonym to another who takes drugs, and another hooked on masochism. But their private lives and perverse foibles may be in jeopardy when a new mother superior arrives to take charge of the convent. ~ Eleanor Mannikka, Rovi
- Starring:
- Julieta Serrano, Marisa Paredes, (more)
- 1984
In his second successful starring role in 1983, Agustín Gonzalez is a father who runs a wine shop in Madrid, a city under a three-year siege (1936-1939) because the Nationalists forces of Francisco Franco need to take Madrid before the fascist dictator can be installed in power. The siege has left the Madrileños with very little food, living under the threat of bombs, and worrying about the prospects of defeat. It is the sense of impending disaster, of hunger and deprivation that is oddly missing from this cinematic interpretation of the play by Fernando Fernán Gómez. The daughter in the family (Victoria Abril) enters into a love affair with a soldier and ends up having a baby, the son (Gabino Diego) is coming of age with the maid - and life seems to go on with all its proverbial ups and downs. But without the sharp dialogue of the play itself, this film is not as tautly strung, or as convincingly real as the stage production. ~ Eleanor Mannikka, Rovi
- Starring:
- Amparo Soler Leal, Agustin Gonzalez, (more)
- 1980
Directed by Fernando (Belle Epoque) Trueba, the Spanish/ French Opera Prima stars Oscar Ladiore as a young divorced employee at a news agency. Outside the subway one evening, Ladione chances to meet his beautiful cousin, played by Paula Molina (sister of actress Angela Molina). The two commence an affair, then drift apart. Molina, an aspiring musician, falls under the spell of her pretentious tutor. On the verge of leaving the country with her teacher, she is "rescued" at the airport by Ladiore. The title's significance can be explained by its literal translation, "First Effort" (it is the first romance for Ladione after his marital breakup), and by the fact that "Opera" and "Prima" are slang terms for "Subway" and "Cousin," respectively. ~ Hal Erickson, Rovi
- Starring:
- Oscar Ladoire, Paula Molina, (more)
- 1980
aka: Their Golden Years In this failed attempt at auteur cinema, director Emilio Martinez-Lazaro puts together a disagreeble cast of characters whose only interest is self-indulgence. Luis (Jose Pedro Carrion), Maria (Patricia Adriani) and their friends have either fallen through the cracks of mainstream society or are trying to. Life swings from drugs to sex and back again, with little chance of ever changing or ever becoming meaningful. ~ Eleanor Mannikka, Rovi
- Starring:
- Patricia Adriani, Marisa Paredes, (more)
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