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Turo Pajala Movies

1989  
 
Finnish filmmaker Aki Kaurismäki may not have become a household name in arthouse circles until the U.S. release of Match Factory Girl in 1992, but by then he had already established an international reputation with Ariel, which was named the Best Foreign Language Film of 1991 by the National Society of Film Critics. A series of unfortunate events befall the film's hero, Taisto (Turo Pajala). First, he loses his job when the mine closes down. A suicidal friend gives him a car, and Taisto takes all his money and heads to the city to find work. He's quickly robbed by a couple of thugs, and shows up in town with no money and no job. Soon, he meets Irmeli (Susanna Haavisto), a resourceful divorcée who works a wide variety of jobs to support her young son and pay off their mortgage. "Will you disappear in the morning?" Irmeli dryly asks on their first night together. "No," Taisto responds emotionlessly, "We'll be together forever." Unable to find work, Taisto tries to sell his car. But then he runs into one of the men who robbed him, who pulls a knife on him. Taisto manages to disarm the man, and is subduing him when the police arrive. Taisto is convicted of assault and attempted robbery. He winds up in a cell with Mikkonen (Matti Pellonpää), who is in prison for manslaughter. He claims he's innocent, but tells Taisto that by the time he gets out of jail, he "won't be able to go three hours without killing someone." When Irmeli comes for a visit, Taisto impulsively proposes, and before long, she's helping him and Mikkonen plot their escape. ~ Josh Ralske, Rovi

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Starring:
Turo PajalaSusanna Haavisto, (more)
 
1987  
 
The plot of William Shakespeare's Hamlet had already been transposed to the modern business world twice before the release of Hamlet Goes Business. These earlier films, Strange Illusion (46) and The Rest is Silence (60), are nearly as dour as the Shakespeare original. Only Finnish director Aki Kaurismaki was able to see the dark humor and satirical implications of such a time-displacement effort: his modernization of Hamlet was set in a rubber duck factory, making all the passions torn to tatters seem slightly ridiculous. While the film follows the traditional tale of a son seeking revenge for his father's murder, director Kaurismaki never misses an opportunity to skewer the business world, just as he'd been doing in collaboration with his writer/director brother Mika ever since 1982. Also released in some countries as Hamlet Gets Business, this film was first seen in Finland as Hamlet Liikemaailmassa. ~ Hal Erickson, Rovi

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Starring:
Pirkka-Pekka PeteliusEsko Salminen, (more)
 
1987  
 
In this arthouse satirical interpretation of the famous Shakespeare play, a thug named Macbeth starts a gang war at the instigation of his ultimately suicidal girlfriend. As the mobsters become increasingly paranoid, their use of lines quoted from Shakespeare's plays becomes especially silly, as it is (apparently) intended to. In addition to being a wry hommage to plays by the Bard of Avalon, this film does double duty as a spoof of film noir. ~ Clarke Fountain, Rovi

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Starring:
Mato ValtonenPirkko Hamalainen, (more)
 
1986  
 
With a film noir look and feel, this drama by Pauli Pentti tracks the undercover career of Mack (Pekka Valkeejarvi), a dour, footloose wanderer obviously down on his luck. An important police lieutenant pays Mack to keep an eye on his estranged wife, whom he suspects is having an affair. The lieutenant wants Mack to record any infidelities on film and bring the evidence back to him for use in his divorce trial. Mack begins his investigation by discovering the wife, a nightclub singer, appears to be in some sort of liaison with a hotel owner. But to his surprise, appearances can be quite deceiving. ~ Eleanor Mannikka, Rovi

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Starring:
Pekka ValkeejarviRiita Havukainen, (more)