Larry Olsen Movies

This anthology film tells three stories of love involving the passengers of an ocean liner at sea. In the first, "The Jealous Lover," James Mason plays Charles Coudray, a well-known ballet director. When someone asks Coudray why he staged his masterpiece, "Astarte," only once, he tells the story of Paula Woodward (Moira Shearer), a superb dancer he found practicing in his theater. He was awestruck by her technique and her beauty, but he discovered that she had a secret -- due to a cardiac condition, she has been forbidden to dance too strenuously, as it could tax her heart and eventually kill her. Charles urges Paula to perform for him, so he may use her movements to choreograph his next great work; she agrees, but the exertion proves too much for her and she dies. He arranges for the work she inspired to be performed only once, in hopes that she will somehow see it from on high. In the second segment, "Mademoiselle," Tommy (Ricky Nelson) is a 12-year-old boy travelling with his French governess and tutor (Leslie Caron); she's tired of spending her days watching over a child, and he'd like to get away from Teacher for a while. Mrs. Pennicott (Ethel Barrymore), a older woman who happens to be a witch, hears Tommy wishing he could be a grown-up, and she grants his request: suddenly Tommy is a grown man (played by Farley Granger), but only for the next four hours. The Governess meets the mysterious stranger Tommy has become, and soon they fall in love. In the final segment, "Equilibrium," Kirk Douglas plays Pierre Narval, a high-wire artist who retired from performing after his partner died while performing a trapeze act, an accident Pierre blames on himself. He begins to reconsider his decision when he saves the life of Nina (Pier Angeli), a woman who attempted to drown herself; her husband died in a Nazi concentration camp during World War II, and she feels she is to blame for his death. Their shared fatalism equals fearlessness in Pierre's eyes, and he teaches Nina the art of the trapeze; however, when he begins to fall in love with her, he's no longer so certain that he wants her to risk her life. "The Jealous Lover" and "Equilibrium" were directed by Gottfried Reinhardt, while "Mademoiselle" was directed by Vincente Minnelli. ~ Mark Deming, Rovi

Lin McAdam (James Stewart) and his friend High-Spade (Millard Mitchell) arrive in Dodge City for a shooting contest, in which the prize is a perfectly manufactured Winchester repeating rifle, referred to as "One of a Thousand" -- a gun so fine that Winchester won't sell it. Lin runs across Dutch Henry Brown (Stephen McNally) in a saloon and the two would kill each other right there but for the fact that town marshal Wyatt Earp (Will Geer) has everyone's guns. Lin wins the rifle in an extraordinary marksmanship match-up with Brown, but the latter steals the prize from him and sets out across the desert. Thus begins a battle of wits and nerves, and a pursuit to the death. The roots and raw psychological dimensions of that chase are only exposed gradually, across a story arc that includes references to Custer's Last Stand, run-ins with marauding Indians, a heroic stand with a a shady but well-intentioned grifter (Charles Drake), and a meeting with murderous sociopath named Waco Johnny Dean (Dan Duryea), plus a romantic encounter with a young, golden-hearted frontier woman (Shelley Winters). All of these story lines eventually get drawn together neatly and gracefully by director Anthony Mann, who balances the violence of the events with a lyrical, almost poetic visual language. ~ Bruce Eder, Rovi

Producer Hal Roach's postwar attempt to create a new bunch of "Our Gang" kids resulted in two misfire Cinecolor comedies, the second of which was Who Killed Doc Robbin. Heading this unappealing new crop of youngsters is Jackie Cooper lookalike Larry Olsen as Curley, who enters the story when sinister scientist Doc Robbin (George Zucco) disappears after a lab explosion as is presumed murdered. The most likely suspect is kindly old Dan (Whitford Kane), and Curley and his pals intend to prove Dan's innocence. To do this, they must snoop around Robbin's spooky old house, leading to a series of "fright" gags that were old when Harold Lloyd did them back in 1921. In the tradition of the earlier Our Gang comedies, Who Killed Doc Robbin features a pair of black kids, one of whom is Renee Beard, the brother of 1930s Our Gang favorite Matthew "Stymie" Beard. Originally released in tandem with the Hal Roach streamliner Here Comes Trouble, Who Killed 'Doc' Robbin was later combined with its predecessor Curley (1948) into a single feature titled Curley and His Gang in the Haunted Mansion. ~ Hal Erickson, Rovi

A group of conniving juvenile delinquents set out to ruin the first day of school for a new teacher (Frances Rafferty), but find that the joke is on them. ~ John Bush, Rovi

Marital entanglements provide the basis for this drama. The trouble begins as a woman prepares to marry her fifth husband, and former high school sweetie. Unfortunately he is already married. His wife begins divorce proceedings and sues for custody of the children. The newly freed man and the serial divorcee travel to Chicago where she begins arrange a shady property deal. The man figures out her game and leaves her in favor of his former wife. ~ Sandra Brennan, Rovi

Red Ryder rounds up a crooked sheriff in this western adventure. ~ Sandra Brennan, Rovi

When he finds out his ex-wife has just had his child and plans to give her up for adoption, a timid English instructor dashes to the child's rescue and attempts to care for her in a hotel room. Before too long, however, his new fiancee and his ex confront him and he must decide what he will do. This light comedy starring Gary Cooper, Theresa Wright and Anita Louise garnered Oscar nominations for Sound and Art Direction and was previously filmed under the title Little Accident in 1930 and 1939. ~ Kristie Hassen, Rovi

An Iowa drugstore owner (Don Ameche) becomes embittered when his son is killed in World War II. The druggist believes that the boy's life was cut short before he had an opportunity to truly appreciate his existence. The grieving father is shown the error of his assumption by the ghost of his grandfather (Harry Carey), who through flashbacks details the good things about the son's short term on Earth, and the wonderful life that the druggist himself has enjoyed. Frances Dee plays Don Ameche's wife, while Ann Rutherford portrays his son's girl (who in turn is played in a flashback sequence by former Little Rascal Darla Hood). Happy Land was suitable wartime propaganda, though it doesn't play quite as movingly today. ~ Hal Erickson, Rovi