Warren Oates Movies

In this sports-oriented drama, Art Long (Dennis Quaid), a loser as a country singer, starts competing in local fist-fight matches in order to bring home a little extra cash -- and is caught up in his successes enough to continue on to the big national finals. Predictable from the first round onwards, Long is supported by his wife (Carlene Watkins), his father (Wilford Brimley), his mother (Fran Ryan), his friends, his fight promoter (Warren Oates) and just about everyone except his opponents in the ring. ~ Eleanor Mannikka, All Movie Guide

Originally networkcast in three installments, the 8-hour Blue and the Gray is a sprawling adaptation of a story concept by Civil War historian Bruce Catton. The drama begins in 1859, with young war correspondent-to-be John Hammond meeting future Union officer Stacy Keach at the trial of abolitionist John Brown (Sterling Hayden). They are reunited two years later during the presidential campaign of Abraham Lincoln (Gregory Peck) and are eyewitnesses at the battle of Bull Run. Keach marries Julia Duffy in 1862, while Virginia-born Hammond writes his dispatches from the Deep South. A subplot concerning a family torn by North/South loyalties is resolved just before Appomattox. The Blue and the Gray was first telecast November 14, 16 and 17, 1982. ~ Hal Erickson, All Movie Guide

The 1955 film version of John Steinbeck's East of Eden will always be popular because of the presence in the cast of James Dean. Even so, the film covered only a small portion of the original novel. For those Steinbeck completists who prefer a more thorough treatment, we submit for your approval the TV miniseries adaptation of East of Eden, which first aired February 8, 9 and 11, 1981. This eight-hour dramatization begins in the years following the Civil War. Braggadocio union officer Cyrus Trask (Warren Oates) is the father of gentle, loyal Adam (Timothy Bottoms) and hellraiser Charles (Bruce Boxleitner). Enter the bewitching, mean-spirited Cathy Ames (Jane Seymour), who leads both brothers on and causes an irreparable rift between them. Eventually, Adam marries Cathy, taking her and their twin sons to a 900-acre farm in California's Salinas Valley. Cathy rebels against this cloistered existence and runs off to work in a house of ill repute. In Part Three, we finally meet the "James Dean" character: Cal Trask (played by Timothy Bottoms' brother Sam), who can never hope to come up to the standards of his "good" twin brother Aron (Hart Bochner) in the eyes of his father. Cal's "bad" reputation obscures his good intentions, but by film's end he is compelled to reveal to brother Aron that their mother had not died as father Adam has claimed, but in fact has become a hard-bitten bordello "madam". Adapted for television by Richard Shapiro, East of Eden was part of ABC's informal "Novels for Television" series. ~ Hal Erickson, All Movie Guide

This satirical comedy answers the question "What would happen to television if the censors took a day off?" ~ Sandra Brennan, All Movie Guide

Middle-aged Colleen Dewhurst shocks her family-and herself-when she announces she is pregnant. Partly out of concern for her health, and partly out of selfishness, the family argues over whether or not she should go to term. Husband Pat Hingle is indecisive until he witness the baby's development via ultrasound. The film's final scenes are an amalgam of truly touching moments and bedslat comedy. Timothy Hutton makes one of his first major appearances as Dewhurst and Hingle's teenaged son. First telecast October 22, 1979, And Baby Makes Six was intended as the pilot for a weekly series; as it turned out, it yielded only a feature-length sequel, Baby Comes Home (1980) ~ Hal Erickson, All Movie Guide

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, All Movie Guide

The 1978 series pilot True Grit is based on the 1969 John Wayne film of the same name. Warren Oates brings his own characteristic touches to the old Wayne role of Rooster Cogburn, the "one-eyed fat man" (now a one-eyed thin man with a beard) who agrees to help headstrong orphaned teenage girl Mattie Ross (Lisa Pelikan). Mattie wants to get to her relatives in California, but she and Cogburn get off to a bad start when Rooster loses their train fare in a poker game. He tries to recoup their loss by mining for gold in Wyoming, then by riding shotgun on the gold shipments. Had the pilot sold, it would have detailed the further adventures of Cogburn and Mattie (as indicated by the original network title, True Grit: A Further Adventure). ~ Hal Erickson, All Movie Guide

In this entry from the "Police Story" series of police dramas, bank robbers have taken five hostages in a besieged skyscraper. It is up to the SWAT negotiator to see to their safe release. ~ Sandra Brennan, All Movie Guide

Director Roger Donaldson's directorial debut was also a breakthrough film for New Zealand filmmakers, being the first film from New Zealand to open in the United States. Sam Neill stars as a man named Smith who lives in a near future of economic collapse in New Zealand. Smith is a husband who discovers that his wife has been having an affair. Unable to deal with it, he decides to move out and live by himself. But the precarious political chaos in New Zealand has created a right wing backlash, with repressive government forces murdering opponents to the government's policies. Smith finds himself joining a group of freedom fighters that sets out to preserve democracy. Opposing Smith and the freedom fighters are the government thugs and an apolitical soldier of fortune named Willoughby (Warren Oates). ~ Paul Brenner, All Movie Guide

In 1963, The Dick Powell Theatre aired an hour-long episode titled "Safari", starring James Coburn as a scruffy steamboat captain and Glynis Johns as an English missionary. What this really was was a pilot for a TV series based on the 1951 Humphrey Bogart- Katharine Hepburn film classic The African Queen. That pilot never sold, nor did this 60-minuter from 1977, also titled The African Queen. Warren Oates plays the Bogart role as Charlie Allnut, while Mariette Hartley steps into Hepburn's shoes as Rosie Sayer. Set in Africa during World War 1, The African Queen was filmed in the Florida everglades and was telecast for the first and last time on March 18, 1977. ~ Hal Erickson, All Movie Guide

Two sisters (Jane Johnstone, Kathy McHaley) seek vengeance when they are evicted from their farmhouse and a gunslinging sheriff shoots down their moonshining father. ~ John Bush, All Movie Guide

Though set in Key West, Florida, a goodly portion of 92 in the Shade was filmed in England. Peter Fonda plays Tom Skelton, a bum who gets a job as a fishing guide in his old home town. Nobody wants to have anything to do with Skelton, least of all rival guides Nichol Dance and Carter (Warren Oates and Harry Dean Stanton). Faced with financial disaster and widespread hostility, he turns to his wealthy grandfather Goldsboro (Burgess Meredith) for help. Taking time off from his lovemaking sessions with sexy secretary Bella (Sylvia Miles), his grandfather pumps some money into Tom's operation, and our hero makes his peace with Carter. A climactic fight with Nichol puts an end to that problem, while Tom's romantic relationship with Miranda (Margot Kidder) helps him sort out his priorities. Director/writer Thomas McGuane adapted the script from his own novel. ~ Hal Erickson, All Movie Guide

Wealthy Mexican Emilio Fernandez puts a million-dollar bounty on the head of Alfredo Garcia, who has seduced and knocked up Fernandez's daughter. Trouble is, Alfredo Garcia is already dead and buried. Barkeep Bennie (Warren Oates) is appointed by two of Fernandez's hit men (Robert Webber and Gig Young) to travel to the small town in whose cemetery Garcia is interred, planning to dig up the body and recover the head; along the way, he meets and falls for prostitute Elita (Isela Vega), who had become involved with Garcia. But these two fail to anticipate the arrival of fellow corpse-seekers, equally desperate to collect the bounty. ~ Hal Erickson, All Movie Guide