Pascal Nzonzi Movies

The shocking story of a young man sentenced to a brutal juvenile home comes to the screen in this drama based on an autobiographical novel by Auguste Le Breton set in the early 1930s. Yves Treguier (Emile Berling) is a 14-year-old who has run away from home and is picked up by police for vagrancy. Yves is sent to an "educational home" for orphans and juvenile felons; the home is more like a prison than anything else, and adults who oversee the youngsters in their care are more interested in discipline and hard labor than in attempting to teach their charges. Many of the boys at the home have become hardened prisoners who greet new inmates with violence or sexual abuse, but Yves is fortunate enough to share his cell with Blondeau (Guillaume Gouix), an older boy with a gentle spirit. Blondeau was simply abandoned by his wealthy mother, and has bittersweet memories of music lessons and reading poetry. While Blondeau has become resigned to his fate, Yves's spirit has not been broken, and he isn't in stir long before making plans to escape. After two attempts to run away fail, Yves is warned that a third offense will result in him being transferred to a prison for adults, but despite the long odds against him, Yves believes that he has a slim chance of escape but no chance at all if he stays on the inside. Les Hauts Murs (aka Behind The Walls) was the first theatrical feature from director Christian Faure, who previously distinguished himself working in television. ~ Mark Deming, Rovi

Directed by Didier Bourdon, a member of the French comedy troupe Les Inconnus, this comedy stars Bourdon and other members of the troupe. Bourdon plays one of three half-brothers who have been separated since childhood and are reunited when they come to their mother's funeral. They discover that she has left them a considerable family fortune. Each of them begins spending his share of the money on lavish things. Two days later, they are told that they are not getting the money after all because it is being donated to charitable causes. One of them also discovers that he has a young son he never knew about. With the child, the three brothers are chased by the police because they have run up debts they cannot pay. To elude the authorities, they practice various con games, steal vehicles, and wreak havoc on the French countryside. ~ Michael Betzold, Rovi

Jim Jarmusch's deadpan comedy-of-the-night is a collection of five vignettes taking place in the enclosed space of a cab ride, each occurring simultaneously in five different cities and five different time zones -- Los Angeles, New York City, Paris, Rome, and Helsinki. The Los Angeles episode takes place at dusk, as high-powered casting agent Victoria (Gena Rowlands) gets a ride from L.A. International Airport with tomboy driver Corky (Winona Ryder), who would rather go on driving her cab than take up Victoria's offer to make her a superstar. In New York City, novice East German cabbie Helmut Grokenberger (Armin Mueller-Stahl) has difficulty working the foot pedals to his hack, and his passenger, YoYo (Giancarlo Esposito), ends up driving himself to Brooklyn, picking up the shrill-voiced Angela (Rosie Perez) along the way. In Paris, an African cab driver (Isaach De Bankolé) ejects a collection of drunken African diplomats from his cab and picks up a beautiful but surly blind girl (Béatrice Dalle). In Rome, cab driver Gino (Roberto Benigni) engages in a heartfelt monologue confessing his past sexual exploits to his passenger, a priest who is dying of a heart attack in the back seat. The film winds down in the last melancholy vignette, taking place in Helsinki, as taxi driver Mika (Matti Pellonpää) picks up three inebriated workmen who regale him with hard-luck stories. But Mika has a much harsher story of his own to tell. ~ Paul Brenner, Rovi

Joss Beaumont (Jean-Paul Belmondo) is a French spy given the assignment of killing an African dictator, and when he arrives in Africa to do so, he is captured and put in prison. The political winds had changed - the dictator is now an ally - and the best way to handle the agent is to keep him in jail. Naturally at odds now with his former bosses and with an ax to grind for his own incarceration, the agent escapes after two years in prison and heads back to Paris where he announces that he is going to finish his assassination job during the coming diplomatic visit of the African leader. Once aware of his intent, the French government sets up one trap after another, but to no avail - the agent remains free and there is no doubt that he has the full capacity to do exactly what he says. ~ Eleanor Mannikka, Rovi