Esko Nikkari Movies

Aki Kaurismaki's Juha is the fourth adaptation of this love triangle involving a woman and two men. The original story took place in the 18th century and revolved around a former servant girl, Marja, who is married to plain, simple-minded and older Juha, but in love with Russian salesman and 'Casanova' Shemeikka. Kaurismaki's story is set in the late 1970's, shot silent and furnished with captions to disclose the dialogue. It is meant to be watched with live music, preferably with the score's composer Anssi Tikanmaki conducting his own orchestra. Absence of sound (dialogue) is not really new for Kaurismaki, whose 1990 masterpiece Tulitikkutehtaan tyttö/The Match Factory Girl took 17 minutes before a word was uttered. Instead of imitating silent movies, Kaurismaki placed his version of Juha at the moment of the history of silent film when some sound could be used. Acting style and images start somewhere in the late 1920's and towards the end slowly move into the '50's B-movie style. With Timo Salmien behind the lenses, who has been collaborating as cinematographer with Aki and brother Mika Kaurismaki since 1981, and some of the regular cast (such as André Wilms, Elina Salo, Sakari Kuosmanen and Kati Outinen), Juha is distinctively a Kaurismaki film. Published in 1911, well-known Finnish author Juhani Aho's tragic drama has been filmed three times before. The first was Johan in 1920 by Mauritz Stiller, who staged it in provincial Sweden (which was a strange locale for the Finnish audiences). The second, Juha, was brought to screen in 1937 by Nyrki Tapiovaara, who was faithful to the script, but the film was not very successful. The third Juha was by Toivo Sarkka in 1956, and it was also the first Finnish film shot in color. It was the worst of the three, according to film historians, looking like a picture postcard; nevertheless, it was a big box-office hit. ~ Gönül Dönmez-Colin, Rovi

A married couple struggles with the repercussions of unexpected unemployment in this wry comedy drama from Finnish filmmaker Aki Kaurismaki. Ilona, the wife, works as restaurant hostess and her husband Lauri drives a tram. Though the couple has recently lost a child, they both seem at peace and happy. One night Ilona comes home and finds that Lauri has purchased a beautiful television on credit. Shortly thereafter disaster strikes when Ilona's workplace closes and Lauri gets caught in a maelstrom of downsizing. Neither is able to find suitable work right away and as time crawls by, they become humiliated and testy with each other. Eventually Ilona gets a job cooking and bartending in a nameless sleazy dive while her husband, after having to sell their television and car, turns to booze. Things look bad for the marriage when suddenly Ilona decides to open a restaurant. With the backing of her former boss and using her coworkers, she and Lauri open the successful Worker's Rest café and find renewed hope. ~ Sandra Brennan, Rovi

This little mystery is set in Finland. The film begins at a train station as a young woman waves goodbye to her aged husband. As soon as he is out of sight she engages in sex with her lover. But this is not real. It is only a scene from a meller which is being filmed. The scene is based on true events that occurred in the distant past. Later the scriptwriter is stabbed to death in a sauna after he threatens the producer who wronged him years ago. The search for the murderer is on. Is it the producer himself? The over sexed lead actress? The location manager? Or is it one of the townies where the movie is being made? ~ Sandra Brennan, Rovi

Finnish filmmaker Aki Kaurismäki may not have become a household name in arthouse circles until the U.S. release of Match Factory Girl in 1992, but by then he had already established an international reputation with Ariel, which was named the Best Foreign Language Film of 1991 by the National Society of Film Critics. A series of unfortunate events befall the film's hero, Taisto (Turo Pajala). First, he loses his job when the mine closes down. A suicidal friend gives him a car, and Taisto takes all his money and heads to the city to find work. He's quickly robbed by a couple of thugs, and shows up in town with no money and no job. Soon, he meets Irmeli (Susanna Haavisto), a resourceful divorcée who works a wide variety of jobs to support her young son and pay off their mortgage. "Will you disappear in the morning?" Irmeli dryly asks on their first night together. "No," Taisto responds emotionlessly, "We'll be together forever." Unable to find work, Taisto tries to sell his car. But then he runs into one of the men who robbed him, who pulls a knife on him. Taisto manages to disarm the man, and is subduing him when the police arrive. Taisto is convicted of assault and attempted robbery. He winds up in a cell with Mikkonen (Matti Pellonpää), who is in prison for manslaughter. He claims he's innocent, but tells Taisto that by the time he gets out of jail, he "won't be able to go three hours without killing someone." When Irmeli comes for a visit, Taisto impulsively proposes, and before long, she's helping him and Mikkonen plot their escape. ~ Josh Ralske, Rovi

In this noir thriller, a couple of hard cases have impersonated policemen in order to rob a mail truck. Not only is the mail truck driver killed, but one of the two robbers decides to kill the other one and shoots him, absconding with the loot. The robber who was shot survived and was sentenced to serve time in prison. Despite the temptation to name the man who did him wrong (and made off with their money), he keeps his silence. Instead, when he gets a short leave from prison, he goes to the town where his unsuspecting partner now lives. The former robber has married, become the mayor of the town and is running for nationwide office: Minister of Justice, no less! During a political rally, the mayor spots the man he thought he had killed and has a fright. The thieving mayor tries to buy off the man he wronged, but the convict has plans which will make election day one to remember. ~ Clarke Fountain, Rovi

The plot of William Shakespeare's Hamlet had already been transposed to the modern business world twice before the release of Hamlet Goes Business. These earlier films, Strange Illusion (46) and The Rest is Silence (60), are nearly as dour as the Shakespeare original. Only Finnish director Aki Kaurismaki was able to see the dark humor and satirical implications of such a time-displacement effort: his modernization of Hamlet was set in a rubber duck factory, making all the passions torn to tatters seem slightly ridiculous. While the film follows the traditional tale of a son seeking revenge for his father's murder, director Kaurismaki never misses an opportunity to skewer the business world, just as he'd been doing in collaboration with his writer/director brother Mika ever since 1982. Also released in some countries as Hamlet Gets Business, this film was first seen in Finland as Hamlet Liikemaailmassa. ~ Hal Erickson, Rovi

In this romantic comedy, Nikander (Matti Pellonpaa) is a lonely garbage-truck driver who meets the homely check-out clerk Ilona (Kati Outinen). Their painful shyness makes for slow romantic progress, until Ilona loses her job, and the two rendezvous in a cozy country motel. Nikander proposes after returning items stolen by Ilona in retaliation for her being fired. ~ Dan Pavlides, Rovi