Nathalie Nell Movies

In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule. ~ Eleanor Mannikka, All Movie Guide

In this confusing, surreal, and slow-paced drama that swings back and forth from strange to farcical, Robert (Alain Delon) meets Donatienne (Nathalie Baye) on a train. She tells him a story about a woman and a man who meet on a train and subsequently spend a night - only one night - in a glorious sexual encounter before they part forever. He is so taken with her that he ends up in her mountain chalet, not just for one night, but for many - drinking beer and forgetting about his wife in Paris. Donatienne then has sexual relations with all the men in her neighborhood - and the film steps fully into a bizarre world in which neither Robert nor Donatienne can honestly relate to each other. The mystery about what is going on is revealed in the end, but by then the film - verbose, inscrutable, and artificial - may have alienated more than one viewer. On the other hand, the performances of Delon and Baye stand out against this flawed backdrop, an achievement recognized at the 1984 Cesars when Delon won the Best Actor award for his role as Robert. ~ Eleanor Mannikka, All Movie Guide

In this psychological horror movie, an art student begins to seriously question his sanity after a terrifying nightmare recurs over a long period of time. In the dream, his twin, who died at birth is trying to kill him. The dream eventually becomes so intense that the young man is barely able to function. The film is also titled Brainwaves. ~ Sandra Brennan, All Movie Guide

In making this film about a director who is presently working on an autobiographical movie, real-life director Elie Chouraqui has played on a Jewish cultural theme (the "reel" director is Jewish) and the intermixing of 1960s movie-making techniques. In the film, director David is in his 30s and his autobiography brings in details about his growth to adulthood -- his early life along the seacoast in Normandy, his parents, his education, and in the present, his sister and her husband, and a few of his own lovers. Visions of the past enhance the events of the moment, such as in the scene of David's mother's death. In the end, viewers may be able to answer the question posed by the title -- "What makes David run?" ~ Eleanor Mannikka, All Movie Guide

Nicole is a nurse, with a boyfriend in the military, who lives at home with her mother. One night, while returning home on her motorcycle, she is forced off the road by four men driving a delivery van, and she is raped. Afterward, she is secretly sent by her family to a hospital to recover. However, she is determined to discover the meaning of this awful event and presses charges against the men, who prove to be very ordinary, and not the monsters she had imagined them to be. This proves to be a sobering, even chilling realization. ~ Clarke Fountain, All Movie Guide

Henri (Jean-Claude Dauphin) is a young filmmmaker who convinces a nobleman to let him use his sprawling chateau to film a movie. The governess to the nobleman's children is a Polish woman in her 30s. Henri successfully talks her into a role in the film, and the two are soon engaged in a passionate romantic affair. He joins the army, but the lovestruck governess follows him wherever he goes. When he tries to end the affair, she attempts suicide. The unfortunate woman continues to follow Henri, who may never escape from her amorous obsession for him. ~ Dan Pavlides, All Movie Guide