Krista Nell Movies

 
1975  
 
Add The Bloodsucker Leads the Dance to QueueAdd The Bloodsucker Leads the Dance to top of Queue 
Set in 1902 in an Irish island castle, actually the same Italian castle masquerading as an English one in 1967's Assassino Senza Volto, Giacomo Rossi Stuart stars as Count Marnak, who invites a traveling theater troupe to stay at the castle as his guests. Marnak soon becomes obsessed with the troupe's beautiful star, Evelyn (Patrizia De Rossi), who looks enough like his deceased wife to be her identical twin, and the two begin a passionate affair. There are several of those affairs going around for the viewer's voyeuristic benefit, including the standard faux-lesbian scene, but they are soon brought to a halt as many of the participants' heads get cut off by an unseen killer. Rumors of vampirism and unintentionally humorous attempts at Gothic atmosphere are quickly forgotten in favor of the usual red herrings and butchery, leading to the unmasking of a deranged psychopath. ~ Robert Firsching, Rovi

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1974  
R  
When a series of adulterous women begin to turn up dead, a police officer (Farley Granger) must hunt down their crazed killer. ~ Iotis Erlewine, Rovi

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1972  
 
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In this campy jungle adventure, courageous, stiff-upper-lipped Captain Fox and his entourage head for the Congo's darkest heart to search for a missing woman. Along the way they face many of the usual jungle dangers, but not a one prepares them for the fearsome, mythical ape-man Karzan (think Tarzan with a "K"). ~ Sandra Brennan, Rovi

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1971  
 
In this Italian and Spanish horror thriller, the doctor (Espartaco Santoni) seems to have everything. He has a yacht and a castle and the money and time to travel to as many vacation resorts as he desires. Not only that, but he has hypnotic psychic powers and can lure any woman he likes back to his home. Perhaps this all bores him because he has taken to killing lovely young women and putting them in the hidden niches in his castle. On the side, he dabbles in Satanism. One young woman, who is the sister of one of his previous victims, appeals to him so much that he makes some mistakes. ~ Clarke Fountain, Rovi

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1969  
 
Two Frenchmen discuss politics and social changes in an unnamed country in South America. Corty (Marc Cassot) is a soldier-of-fortune paid to fight for the ideals of his employers. Francois (Michel Del Castillo) is an intellectual who bemoans the existence of violence and chaos. Both review the causes and effects of revolution and how it applies to the needs of the individual versus society. ~ Dan Pavlides, Rovi

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Starring:
Michel del CastilloMarc Cassot, (more)
 
1967  
 
Two Yankee spies team up with British intelligence to stop the beautiful but deadly Su-Muru, a woman with eyes literally on ruling the world. Having gathered an enormous army of gorgeous women, she and her minions use their considerable wiles and natural attributes to enslave the world's most important men. ~ Sandra Brennan, Rovi

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Starring:
Frankie AvalonGeorge Nader, (more)
 
1965  
 
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Pierrot le fou (1965) is Jean-Luc Godard's sixth film staring Anna Karina, his first wife. It is the story of Ferdinand (Jean-Paul Belmondo) and Marianne (Karina). They meet when Ferdinand's wife hires Marianne as a baby-sitter. As he drives Marianne home, Ferdinand decides to run away with her. The couple get caught up in a mysterious gun-running scheme involving Marianne's brother (Dirk Sanders). With Pierrot le fou Godard returns to the story of A bout de souffle (Breathless): the tale of a couple on the run. But in the six years between the two films Godard developed a more complex and often difficult style. Pierrot le fou incorporates musical numbers, references to the history of cinema and painting, and quotations from literature. The film features Godard's most extended use of color to that point, as the shots are filled with blocks of bright primary colors. Pierrot le fou is a catalogue of cinematic inventions and of gestures made by couples in love. ~ Louis Schwartz, Rovi

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Starring:
Jean-Paul BelmondoAnna Karina, (more)