Ichiro Nakaya Movies

This drama is adapted from a Japanese television mini-series. In the story, an industrialist learns of a medical condition which will greatly shorten his life. He is on a trip to Europe at the time, and a glimpse of a Japanese woman in that setting causes him to fantasize about her as the personification of his impending death. As his dialogue with his imagined mortality continues, he actually meets the living woman who is the template for his fantasy, and together they tour rural churches. Gradually he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges which profoundly test the lessons he has learned. ~ Clarke Fountain, Rovi

This star-studded and relatively lavishly produced fact-based war drama, set in 1945 Japan during WW II, chronicles the attempts of Japan's War Minister, (played by Toshiro Mifune), to prevent Emperor Hirohito from publicly broadcasting the declaration of surrender. The War Minister rallies those officers around him who also want to keep the war going. The conspirators murder the leader of the Imperial Guards and storm the palace. Fortunately they are stopped by the palace guard. On learning of this failure, the War Minister commits suicide. At least one Western reviewer of this 1967 film (for Variety) still bore very harsh memories of the war and attributed all sorts of face-saving propagandistic intent by the Japanese to this relatively innocuous movie. He was particularly distressed that the aura of sanctity surrounding the Emperor remained intact and was even enhanced by this film; even so, he praised it as expertly acted and entertaining in its own right, despite being an apparently "official" film. ~ Sandra Brennan, Rovi

This well-regarded Japanese drama follows an aging samurai as he attempts to regain his family's honor. In 17th century Japan, a shift in the country's political structure has thrown the feudal Shogun system into disuse. Impoverished samurai wander the countryside, asking wealthy estate owners if they can commit hara-kiri, a grisly form of suicide, on their property. The usual and honorable response is an offer of some work for food or shelter. Into the house of a lord comes Hanshiro Tsugumo (Tatsuya Nakadai), an elderly warrior who asks chief retainer Kageyu Saito (Rentaro Mikuni) that the manor's three hired swordsmen serve as his seconds in the ritual. When the appointed hour arrives, however, the swordsmen do not appear, dishonoring the man. Hanshiro reveals himself to be the father-in-law of Motome Chijiiwa (Yoshio Inaba), a young samurai who had earlier approached Saito and been cruelly forced to go through with the fatal act, disemboweling himself with a dull bamboo blade, as his own had been sold to feed his family. ~ Karl Williams, Rovi