Joe Belcher Movies
Richard Franklin directed this horror film that plays like Jane Goodall in Gaslight. Elisabeth Shue is Jane Chase, a graduate student in zoology who volunteers to help Dr. Steven Phillip (Terence Stamp), a professor at the university, with his animal studies. Arriving at his mansion, she is greeted by Link, a orangutan dressed in a monkey suit. Jane gets to know Link and Dr. Phillip's other chimp charges, Imp and Voodoo. One day Dr. Phillip goes to town, supposedly to sell Voodoo, but instead, Voodoo is found dead at the mansion. Link then proceeds to ignore Jane's commands and starts pushing Imp around. When Dr. Phillip's friend Bailey (Kevin Lloyd) arrives to take Voodoo away, Link becomes aggressive and chases Bailey away from the mansion. Jane later realizes Link is holding her prisoner in the mansion, not allowing her through the door and keeping the telephone away from her. Link is now out for blood, and the blood belongs to Jane. ~ Paul Brenner, Rovi
- Starring:
- Terence Stamp, Elisabeth Shue, (more)
- 1984
An excellent vehicle to showcase the talents of Tim Curry, this comedy by Colin Bucksey casts Curry as Larry Gormley, an actor who has never really had the break he so desperately wants -- though whether or not his talent is up to the task is another question. Larry drives a cab in-between auditions, which essentially makes him a cab driver with acting aspirations. When one shot at stardom falls through because his producer promptly drops dead, Larry has a bit of apparent good fortune drop into his lap. A fare of dubious business affiliation accidentally leaves a stash of cash in his suitcase in the back of Larry's hack. Recognizing the brass ring when he sees it, Larry grabs the ill-gotten dough and takes off, quickly and disastrously followed by the Mob and the IRA. Chased to Dublin, Larry passes himself off as a nun or worse, all in order to evade his murderous pursuers. Fast-paced and funny, viewers should also enjoy Curry's interpretations of Mick Jagger and Elvis. ~ Eleanor Mannikka, Rovi
- Starring:
- Tim Curry, Debby Bishop, (more)
The complicated relationship of two men who have given their lives to the theater forms the basis for this acclaimed drama. During World War II, an aging but once famous Shakespearean actor, addressed by his cast and crew only as "Sir" (Albert Finney), continues to tour the British theater circuit with a rag tag group of elderly and handicapped actors who are exempt from military service. Sir has grown frustrated, senile, and is on the verge of a nervous breakdown; he's come to rely upon his dresser Norman (Tom Courtenay), an endlessly loyal homosexual who would do anything for the man he's come to love. Norman tries to guide Sir through yet another tour of the hinterlands in The Tempest. This expanded film adaptation of Ronald Harwood's award-winning stage drama also stars Edward Fox as Oxenby, an unhappy member of Sir's company; Sir was said to be based on real-life actor Donald Wolfit. ~ Mark Deming, Rovi
- Starring:
- Albert Finney, Tom Courtenay, (more)
- 1981
- R
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While wandering the English moors on vacation, college yanks David (David Naughton) and Jack (Griffin Dunne) happen upon a quaint pub with a mysterious patronage who warn them not to leave the road when walking after dark. Irreverent of such advice as characters in horror films always are, the two decide to find a short cut....David wakes up in the hospital with a nasty bite wound to his shoulder; the freshly deceased, and rapidly decomposing, Jack arrives soon after to deliver the grim news that, unless he commits suicide, David will become a werewolf when the moon is full. David dismisses the encounter as a hallucination, but all indicators point to lycanthrope; evenings of barking and bloodletting follow closely behind. While the story is thin and much of the tongue-in-cheek humor is overdone, there are plenty of genuine jolts thanks to makeup guru Rick Baker's eye-popping special effects. The werewolf, resembling a cross between a bear and a wolverine, appears frighteningly real, and, given the fantastic premise, the gore is most convincing (although surprisingly and refreshingly scant). The hospital dream sequences are creative, and the scenes in which the werewolf runs rampant through downtown London are particularly good. In all, An American Werewolf in London is an original, atmospheric film that manages both to scare and amuse. While dismissed by most American critics upon its release, the film managed to secure a place in the annals of American cinema when Baker won an Academy Award for his amazing effects and creature designs. ~ Jeremy Beday, Rovi
- Starring:
- David Naughton, Jenny Agutter, (more)
In the late '70s, Frank Langella starred in the hit Broadway play Dracula, written by Hamilton Deane and John L. Balderston. Langella's charisma and the surreal, black-and-white sets designed by cartoonist Edward Gorey were the chief outstanding features of the play, which was otherwise undistinguished. While this film production of the play boasts performances by stage veterans Lord Laurence Olivier and Donald Pleasance, as well as Frank Langella as the suavest of counts, it was neither a critical nor a box-office success, doubtlessly because expectations ran too high. One highlight of this production is its skillful use of special effects. The standard story of Bram Stoker's original novel is re-created here: the undead count arranges to move from his home in Transylvania to Whitby, and once there, a reign of terror begins. He is opposed by the canny Doctor Van Helsing (Laurence Olivier), who eventually triumphs. ~ Clarke Fountain, Rovi
- Starring:
- Frank Langella, Laurence Olivier, (more)
