Anita Mui Movies

A subtle study in the deterioration of relationships and the strains of a broken marriage, director Ann Hui's character driven drama draws on Chinese poetry to tell a tale of infidelity and pensive yearning. Tempted by the advances of an amorous student, Chinese Literature professor Lam (Jackie Cheung) considers an extramarital affair while still reeling in the pain of wife Man Ching's (Anita Mui) previous infidelity. As depression and boredom push the couple further apart, Professor Lam's moral devotion to his wife places him at odds with the pain he harbors from their tumultuous past. ~ Jason Buchanan, Rovi

Following up on his wildly popular gender bending comedy He's a Woman, She's a Man, Peter Chan Ho-sun picks up immediately where the original left off. Chi-wing (Anita Yuen Wing-yee) -- a young lass who dressed like a man to grab the attention of songwriter Sam (Leslie Cheung Kwok-wing) -- has attained fame as a male pop singer and the undying love of Sam, who had a little trouble with his attraction to Chi-wing until he learned she was she. Their life seems perfect until Chi-wing wins a major award for best new male singer. While at the podium, she gushes "Sam, I love you" which fuels all sorts of rumors that Sam and Chi-wing are gay lovers. Meanwhile, androgynous pop star Yim-mui (played by androgynous pop star Anita Mui Yim-fong) returns to Canto-pop scene after a ten year absence and inserts herself into the lives of both Sam and Chi-wing. Soon, Chi-wing finds herself attracted to the charismatic star. ~ Jonathan Crow, Rovi

Jet Li stars in this kung-fu vehicle directed by Corey Yuen Kwai. Though a committed father and husband, Kung (Li) is a mainland undercover cop assigned to a case so sensitive that he dare not tell what he does to those he loves the most. Ordered to infiltrate the crime syndicate run by the psychotic Po Kwong (Yu Rongguang), Kung befriends Po's associate Darkie (Blackie Ko Shou-liang) and helps him escape from jail. In gratitude, Darkie smuggles Kung in Hong Kong and introduces him to Po. During an exchange between the crime lord and a second shady customer who is hawking liquid explosives, a shootout ensues. Kung takes policewoman Fong Yat-wah (Anita Mui Yim-fong) hostage and flees the scene. After he saves her from falling to her death, Fong suspects that Kung is more than the average thug. She journeys to China to investigate the matter, and learns that indeed he is an honest cop. Unfortunately, some of Po's associates also go to China and learn the same thing. ~ Jonathan Crow, Rovi

Jackie Chan returns in one of his greatest roles in this action-comedy sequel to his 1978 Hong Kong blockbuster Drunken Master. Wong Fei Hong (Chan) is a young master of the martial art of "drunken boxing," in which fighters use alcohol to blind themselves to pain and release the angry brawler within; with the right amount of drinks under his belt, Hong can become a furious one-man army. Hong accompanies his father (Ti Lung) on a voyage to China, where they purchase a precious supply of ginseng. When Hong discovers thugs stealing from their luggage, he leaps into action to get their belongings back. Instead, he winds up with a box of valuable Chinese artifacts, which criminals are hoping to smuggle to England at a tremendous profit. Hong sets out to fight the gangsters and give the artifacts back to their rightful owners, but while his stepmother (Anita Mui) encourages him to use his drunken boxing skills, his father feels his boozy antics bring shame to the family. Jackie Chan brought some of his most elaborate stunt work to Drunken Master 2, including a remarkable fight on a bed of hot coals; Chan also directed part of the film, after Lau Kar Leung was fired after a number of disagreements with his star. Six years after it became a box office hit in Asia, Drunken Master 2 earned a theatrical release in the United States; the film was re-titled Legend Of The Drunken Master (in part because the original Drunken Master never had a proper theatrical release in America), re-edited, and dubbed into English, with a new score by Michael Wandmacher. ~ Mark Deming, Rovi

Benny Chan directs and Tsui Hark produces this sprawling fantasy yarn. The film opens with kung fu master Ma Kwun-mo (Tony Leung) being saved by the stunning Pak Wan-fai (Anita Mui) and her pet crane Yuen Yuk. In gratitude, Ma promises not to reveal Pak's identity to anyone. Later, at a kung fu meeting attended by Ma, the evil So Pang-hoi (Lawrence Ng) orders a fleet of poisonous bats to kill every other student at martial arts schools. His plans are thwarted by Yuen Yuk. While hurriedly searching for a remedy for the bats toxins to treat stricken pupils, Pak encounters the embittered Butterfly Lam (Rosamund Kwan), and soon the two are embroiled in a vicious battle using lethal sound waves. Meanwhile, So continues on his quest to take over the world. ~ Jonathan Crow, Rovi

In this cartoonish live-action martial arts feature, three female super-heroes battle the forces of evil in the form of a woman who has hatched a plot to create China's next ruler. Over the years, she has stolen over a dozen children from their families. She hopes to raise them in a way that will make them into ruthless supermen. Among other things, the children are "hardened" by feeding them with human flesh. Thief-Catcher, Invisible Woman, and Wonder Women use their incomparable kung-fu skills to battle their nemesis and even some of the more seriously ruined children in order to protect the world from being taken over by them. Along the way, two of the women discover that they are sisters who were separated as infants. The film contains some scenes showing cruelty and violence being handed out to infants and children, and these may be distasteful for many. Viewers should also note that the Wonder Woman in this film is not based on the American comic-book character portrayed by Lynda Carter, but is a home-grown Chinese invention. ~ Clarke Fountain, Rovi

Teddy Robin Kwan directs this lavish period action flick set in the first half of the 20th century and featuring a dazzling line-up of stars. Little Tiger (Yuen Biao) ventures from the sticks to the big city in search of his cop brother Big Tiger (Chi-cheung Lam), an honest cop working in a corrupt system. Surmising that life in the police force was not his cup of tea, Little Tiger joins the Swallow Acrobatic Troop, which he excels in because of his kung-fu prowess. When a band of thugs from Chin Hung-yun's (Sammo Hung) group attacks the troop, Little Tiger not only handily fights them back but also infiltrates their organization to destroy them from the inside. Meanwhile, Big Tiger's old flame Mary (Anita Mui) returns from America to join the revolutionaries. Big Tiger soon finds himself torn between his love of this girl and his orders to arrest all revolutionaries. ~ Jonathan Crow, Rovi

This Hong Kong film is inspired by two of Frank Capra's films: the 1933 classic Lady for a Day, and Capra's own 1961 remake, Pocketful of Miracles. Directed by Jackie Chan, Chan also stars as Dragon, an up-and-coming gangster in 1930s Hong Kong who rises through the mob ranks by a series of lucky coincidences. Chan attributes his good luck to an old woman, a street vendor who he believes sells lucky roses. When the woman's wealthy daughter comes to visit, Dragon is determined to help the woman impress her daughter. This film was a labor of love for Chan, and his regular collaborators, Bill Tung, Sammo Hung, Anita Mui, and Yuen Biao also make appearances. Although there are bits of action throughout, this sentimental film emphasizes its warm-hearted characters. ~ Jonathan E. Laxamana, Rovi

Hong Kong filmmaker Stanley Kwan directs this stunning supernatural melodrama about a passion, romance, and lost history. Fleur (Anita Mui) is a 1930s high-class courtesan who finds herself sucked into a doomed relationship with Twelfth Master Chan Chen-Pang (Leslie Cheung), the rakish scion of a prosperous business family that disapproves of their union. After a brief but intense courtship, the two resolve to be together in the afterworld by swallowing opium. Yet once there, Fleur discovers that she is alone. After waiting 50 years for her dearly beloved, she re-emerges in 1987 to place a personal ad. In the process, she enlists the aid of a pair of journalists: Yuen (Alex Man) and his feisty, occasionally jealous girlfriend Ah Chor (Emily Chu). Fleur learns that the Hong Kong she knew has by and large disappeared: the brothel where she worked was now a kindergarten. As she tells them of her love for Twelfth Master, the two journalists begin to find their relationship intensifying. As Fleur's spirit grows weaker, their search continues until it yields results that are both sad and ironic. ~ Jonathan Crow, Rovi

Michael Hui both directed and stars in this entertaining comedy as an inventive, plucky musician. He overhears some gangsters plotting a murder in an alleyway and when he is caught, he tries to fake blindness to escape with his life (and limbs) intact. Ultimately, the hapless musician is rescued by his roommate, a female band member. He ends up tagging along on a trip to Bangkok with her all-girl band. After arriving in Bangkok with this bevy of musicians, the young man begins to fall for one of them. But as he soon finds out, romantic life never develops in a flawless straight line. ~ Eleanor Mannikka, Rovi