Tawny Moyer Movies

Now working for a catering company, Kate (Christa Miller) whips up a gourmet meal for the guys--and is subsequently held responsible when all of them become deathly ill. As it turns out, the guys are the victims of another prank by Mimi (Kathy Kinney), who inserted a drug in the dessert which induces vomiting when combined with alcohol. As a result, Drew (Drew Carey), Lewis (Ryan Stiles) and Oswald (Diedrich Bader) are not allowed to drink for two whole weeks--not even on St. Patrick's Day. This enforced sobriety may be the reason that Drew impulsively asks Kate to move in with him. Meanwhile, Lewis and Oswald observe their "dry-out" by dating two gorgeous recovering alcoholics--who seem a lot less attractive once the "puke" drug wears off. ~ Hal Erickson, All Movie Guide

Blake Edwards comes a cropper in this lunk-headed slapstick homage to Laurel and Hardy, Mack Sennett, and Jerry Lewis. Ted Danson and Howie Mandell play Spence Holden and Dennis Powell, a couple of idiots who find themselves involved with a pack of gangsters. Spence is a two-bit actor who is at a racetrack location with his pal Dennis, when he overhears two small-time thugs, Wayne "Turnip" Parragella (Richard Mulligan) and Maurice "Binky" Drundza (Stuart Margolin), talk about doping a horse set to run a race. It turns out that Turnip and Binky are under orders to carry out the dastardly scheme by their underworld boss Tony Pazzo (Paul Sorvino). When Spence and Dennis are found out, they find themselves pursued all over the Los Angeles area by an angry Tony Pazzo mob in an ever-escalating series of races and chases, crashes and smashes, and shouting and screaming. ~ Paul Brenner, All Movie Guide

While John Carpenter's 1978 horror classic Halloween irrevocably changed the style of horror cinema with its simple but relentlessly tense story, it triggered more than a decade's worth of uninspired, exploitative knock-offs, and one could easily list Halloween II among these failures. As with its predecessor, this film was written and produced by Carpenter and Debra Hill, but the terse style and unbearable suspense of the first film are missing, replaced by a more simplistic stalk-and-slash scenario. Directorial duties were handed over to Rick Rosenthal, whose lack of expertise is quite evident (though he managed to hit his stride two years later with the prison actioner Bad Boys). The plot picks up exactly where the original left off: Laurie Strode (Jamie Lee Curtis), shaken and injured from her battle with unkillable psycho Michael Myers, is taken to the Haddonfield Hospital for observation, while Dr. Sam Loomis (Donald Pleasence) continues his desperate search for his monstrous patient. An interesting plot twist has Loomis' investigations revealing Michael's true identity (some of these sequences incorporate footage of young Michael originally shot for the television version of Halloween, which contained scenes hinting at the link between Michael and Laurie). After slashing his way through the town, Myers manages to track Laurie to the hospital, where the remainder of the action takes place. Numerous night-shift employees are slaughtered in a variety of gruesome ways before Loomis catches up with his quarry, leading to an explosive -- and seemingly conclusive -- confrontation. Pleasence is compelling as usual, but Curtis, who made an auspicious debut in the original, is sadly wasted here, her character reduced to shuffling half-drugged through darkened hospital corridors and screaming helplessly. Carpenter's active involvement in the Halloween franchise continued to dwindle steadily from one sequel to the next, getting scarcely a mention by the time producers Hill, Moustapha Akkad and Irwin Yablans revived the series in 1988 for three more sequels. ~ Cavett Binion, All Movie Guide

Playwright Neil Simon turned to the hotel setting he used so successfully in his stage-play (later a movie) Plaza Suite to explore four more human dramas in his play California Suite, which was adapted into this quite successful movie. In the first episode, the divorced couple of Bill and Hannah Warren (Alan Alda and Jane Fonda) have rented a suite in a posh Beverly Hills hotel in order to have a discussion about who will get the custody of their child. In the next episode, Sidney Cochran and Diana Barrie (Michael Caine and Maggie Smith) are a hilarious pair of Hollywood stars who have rented the suite to await their appearance at the Academy Awards: it is a "date of convenience" which enables the sexually adventurous duo to conduct their other, more unconventional alliances out of the public eye. Drs. Willis Panama and Chauncy Gump (Bill Cosby and Richard Pryor) have brought their families to Beverly Hills for a vacation which takes on nightmarish tone. Finally, Marvin Michaels (Walter Matthau) tries frantically and unsuccessfully to explain the situation to his wife (Elaine May) when she catches him in flagrante delicto with a hooker. Actress Maggie Smith won an Academy Award as "Best Supporting Actress" for her role in this film, in which she plays the actress waiting to win . . . an Academy Award. ~ Clarke Fountain, All Movie Guide