Albert Moses Movies

In this superficial interpretation of an intended suspense story and comedy, Robert Hays plays a TV anchor man on a flight to London who is duped by his attractive co-passenger (Pamela Stephenson) into thinking he is onto secret spying activities. After the plane lands, the newsman is unexpectedly accused of murdering his own wife. By the time Inspector Anthony Crisp (Jim Dale) gets into the picture, events have traveled a little farther into the bizarre (John Gielgud in black leather), too far to be saved by the good acting of the leads. ~ Eleanor Mannikka, All Movie Guide

This (13th) time around, "007" receives the usual call to come and visit "Mother" when another agent drops off a fake Faberge jeweled egg at the British embassy in East Berlin and is later killed at a traveling circus. Suspicions mount when the assistant manager of the circus Kamal (Louis Jourdan), outbids Bond for the real Faberge piece at Sotheby's. Bond follows Kamal to India where the superspy thwarts many an ingenious attack and encounters the antiheroine of the title (Maud Adams), an international smuggler who runs the circus as a cover for her illegal operations. It does not take long to figure out that Orlov (Steven Berkoff), a decidedly rank Russian general is planning to raise enough money with the fake Faberges to detonate a nuclear bomb in Europe and then defeat NATO forces once and for all in conventional warfare. ~ Eleanor Mannikka, All Movie Guide

While wandering the English moors on vacation, college yanks David (David Naughton) and Jack (Griffin Dunne) happen upon a quaint pub with a mysterious patronage who warn them not to leave the road when walking after dark. Irreverent of such advice as characters in horror films always are, the two decide to find a short cut....David wakes up in the hospital with a nasty bite wound to his shoulder; the freshly deceased, and rapidly decomposing, Jack arrives soon after to deliver the grim news that, unless he commits suicide, David will become a werewolf when the moon is full. David dismisses the encounter as a hallucination, but all indicators point to lycanthrope; evenings of barking and bloodletting follow closely behind. While the story is thin and much of the tongue-in-cheek humor is overdone, there are plenty of genuine jolts thanks to makeup guru Rick Baker's eye-popping special effects. The werewolf, resembling a cross between a bear and a wolverine, appears frighteningly real, and, given the fantastic premise, the gore is most convincing (although surprisingly and refreshingly scant). The hospital dream sequences are creative, and the scenes in which the werewolf runs rampant through downtown London are particularly good. In all, An American Werewolf in London is an original, atmospheric film that manages both to scare and amuse. While dismissed by most American critics upon its release, the film managed to secure a place in the annals of American cinema when Baker won an Academy Award for his amazing effects and creature designs. ~ Jeremy Beday, All Movie Guide

The Carry On series is living on fumes in this late entry. An unofficial burlesque of the Emmanuelle series (albeit with a single modification: the spelling of the name was changed to 'Emmannuelle' to avoid legal complications), the film centers upon Emmannuelle Prevert (Suzanne Danielle) and her unsuccessful attempts to make love to her husband Emile (Kenneth Williams), a French ambassador. Emile grants Emmannuelle permission to bed down with anyone she likes and her prodigious intercourse rate turns her into a celebrity and a frequent talk show guest. Meanwhile, Theodore Valentine (Larry Dann) is hopelessly in love with her and wants to marry her. Emmannuelle, however, is obsessed with arousing her husband Emile's sexual desire at almost any cost. ~ Paul Brenner, All Movie Guide

Though not Ian Fleming's most famous James Bond novel, 1962's The Spy Who Loved Me was distinguished by the unique device of telling the story from the heroine's point of view; in fact, Bond doesn't make an appearance until the book is two-thirds over. This would hardly work in the film world's Bond franchise, so the original austere plotline of the novel was eschewed altogether in favor of a labyrinthine story involving outer-space extortion. The leading lady, a "hard-luck kid" in the original, is now sexy Russian secret agent Barbara Bach, who joins forces with Bond (Roger Moore, making his third appearance as 007) to foil yet another megalomaniac villain (Curt Jurgens), who plans to threaten New York City with nuclear weaponry. Beyond the eye-popping opening ski-jump sequence, the film's best scenes involve seven-foot-two Richard Kiel as steel-toothed henchman Jaws. Fifteen scriptwriters worked on The Spy Who Loved Me; only two were credited, including Bond-film veteran Richard Maibaum. ~ Hal Erickson, All Movie Guide

The Man Who Would Be King opens with author Rudyard Kipling (Christopher Plummer) working in his study. His solitude is broken by the arrival of a tattered, half-mad derelict, who is soon revealed to be his old acquaintance Peachy Carnahan (Michael Caine). As Kipling listens in rapt fascination, Peachy relates the incredible adventures of himself and his partner-in-chicanery Daniel Dravot (Sean Connery). Con men Carnahan and Dravot have masterminded all sorts of underhanded money-making schemes, the most elaborate of which takes them to a remote city in the hills of eastern Afghanistan. Here, through methods both foul and fair, Daniel passes himself off as the incarnation of Alexander the Great, the better to lay his hands on the vast riches all around him. Unfortunately, Daniel begins to believe his own lies, and the results are disastrous for both himself and Peachy. Inadvertently exposing Daniel's scheme is his native wife, played by Shakira Caine (Michael Caine's real-life wife). ~ Hal Erickson, All Movie Guide