Alfonso Bedoya Movies

In The Big Country Gregory Peck plays a seafaring man who heads west to marry Carroll Baker, the daughter of rancher Charles Bickford. Bickford is currently embroiled in a water-rights feud with covetous Burl Ives, so both he and his daughter are hoping that Peck can take care of himself. But Peck, who doesn't belief in fisticuffs, appears to be a coward, especially when challenged by Bickford's cocksure foreman Charlton Heston. The far-from-cowardly Peck decides to distance himself from the machismo overload at the Bickford spread, settling for a romance with headstrong schoolmarm Jean Simmons, whose water-rich lands are being fought over by the two warring ranchers. When Jean is kidnapped by Ives' no-good son Chuck Connors, Peck decides to take action. ~ Hal Erickson, Rovi

Marjorie Main is the whole show in the Universal programmer Ricochet Romance. Playing the outspoken new cook at a rundown dude ranch, Marjorie forces everyone around her to pitch in and bring some life back into the place. She also sets her sights on old layabout Chill Wills, scheming to rope the critter into marriage. Veteran comedy director Charles W. Lamont moves the proceedings along with style, never missing an opportunity for a low-comedy slapstick turn. The most surprising aspect of Ricochet Romance is that it is not an entry in Marjorie Main's Ma and Pa Kettle series. ~ Hal Erickson, Rovi

1954's The Black Pirates stars Anthony Dexter, who three years earlier hadn't quite set box-office records afire with his portrayal of Rudolph Valentino. Dexter heads a band of pirates who land in a sleepy Mexican village. A buried treasure is rumored to be somewhere in the vicinity, and the pirates want to get their grimy mitts on it. They enslave the villagers and force them to dig for the treasure. Black Pirates was written by Fred Freiberger, the man later responsible for the up-and-down third season of TV's Star Trek. It was filmed on location in Mexico and released stateside by Lippert Films. ~ Hal Erickson, Rovi

Randolph Scott makes his 3-D debut in the stereoscopic western Stranger Wore a Gun. This time, Scott plays Jeff Travis, a former spy for Quantrill's Raiders. When he heads to Arizona to start life anew, Travis finds that his reputation has preceded him: crooked Jules Mourret (George Macready) hires him to monitor a series of gold shipments, in preparation for a major robbery. Eventually, Travis falls in love with Shelby Conroy (Joan Weldon), daughter of freight-line operator Jason Conroy (Pierre Watkin), and decides to turn honest. That won't be easy: in addition to the surly Mourret, Travis must deal with such formidable movie heavies as Alfonso Bedoya, Lee Marvin and Ernest Borgnine. Also on hand is Claire Trevor, in a soft-pedalled variation of her role in John Ford's Stagecoach. Stranger Wore a Gun was directed by Andre DeToth, whose previous foray into 3D had been the box-office smash House of Wax. ~ Hal Erickson, Rovi

California Conquest is set in the early 19th century, when California was fighting for its independence from Mexico--and as such was up for grabs so far as several other nations were concerned. Wealthy landowner Fredo Brios (John Dehner) feverishly opposes all efforts by Californians seeking to become a part of the United States, and to that end Brios hires bandit Jose Martinez (Alfonso Bedoya) to help forge an alliance with Russia. But patriotic Don Arturo Bordega (Cornel Wilde) and his lady love Julia Lawrence (Teresa Wright) attempt to checkmate Brios by locating a cache of guns stolen by Martinez' men. Amusingly, the Russian characters in California Conquest spout Marxist-Leninist dogma nearly a century before the Revolution. Featured in the cast is Renzo Cesana, who in 1952 was immensely popular as TV's "Continental." ~ Hal Erickson, Rovi

Rancher Randolph Scott rides right into a romantic triangle in this moody western. He is forced to stand by as his mercenary girl friend (Joan Leslie) is lured away by a wealthy neighboring rancher (Alexander Knox). When the neighbor is killed, Scott is accused of the murder, and spends the balance of the film clearing himself. After a blood-spattered fistfight with a gunslinger (John Russell) and several gun battles, Scott consoles himself with schoolteacher Ellen Drew. Based on a novel by Ernest Haycox, Man in the Saddle was the first of the lucrative collaborations between star Randolph Scott and producer Harry Joe Brown. The film's title song is sung over the credits by Tennessee Ernie Ford. ~ Hal Erickson, Rovi

Partly conceived as a follow-up to Prince of Foxes, 20th Century-Fox's The Black Rose, reunites the earlier film's two stars, Tyrone Power and Orson Welles. Filmed on location in England and Morocco, the story concerns 13th-century Saxon nobleman Walter of Gurnie (Tyrone Power), who, after sparking an unsuccessful rebellion against the Norman conquerors of his homeland, sets out to seek his fortune in the Far East. In the company of his friend Tristam (Jack Hawkins), Walter makes the acquaintance of megalomanic North African warlord Bayan (Orson Welles). Journeying farther, Walter and Tristam arrive in China, where they are treated with deference--so long as they never try to leave. Eventually escaping his Chinese hosts, Walter returns to his native country. Previously renounced by King Edward (Michael Rennie) because of his role in the a Saxon rebellion, Walter is welcomed back with open arms because of all the cultural and scientific wonders he's brought back from China (including gunpowder). The "Black Rose" of the title is the beauteous Maryam (Cecile Aubrey), with whom Walter fell in love while both were the prisoners of Bayan. A bit lacking in terms of spectacular adventure sequences, Black Rose scores points on its star power and splendid Technicolor photography. ~ Hal Erickson, Rovi

As far removed from a "typical" MGM picture as it was possible to get back in 1949, Border Incident is a gritty, realistic crime melodrama. The story concerns the efforts by both the Mexican and American governments to stop the smuggling of Mexican migrant workers across the border. Representing Mexico is special agent Pablo Rodriguez (Ricardo Montalban), while Jack Bearnes (George Murphy) works on behalf of the US. Screenwriter John C. Higgins and producer/director Anthony Mann refuse to pull any punches, as witness the surprising mid-film murder of one of the major characters. Highlights include a harrowing episode involving a plowing machine and a climactic shootout in a quicksand swamp. The uniformly well-chosen supporting cast includes Howard da Silva, Arnold Moss, Alfonso Bedoya and Charles McGraw, "film noir" veterans all. ~ Hal Erickson, Rovi

John Huston's 1948 treasure-hunt classic begins as drifter Fred C. Dobbs (Humphrey Bogart), down and out in Tampico, Mexico, impulsively spends his last bit of dough on a lottery ticket. Later on, Dobbs and fellow indigent Curtin (Tim Holt) seek shelter in a cheap flophouse and meet Howard (Walter Huston), a toothless, garrulous old coot who regales them with stories about prospecting for gold. Forcibly collecting their pay from their shifty boss, Dobbs and Curtin combine this money with Dobbs's unexpected windfall from a lottery ticket and, together with Howard, buy the tools for a prospecting expedition. Dobbs has pledged that anything they dig up will be split three ways, but Howard, who's heard that song before, doesn't quite swallow this. As the gold is mined and measured, Dobbs grows increasingly paranoid and distrustful, and the men gradually turn against each other on the way toward a bitterly ironic conclusion. The Treasure of the Sierra Madre is a superior morality play and one of the best movie treatments of the corrosiveness of greed. Huston keeps a typically light and entertaining touch despite the strong theme, for which he won Oscars for both Director and Screenplay, as well as a supporting award for his father Walter, making Walter, John, and Anjelica Huston the only three generations of one family all to win Oscars. ~ Hal Erickson, Rovi

Gabriel Figueroa's evocative photography makes the Mexican-American co-production The Pearl seem a more significant piece of filmmaking than it really is. Based on John Steinbeck's short novel, The Pearl is the tragic fable of a simple Mexican fisherman (Pedro Armendariz) who finds a valuable pearl and begins fantasizing about untold wealth and luxury for himself and family. His more sensible wife (Maria Elena Marques) is uncertain as to whether the pearl is an omen of good luck, but soon she, too, falls under its spell. The couple's naivete leads to their being exploited and brutalized by sharpsters and thieves. Before the fisherman angrily hurls the pearl back into the sea, the gem brings about nothing but death and despair. Co-scripted by Steinbeck, director Emil Fernandez, and Jack Wagner, The Pearl was filmed on location in Mexico, using the facilities of the RKO-owned Churubusco Studios. ~ Hal Erickson, Rovi

The combined talents of star Maria Felix and director Fernando De Fuentes resulted in the can't-miss romantic drama Dona Barbara. Felix is cast as the title character, a rich landowner who has accumulated her fortune through the kindness of strangers-handsome, amorous strangers to whom she has sold her affections. Renouncing true love in favor of material gains, Dona Barbara ultimate falls desperately in love with neighboring rancher Santos Luardos (Julian Soler). Her euphoria evaporates when she learns that Santos is interested only in her young daughter Marisela (Maria Marques). Completed in 1943, Donna Barbara earned several industry awards in Mexico, and not a few similar honors elsewhere. ~ Hal Erickson, Rovi

Three lifelong friends from different backgrounds drift in and out of each others lives in this musical drama that proved one of Mexican cinema icon Pedro Infante's first big hits. After spending their childhood years together, Cecilia (Maria Luisa Zea), Miguel (Infante), and Cruz (Victor Manuel Mendoza) eventually lose touch and go their separate ways. When Miguel's girlfriend dies shortly after giving birth, her brother Cruz agrees to care for his sister's young child without realizing that Miguel is the father. Meanwhile, Cecilia harbors a deep love for Cruz, but can't seem to find the means of expressing her true feelings. When Cruz finds out that it was actually his old friend Miguel who fathered his sister's child, he insists that his old friend agree to take part in a duel to the death. ~ Jason Buchanan, Rovi