Armando Hernandez Movies

Carlos Cuarón, who co-wrote the script for his brother Alfonso Cuarón's breakthrough hit, Y Tu Mamá También, makes his feature directorial debut with Rudo y Cursi. The film also reunites the stars of the earlier film, Gael García Bernal and Diego Luna, and is the first release from the production company Alfonso started with Guillermo del Toro and Alejandro González Iñárritu, Cha Cha Chá. Rudo y Cursi depicts the changing relationship between two brothers who become soccer stars. Beto (Luna), the goaltender, is nicknamed "Rudo" because of his hard-nosed style of play, while Tato (Bernal), a forward, gets the nickname "Cursi" for his flamboyant goal celebrations and his flashy lifestyle. They both start out picking bananas in remote Tlachatlán, where they share a devotion to their mother. Then Batuta (Argentinean comic Guillermo Francella), a charmingly shiftless professional scout, happens by. He can only sign one of the brothers, so they battle it out on the pitch to see who gets his break. Instead of throwing the match to his brother as plan, Tato scores a goal and is on his way to stardom. He's more interested in becoming a pop star than a soccer star, but when he meets Maya (Jessica Mas), a famous TV hostess he's dreamed about for years, he begins to enjoy the trappings of fame. Meanwhile, resentful Beto waits for his chance. When he finally gets his break, he leaves his disapproving wife, Toña (Adriana Paz), and his kids to sneak off to Mexico City. The brothers' fortunes rise and fall, with Tato distracted by a demanding girlfriend and a hopeless singing career, while Beto deals with marital strife and a serious gambling problem. Rudo y Cursi had its New York Premiere at the 2009 Tribeca Film Festival. ~ Josh Ralske, Rovi

Two strangers' lives intersect in shocking and cataclysmic ways in La Sorpresa, Oscar Gonzalez's explosive tale of infidelity, passion and revenge. The story begins simply, with a man heading home to see his wife after a lengthy trip; he catches a cab, and speaks openly and candidly to the driver about his beloved spouse. Returning the favor, the cab driver then describes his own love, a young woman rebounding from a broken and contrite heart. Lo and behold, the women turn out to be one and the same, which pits both men head-to-head against one another, and sets the stage for virulently ugly conflict. ~ Nathan Southern, Rovi

Javier Fox's drama Fuera del cielo (AKA Beyond Heaven, 2006) spans a 24-hour period. It begins at 6am with young Cucú, who is greeted by the return of his brother Malboro after a five-year separation. The brothers unite and embark on a long journey to the locales inhabited by their relatives, and wrap at 6am the following morning. The theme of Fox's film is "orphanhood," not in the literal sense (where children lose their parents to death) but in the abstract sense - the sense in which individuals can easily fall out of touch with their family ties. That estrangement brings to Cucú and Malboro a sense of social disconnectedness that causes a great deal of inner pain, pain they must strive to overcome. ~ Nathan Southern, Rovi