Jan Merlin Movies

Based on a true story, the made-for-TV Child Lost Forever was advertised as a "docudrama." A unwed teenage mother is forced to give up her baby for adoption. 16 years later, the girl (played as an adult by Beverly D'Angelo), now married and the mother of two, decides to look for the son she lost. She finds that the boy died at age three under mysterious circumstances. The more she investigates, the more she realizes that she's stumbled upon a long-hushed-up case of child abuse. Child Lost Forever debuted November 16, 1992. ~ Hal Erickson, All Movie Guide

A welcome exception to the slasher-stalker-kidnapper films usually seen on the USA cable network, After the Shock is a tribute to the courage and heroism of Bay Area residents following the San Francisco earthquake of October 17, 1989. Director Gary A. Sherman opts for a "cinema verite" approach, utilizing a hand-held camera to recreate the style of the original on-the-spot TV reporting. The cast includes Scott Valentine, Rue McClanahan, Yaphet Kotto, Jack Scalia and Richard Anthony Crenna as various firefighters, paramedics, law officials and private citizens. One of the best performances is offered by Nick Zaninovich, a real-life quake survivor who spent seven hours trapped in his car, which was buried under a collapsed stretch of the Nimitz freeway. After the Shock debuted September 12, 1990. ~ Hal Erickson, All Movie Guide

High school student Alan Boyce has it all: looks, charm, popularity, excellent grades, a promising future. So why does Boyce abruptly commit suicide? As the shock waves of the boy's death reverberate through the halls of his school, the other students--particularly Boyce's best friend Keanu Reeves--ask themselves if they, too, are capable of self-destruction. As for the adults, Boyce's suicide is one more of a myriad of mysteries concerning "Generation X" (though it was not yet so labelled in 1988). While the film offers no easy answers, either for the characters or the audience, Permanent Record ultimately demonstrates that there are ways to cope with the pressures of life other than taking one's own life. An added bonus: the teenagers in the film act like genuine teenagers, not like TV sitcom wisecrackers or oversexed cretins. ~ Hal Erickson, All Movie Guide

Face (Dirk Benedict) unexpectedly receives a pardon after "evidence" surfaces proving him innocent of the Vietnam bank robbery which landed the A-Team in prison. Hannibal (George Peppard) is convinced that there is something fishy about the pardon--especially since he knows darn well that Face was at that bank along with the rest of the Team! Meanwhile, Face basks in the glow of being a celebrity, hiring a public relations firm to handle his fan base. Alas, it turns out the the PR guys are actually CIA agents, who hope to smoke out a fugitive Viet Cong general by setting Face up as a sitting duck. This episode introduces Jack Ging in the role of General Bull Fullbright. ~ Hal Erickson, All Movie Guide

"The German Air Force is not at all what it used to be," says Anne Bancroft's Countess, about 16 minutes into The Hindenburg, pausing and then adding, "But then, nothing is these days." That seems to sum up the ponderous, irony-laden script and plot of Robert Wise's movie, which is posited -- in true post-Watergate fashion -- upon notions of conspiracy and cover-up behind the destruction of the German airship. The movie opens with a handy Universal newsreel that gives a vestpocket history of lighter-than-air flight, and that carries us to 1937 Germany. Colonel Franz Ritter (George C. Scott), a former hero pilot now working for military intelligence, finds himself assigned to the flight of the Hindenburg as chief of security; reports and rumors about the destruction of the zeppelin have circulated both in Germany and America, and the Nazi government takes these very seriously. What Ritter walks in on is a "Grand Hotel" of the air, several dozen passengers and crew whose ranks contain enough red herrings to keep Ritter (and us) jumping through hoops for most of the first half of the film, when we're not watching glorious shots of the zeppelin in flight. The answer to the script's presentation of the plot against the airship,and theidentityof the bomber and his motivations, are actually presented in the first 15 minutes, but there are so many false leads, subplots, and blind alleys put before us that the solution will probably pass by unnoticed. In the meantime, Ritter dances around with his ex-paramour (Bancroft), scheming businessmen (Gig Young), and passengers with skeletons in their closets (Alan Oppenheimer), an entertainer (Robert Clary) with a knack for offending loyal Nazis, several officers and crew with known "political" differences with the Nazi Party, a Gestapo man (Roy Thinnes) who's got an agenda of his own, and two genuine mystery men (Burgess Meredith, Rene Auberjonois) who don't seem to have any reason for traveling on this particular voyage. It's all a little tiring, or would be, if the setting and special effects weren't that interesting, and the cast wasn't so entertaining to watch in these relatively thankless roles. ~ Bruce Eder, All Movie Guide

Several years ago, journalist Jerry Porter (John Carter) conspired with Greg Davidson (Robert Foxworth) in a blackmail scheme, but Porter managed to avoid arrest while allowing Davidson to take the rap. Adding insult to injury, Porter has been lavishly spending the blackmail money while Davidson has been languishing in prison. Now, however Davidson has escaped--and he's thirsting for revenge. A very young Annette O'Toole plays a key role in this thrill-packed episode. ~ Hal Erickson, All Movie Guide

In this violent prison drama, an imprisoned criminal finds himself flooded with offers to spring him if only he will reveal the secret location of the $1.5 million he stole from the mob before he went to jail. ~ Sandra Brennan, All Movie Guide

A valued member of a powerful crime ring, John Prentiss (Michael Callan) decides to go into business for himself when he falls in love with Ellen Conway (Katherine Justice). Prentiss' former associates aren't keen on this, so they take out a contract on his life. It is up to Inspector Erskine to keep Prentiss alive long enough to be placed behind bars--and what about Ellen? ~ Hal Erickson, All Movie Guide

Written by Harold Livingston, "The Merchant" guest-stars George Sanders in one of his final acting roles, as illegal arms dealer Armand Andressarian. To prevent Andressarian from completing an arrangement to sale guns to unfriendly guerilla groups in Africa and the middle East, the IMF swings into action. The success of the mission hinges largely on a fixed poker game, a past speciality of IMF agent Barney Collier. Leonard Nimoy and Lesley Ann Warren make their final series appearances. "The Merchant" originally aired on March 13, 1971, as the last episode of Mission:Impossible's fifth season. ~ Hal Erickson, All Movie Guide

When Woody Allen's fans refer to his "earlier, funnier" pictures, they often cite his directorial debut as a shining example. Co-written by Allen and Mickey Rose, this side-splitting takeoff of crime documentaries stars Allen as Virgil Starkwell, a sweetly inept career criminal. The film's most celebrated sequence involves Virgil's inability to write coherent holdup notes ("I have a gub"), but others include Virgil's losing battle with a recalcitrant coke machine and his misguided effort to emulate John Dillinger by carving a gun out of a bar of soap (his weapon disintegrates in a heavy rain). As was often the case in Allen's early films, not all the gags work, but for the most part, Take the Money and Run is a delight, enhanced by the on-target supporting performances of Janet Margolin, Marcel Hillaire, and (uncredited) Louise Lasser, as well as the energetic musical score of Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

Strategy of Terror began life as "In Darkness Waiting," a two-part 1964 installment of TV's Kraft Suspense Theatre. Newswoman Barbara Rush discovers that a right-wing extremist plans to kill four UN employees. No one believes her at first, but when she herself is attacked, a police officer Hugh O'Brian comes to the rescue. Of interest in this ersatz feature film are two members of the supporting cast. Frederick O'Neal, a leading light of African American theatre, is superb as a loquacious African UN delegate. And Neil Hamilton, onetime silent screen star and future Commissioner Gordon on TV's Batman, is surprisingly sinister as a pompous right-wing fanatic. ~ Hal Erickson, All Movie Guide

Schlockmeister Roger Corman produced this graphically violent chronicle of the Chicago gangster wars of the 1920s and the events that lead to the bloody title showdown between rival mobsters Al Capone (Jason Robards) and Bugs Moran (Ralph Meeker) that marked a brutal end to a terrifying era. Fred Steiner's film score is effectively mixed with popular songs from the 1920s, and the re-creation of gangster-era Chicago is a credit to the set designers. Historic and insightful narration is dramatically provided by Paul Frees, giving the film the flavor of a docudrama. Jean Hale plays Moran's gun moll, who is mercilessly kneed in the stomach while arguing over a fur coat. Though The St. Valentine's Day Massacre was heralded by critics at the time of its initial release, their opinion of the film has changed with each decade as they waver on the cinematic value of all of Corman's work. Audiences continue to relish the film, which is often shown on the anniversary of the bloody executions. Watch for Jack Nicholson as one of the unfortunate victims. ~ Dan Pavlides, All Movie Guide

Posing as "Ben Russell", Kimble finds refuge in the home of the Koraks, a family of Hungarian emigres. When the police put the family's apartment building under surveillance while searching for an escaped murderer, Josef Korak (Ludwig Donath) begins to worry that his past criminal record as an illegal abortionist will be revealed. To save himself, Korak plans to turn Kimble over the authorities--until the runaway murderer invades the family's flat and dramatically changes the whole scenario. ~ Hal Erickson, All Movie Guide