Bob McKenzie Movies

Irish-born Robert McKenzie was already a theatrical showman of some renown by the time he made his first film appearance in 1921. The barrel-chested, snaggle-toothed McKenzie appeared in dozens of westerns and comedies, usually as a bombastic lawman or backwoods con artist. Even when he played bits (which was often), his raspy voice and hyena-like laugh always identified him. His more memorable feature-film roles included W. C. Fields' drinking buddy Charlie Bogle in You're Telling Me (1934), larcenous Judge Roy Dean in Gene Autry's Sing, Cowboy, Sing (1937), and the jolly captain who rents Laurel & Hardy a broken-down boat in Saps at Sea (1940). In addition, he appeared in hundreds of short subjects, playing opposite the likes of Our Gang, Andy Clyde, Charley Chase and the Three Stooges. In 1927, McKenzie tried his hand at screenwriting with the low-budget western The White Outlaw. Robert McKenzie and his actress-wife Eva had three daughters, all of whom acted in films at one time or another; their daughter Ella was the wife of comedian Billy Gilbert. ~ Hal Erickson, All Movie Guide
1947  
 
Having drunk his way out of most of the major studios and not a few of the minor ones, cowboy star Ken Maynard had trouble finding work in the 1940s. Independent producer Walt Mattox came to the rescue in 1944 when he cast Maynard opposite young singing cowboy Eddie Dean, veteran comedy relief Max Terhune, and general-purpose actor Rocky Cameron in the cheaply assembled Harmony Trail. The plot concerns the efforts by marshal Cameron to locate a gang of bank robbers. He is given plenty of help in the form of Maynard, Dean and Terhune -- indeed, one observer noted that this was one film in which the good guys outnumbered the bad guys. Peddled on the States' Rights market for several years, Harmony Trail resurfaced in 1947, when Astor Pictures shipped out the film as The White Stallion. ~ Hal Erickson, All Movie Guide

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Starring:
Ken MaynardEddie Dean, (more)
1946  
 
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In David O. Selznick's Duel in the Sun, Jennifer Jones stars as Pearl Chavez, whom everyone has tagged as a "bad girl" foredoomed to an unhappy end. She is taken into the home of wealthy, greedy rancher McCanles (Lionel Barrymore) and his kindly wife Laura Belle (Lillian Gish), who'd once been the sweetheart of Pearl's recently executed father (Herbert Marshall). Almost immediately, Pearl becomes the object of an emotional tug-of-war between McCanles' virtuous son Jesse (Joseph Cotten) and wicked ne'er-do-well offspring Lewt (Gregory Peck). After killing a man (Charles Bickford) who'd tried proposing to Pearl, Lewt becomes a fugitive, secretly working to undermine the railroad that threatens to cut across McCanles' land. The level-headed Jesse tries to negotiate with the railroad men, and as a result is ordered from the ranch by McCanles. While all this is going on, Pearl, sick to death of being told what a bad job she is, decides to become the Jezebel everyone assumes she is. Duel in the Sun was based on the novel by Niven Busch, who'd written the work hoping that his wife Teresa Wright would play Pearl--but that was before Selznick fell head over heels in love with Jennifer Jones. ~ Hal Erickson, All Movie Guide

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Starring:
Griff BarnettJennifer Jones, (more)
1946  
 
Filmed in two-toned Cinecolor, Romance of the West was the second of PRC's western vehicles for singing cowboy Eddie Dean. Our hero is cast as a government agent, bound and determined to prevent an Indian war. The villains are a gang of outlaws who are fomenting discord between the Indians and the white settlers for their own gain. The plan is to have both sides wipe each other out, so that the crooks can move in and claim the silver-rich land. Emmet Lynn, Dean's comedy relief, would be replaced in later entries by Roscoe Ates, all for the better. ~ Hal Erickson, All Movie Guide

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Starring:
Eddie DeanJoan Barton, (more)
1946  
 
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Inexpensive Cinecolor adds little to this standard Eddie Dean music western from bottom-of-the-barrel company PRC. Dean, as always, plays himself, a rancher taking up the fight against power hungry saloon operator Duke Dillon (Dennis Moore) and his secret boss and foster-father Dad Dillon (Warner P. Richmond). The situation gets complicated with the arrival of Roy Hilton (Forrest Taylor), a circuit judge assigned to look into the lawlessness of Rawhide City, and Nevada (David Sharpe), a young drifter who at first appears to be taken in by the gang but who in reality as a secret agent working for the judge. The latter, as it turns out, is Duke Dillon's real father and a final confrontation between the forces of good and evil leaves bodies littering the streets of Rawhide. When not engaged in fisticuffs, Eddie Dean performs his own "Western Lullaby", "Ridin' Down to Rawhide" and Ridin' to the Top of the Mountain", as well as the traditional "Home on the Range". Colorado Serenade's working title was Gentlemen with Guns, a cognomen resurrected later that year for a Larry "Buster" Crabbe western. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Eddie DeanDavid Sharpe, (more)
1946  
 
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Faced with the challenge of writing a screenplay based on the life of fabulously wealthy, fabulously successful composer Cole Porter, one Hollywood wag came up with a potential story angle: "How does the S.O.B. make his second million dollars?" By the time the Porter biopic Night and Day was released, the three-person scriptwriting team still hadn't come up with a compelling storyline, though the film had the decided advantages of star Cary Grant and all that great Porter music. Roughly covering the years 1912 to 1946, the story begins during Porter's undergraduate days at Yale University, where he participated in amateur theatricals under the tutelage of waspish professor Monty Woolley (who plays himself). Though Porter's inherited wealth could have kept him out of WWI, he insists upon signing up as an ambulance driver. While serving in France, he meets nurse Linda Lee (Alexis Smith), who will later become his wife. Focusing his attentions on Broadway and the London stage in the postwar years, Porter pens an unbroken string of hit songs, including "Just One of Those Things," "You're the Top," "I Get a Kick Out of You," "Begin the Beguine," and the title number. The composition of this last-named song is one of the film's giddy highlights, as Porter, inspired by the "drip drip drip" of an outsized rainstorm, runs to the piano and cries "I think I've got it!" The film's dramatic conflict arises when Porter is crippled for life in a polo accident. Refusing to have his legs amputated, he makes an inspiring comeback, even prompting a WWI amputee to remark upon his courage! Corny and unreliable as biography, Night and Day is redeemed by the guest appearances of musical luminaries Mary Martin (doing a spirited if disappointingly demure version of her striptease number "My Heart Belongs to Daddy") and Ginny Simms, the latter cast as an ersatz Ethel Merman named Carole Hill. Jane Wyman, seen as Porter's pre-nuptial sweetheart Gracie Harris, also gets to sing and dance, and quite well indeed. Beset with production problems, not least of which was the ongoing animosity between star Grant and director Michael Curtiz, Night and Day managed to finish filming on schedule, and proved to be an audience favorite -- except for those "in the know" Broadwayites who were bemused over the fact that Cole Porter's well-known homosexuality was necessarily weaned from the screenplay. ~ Hal Erickson, All Movie Guide

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Starring:
Cary GrantJohn Alvin, (more)
1945  
 
Fabric designer Harry Quincey (George Sanders) has the unhappy task of caring for his tiresome unmarried sisters, Lettie (Geraldine Fitzgerald) and Hester (Moyna MacGill). When Harry falls in love with Deborah Brown (Ella Raines), Hester is delighted, but Lettie smolders with jealousy. Upset at Lettie 's opposition, Harry would like nothing better than to do her in. Does he? And what has really happened here? When originally presented on Broadway, Thomas Job's play Uncle Harry utilized a complex flashback technique in unfolding its story, which was capped by a grimly ironic ending. Stephen Longstreet's screenplay not only takes a more linear approach, but also radically alters the ending to conform with the censorship strictures then in effect. The Strange Affair of Uncle Harry was one of several Universal film noirs of the 1940s produced by longtime Alfred Hitchcock associate Joan Harrison. ~ Hal Erickson, All Movie Guide

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Starring:
George SandersElla Raines, (more)
1945  
 
In this western, the hero fights the bad guys by impersonating the son of a rancher. The outlaws have been making the good landowners pay fake taxes. Not only does the good guy succeed in catching the bad guys, he also catches himself the postmistress. ~ Sandra Brennan, All Movie Guide

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1945  
 
In this western, Red Ryder leads a wagon train of homesteaders into a ghost town and discovers that it has become an outlaw's hideout. ~ Sandra Brennan, All Movie Guide

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1944  
 
In this patriotic two-reel comedy, the Three Stooges are labeled 4-F by the draft board, aiding the war effort instead by becoming farmers. Operating a run down ostrich ranch, the Stooges manage to catch a group of Japanese escapees. Rustic comedians Bob McKenzie and Emmett Lynn joined the Stooges in one of the team's lesser efforts. ~ Hans J. Wollstein, All Movie Guide

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1944  
 
William Boyd once again dons the disguise of a fop in this average entry in the long-running "Hopalong Cassidy" western series. The masquerade helps Hoppy and sidekicks California Carlson (Andy Clyde) and Jimmy Rogers get to the bottom of some dirty dealings in the Texas town of Glenby. A vicious gang of night riders has been scaring local ranchers into selling out to J.K. Trimble (Russell Simpson), a supposedly upstanding citizen who has discovered that there is oil in them thar hills. Disguised as Boston lawyer James Corwin, Hoppy at first manages merely to antagonize girl rancher Virginia Curtis (Mady Correll) but then takes her into his confidence. The unexpected arrival of old foe Sam Nolan (Francis McDonald) becomes an even greater threat, however, but aided by the real Corwin (Nelson Leigh) and disgruntled Marshal Rowbottom (Bob McKenzie), Hoppy manages to corner Trimble and his gang after a fiery shootout in the desert. Filmed at Lone Pine, Kernville and Joshua Tree National Forest, Texas Masquerade was penned by Jack Lait, Jr., the screenwriting son of famous muckraking journalist and editor Jack Lait. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Andy ClydeJimmy Rogers, (more)
1943  
NR  
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To fully appreciate The More the Merrier, it is important to know that, during WW2, there was an acute housing shortage in Washington DC. This is why elderly Benjamin Dingle (Charles Coburn) is obliged to share a tiny DC apartment with pretty Connie Milligan (Jean Arthur) and handsome Joe Carter (Joel McCrea). After nearly two reels of misunderstandings, the trio becomes accustomed to their curious living arrangement. Joe takes a platonic liking to Connie, but she's engaged to stuffy bureaucrat Charles J. Pendergast (Richard Gaines). Sizing up the situation, foxy Benjamin contrives to bring Connie and Joe together, in spite of themselves. Things get dicey when Joe endeavors to complete a top-secret mission for the Air Force, which leads to all sorts of comic complications and misguided remonstrations. Throughout the film, director George Stevens and the four-man screenwriting staff deliberately tweak the noses of the Hays Office, getting by with any number of censorable offenses by deftly and tastefully sidestepping the obvious. Especially potent is the scene in which Joe tries to seduce Connie by talking about everything except seduction: it's also fun to watch Dingle robustly repeat the word "Damn" over and over, getting away with this breach of censorship because he's quoting Admiral "Damn the Torpedoes" Farragut. An Academy Award went to Charles Coburn, while nominations were bestowed upon Jean Arthur, Joel McCrea, George Stevens, the screenwriters, and the film itself. The More the Merrier was remade in 1966 as Walk Don't Run, with Cary Grant, Jim Hutton and Samantha Eggar. ~ Hal Erickson, All Movie Guide

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Starring:
Jean ArthurJoel McCrea, (more)
1943  
 
In a rather desperate attempt to duplicate the success of Republic Pictures' Three Mesqueteers B-Western series, Monogram producer Robert Emmett Tansey hired tired veterans Ken Maynard and Hoot Gibson to constitute the "Trail Blazers." Maynard and Gibson (playing themselves) are former lawmen hired to look into the disappearance of horses purchased by Commissioner Brent (I. Stanford Jolley) of the Southwestern Railroad Company. The seller of the herd, Betty Wallace (stunt rider Betty Miles), is unaware that her foreman, Tip (Glenn Strange), is also in the employ of Mel Carson (Ian Keith), a crooked saloon owner with interests in a stagecoach line whose existence is threatened by the railroad. Despite their expanding waistlines, Maynard and Gibson manage to catch the crooks and return the stolen horses, well assisted by young, law-spouting Sheriff Bob Tyler (Bob Baker). The latter, a former Universal star, was added to the cast to provide the necessary romantic sub-plot but the cantankerous Maynard disliked him so much that he was gone by the second instalment of the "Trail Blazers," The Law Rides Again. Maynard himself ended his long starring career after the sixth entry, Arizona Whirlwind (1944), replaced in the final two films by Chief Thundercloud. The initial two "Trail Blazers" films were helmed by Alvin J. Neitz (under the pseudonym of Alan James), and proved the final directorial work of this genre-specialist whose career dated back to the silent era. After the demise of the series, Hoot Gibson and new sidekick Bob Steele filmed another three Westerns for Monogram, often mistakenly referred to as "Trail Blazers" entries. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Ken MaynardHoot Gibson, (more)
1943  
 
A young buckaroo gallops off after the conniving crooks who framed his bank president daddy for embezzlement. Plenty of western action ensues until justice prevails and the ornery varmints are jailed. ~ Sandra Brennan, All Movie Guide

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1943  
 
In this western, a pair of ranchers tire of being oppressed by the excessive taxation an avaricious crook in possession of a bogus Spanish land grant and so set off to help their neighbors by emulating the rakish Robin Hood. ~ Sandra Brennan, All Movie Guide

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1943  
 
With Dorothy Arzner in the director's chair, it's no wonder that First Comes Courage has a more feminist slant than most WWII "underground" films. Merle Oberon plays Nicole Larsen, a member of the Norwegian resistance. To obtain important war information, Nicole romances Nazi major Paul Dichter Carl Esmond, enduring the slings and arrows of those villagers unaware of her motives. Her mission is further complicated when she is reunited with British commando Allan Lowell Brian Aherne, with whom she'd had a prewar affair. Forced to choose between love and duty, Nicole makes the only decision possible under the circumstances. First Comes Courage was based on The Commados, a novel by Elliot Arnold. ~ Hal Erickson, All Movie Guide

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Starring:
Merle OberonBrian Aherne, (more)
1943  
 
With a title like Jive Junction, this just has to be a wartime musical. In one of his few top-billed roles, teenaged actor Dickie Moore plays Peter, a student in a hidebound music conservatory. Rebelling against his old-fogey teachers, Peter organizes an all-girl swing band. When his father dies in the war, Peter overcomes his grief in true Mickey Rooney fashion, converting an old barn into "Jive Junction," a convivial gathering place for lonely servicemen. Much of the footage in Jive Junction is given over to newcomer Gerra Young, a pleasant and attractive singer who unfortunately never clicked in films. This standard B musical was directed by-of all people-cult favorite Edgar G. Ulmer! ~ Hal Erickson, All Movie Guide

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Starring:
Dickie MooreTina Thayer, (more)
1942  
 
A well-acted, well-paced entry in the Don "Red" Barry Western series from Republic Pictures, The Sombrero Kid featured the diminutive Barry as Jerry Holden, the apparent son and heir of veteran lawman Tom Holden (Robert Homans). But when Holden Sr. is killed by one of Banker Martin's (Joel Friedkin) gang of claim jumpers, Jerry learns that his real father was Bart Clanton, a notorious bandit killed by Marshal Holden, who then raised the orphaned boy as his own. After accidentally killing one of Martin's men, Taggart (I. Stanford Jolley), in a barroom fight, Jerry becomes a fugitive wanted for murder. He joins a gang led by Smoke (Stuart Hamblen), one of Martin's henchmen, hoping to obtain enough evidence to convict the crooked banker. Along with Tommy Holden Jr. (John James), who has replaced his late father as town marshal, Jerry sets a trap for Mason's weak-willed son, Phillip (Rand Brooks). In a desperate attempt to escape justice, Mason kills Phillip, but is arrested by Jerry. The latter is cleared of all charges and elected sheriff by a grateful citizenry. Country gospel songwriter Stuart Hamblen makes a fine villain in one of his infrequent screen appearances and blonde Lynn Merrick is, as always, an attractive adornment to any "Red" Barry vehicle. Merrick, whose contract was held jointly by Republic and Columbia Pictures, appeared in no less than 16 Barry Westerns, one of the longest runs of any sagebrush heroine. Her "leading man" this time around, however, is John James, not Barry. The Sombrero Kid was filmed at the Walker Ranch at Placerita Canyon, CA, a busy location for low-budget moviemaking from 1931-1955. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Don "Red" BarryLynn Merrick, (more)
1942  
 
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The fourth of five movie versions of the rugged Rex Beach novel of the same name, 1942's The Spoilers stars Marlene Dietrich, John Wayne, and Randolph Scott. The plot, involving the cheating of Alaskan gold rush prospectors by a crooked gold commissioner, requires that Scott play a villain, Alexander McNamara. Prospector Roy Glennister (Wayne) is continually persecuted by McNamara, who has the law on his side, until the two decide to settle their dispute man-to-man in a spectacular reel-long fistfight. La Dietrich plays saloon-hall gal Cherry Mallote, who becomes the romantic bone of contention between Glennister and McNamara. William Farnum, who played John Wayne's role in the original 1914 filmization of The Spoilers, plays a key supporting role in this remake; also on hand in a cameo is poet Robert W. Service, of The Shooting of Dan McGrew fame. Listen for a cute inside joke at the beginning of the picture, invoking the name of co-producer Lee Marcus. ~ Hal Erickson, All Movie Guide

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Starring:
Marlene DietrichRandolph Scott, (more)
1942  
 
Don "Red" Barry is unjustly accused of being a Missouri Outlaw. The real bad guys are a gang of crooks who've been conning the local merchants and farmers out of their hard-earned dollars. Barry decides to use his bad reputation to his advantage by infiltrating the criminal gang. Our Hero may be small, but he's wiry, as the villains discover to their painful chagrin. Watch for former cowboy star Kermit Maynard, brother of Ken, in a character bit. ~ Hal Erickson, All Movie Guide

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Starring:
Don "Red" BarryLynn Merrick, (more)
1942  
NR  
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With its slight resemblance to Destry Rides Again (1939) -- probably not entirely coincidental -- this rousing Western from Republic Pictures remains a joy throughout. John Wayne plays Tom Craig, a mild-mannered druggist from Boston who opens a shop in wild and woolly Sacramento shortly before the Gold Rush. The town is "owned" by the Dawson brothers, Britt (Albert Dekker) and Joe (Dick Purcell), who poison Craig's tonic when saloon hostess Lacey Miller (Binnie Barnes) takes too much of an interest in the handsome newcomer. Town drunk Whitey (Emmett Lynn) has one drink too many, and all of Sacramento is soon in a lynching mood. The news of "gold in them thar hills" saves the druggist in the nick of time, but his business is destroyed. While everyone is heading for the gold fields, Craig prepares to leave town with snobbish debutante Ellen Sanford (Helen Parrish), whom he intends to marry. News of typhoid fever among the prospectors changes his mind, however, and the man once referred to as "a human hitchin' post instead of a two-legged man," risks his own life to save the suffering populace. The Dawson brothers, meanwhile, plan to hijack the medical supplies and sell them to the highest bidder, but when Britt Dawson learns that Lacey is helping the sick and may be stricken with the disease herself, he has a change of heart and eventually confesses to spiking Craig's medicine. Cast against type for most of the film, John Wayne fails to make his amiable druggist entirely believable but remains simply John Wayne throughout -- which is as it should be. Binnie Barnes is rowdy and fun whether leading a chorus of "California Joe" by Johnny Marvin and Fred Rose, or jealously interrupting a tête-à-tête between Wayne and 19-year-old Helen Parrish. Usually cast as glacial "other women" in Hollywood films, the British-born Barnes had actually begun her professional career touring Europe and South Africa with bucolic American headliner Tex McLeod, which was as good a preparation as any to play In Old California's saloon belle. Patsy Kelly, who shoots down her laundry with a Winchester, and Edgar Kennedy, as Wayne's tooth-ache plagued sidekick, add to the general fun. ~ Hans J. Wollstein, All Movie Guide

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Starring:
John WayneBinnie Barnes, (more)
1941  
 
Citadel of Crime was the original title of the Republic John Wayne vehicle which eventually emerged as A Man Betrayed (TV title: Wheel of Fortune). Never a studio to let anything go to waste, Republic redirected the cognomen Citadel of Crime to one of their minor but entertaining crime melodramas its original title was Ten Nights in Barroom). Don Ryan's well-honed screenplay unfolds the tale of a gang of mobsters trying to take over the various moonshine operations in the hills of West Virginia. To gain the confidence of the local hillbillies, the crooks send out Cal Fullerton (Robert Armstrong), a former moonshiner who's spent several years in "the rackets," as their advance man. The villains' plans are foiled by handsome revenuer Jim Rogers (Frank Albertson), likewise a true son of the Hills. Slickly produced, Citadel of Crime packs plenty of action in its brief 58 minutes. ~ Hal Erickson, All Movie Guide

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Starring:
Robert ArmstrongFrank Albertson, (more)
1941  
NR  
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John Wayne stars in this hard-driving oater which was co-written by character actor Paul Fix. Wayne plays Rocklin, a chauvinistic cowboy who arrives at the KC Ranch in Santa Inez to apply for a job as a foreman. But when he finds that the owner has died and that the ranch is now being run by two women -- Clara Cardell (Audrey Long) and her aunt Miss Martin (Elizabeth Risdon) -- he hardheadedly refuses to work for the women. But later on, Clara comes looking for Rocklin, asking his help in obtaining a letter from the town's corrupt judge Garvey (Ward Bond) that proves that Clara is old enough to be the legal owner of the ranch. Rocklin arrives in Garvey's office just after Garvey has burned the letter. The two tangle, with Rocklin sending Garvey crashing through his door. After the fight, Rocklin meets Arly Harolday (Ella Raines), another female ranch owner. Rocklin's views on women enrage Arly so much that she gets her stepfather (Donald Douglas) to hire him to work on her ranch, just so she can fire him. But in spite of Rocklin's primitive attitudes, Arly falls in love with him. Meanwhile, things are heating up as Garvey and other corrupt officials try to get control of the KC ranch. In order to get rid of Rocklin, a murder rap is pinned on him, forcing him to leave town. Hiding out at the KC ranch, he learns that he is the nephew of the ranch's dead owner and the rightful heir. Arly arrives to help Rocklin and to tell him that the murder Rocklin is accused of committing was actually committed by Arly's stepfather, who is working with Garvey and Miss Martin to get the deed to the ranch. With all that information under his cowboy hat, Rocklin cocks his gun and goes out to face the bad guys for a final showdown. ~ Paul Brenner, All Movie Guide

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Starring:
John WayneElla Raines, (more)
1941  
 
Produced and directed by George Sherman, Death Valley Outlaws starred James Cagney-lookalike Donald Barry as Johnny Edwards, a cowboy saving lovely Carolyn Johnson (Lynn Merrick) from a gang of vigilante raiders. When his friend, Bill Weston (Michael Owen), becomes the next target of the vigilante gang, Jim promises the dying boy to avenge him. He does so by infiltrating the gang disguised as an outlaw, learning along the way that the leader is bank president Charles Gifford (Karl Hackett). The latter's right-hand man, Jeff Edwards (Milburn Stone), is Johnny's long-lost brother, but the undercover cowboy can only watch as Jeff is mortally wounded by his boss. Enraged, Johnny rushes to the bank where Gifford and the crooked sheriff (Rex Lease) are in the midst of robbing the store, so to speak. Alerted by local veterinarian Doc Blake (Robert McKenzie) and his African-American servant, Snowflake (Fred Toones), the angry citizenry help Johnny round up the gang. A former producer/director/actor from the silent era, rotund and jovial Robert McKenzie was given several good opportunities to shine in the Red Barry series, which was otherwise without a continuing comic sidekick. Less appealing were several appearances by Toones, who in Death Valley Outlaws was treated more or less in the same vein as Barry's horse, Cyclone, and dog Duke. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Don "Red" BarryLynn Merrick, (more)
1941  
 
In this Gene Autry Western, the valley is threatened by a weed capable of poisoning the cattle. When burning the range proves ineffectual, the local banker, Stacy Bromfield (Frank M. Thomas), sends for a government inspector in desperation. The inspector, played by Autry, quickly suggests spraying the area with a chemical. But the head of the cattlemen's organization, George Larrabee (Robert Homans), foolishly ignores the advice and almost suffers unimaginable consequences when his henchman Frenchy (Hugh Prosser) shoots down a crop duster. Autry, Smiley Burnette, and leading lady Fay McKenzie take time out from battling range weed to warble "Be Honest With Me," "I'll Be True While You're Gone," "Ridin' the Range," "Heebie Jeebie Blues," and the title tune. Sierra Sue was restored in 2001 by Gene Autry Entertainment. ~ Matthew Tobey, All Movie Guide

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Starring:
Gene AutrySmiley Burnette, (more)
1941  
 
The girl is stenographer Dot Duncan (Lucille Ball); the guy is her boss, stuffy young shipping magnate Stephen Herrick (Edmond O'Brien); and the gob is a brash sailor known as Coffee Cup (George Murphy). Not surprisingly, the plot involves the efforts by the self-effacing Stephen and the self-confident Coffee Cup to woo and win the lovely Dot. And that's about all the "story" there is; the rest of the picture is jam-packed with round-robin comic misunderstandings and wild slapstick setpieces. A Girl, a Guy and a Gob was one of two RKO Radio films produced by silent-screen great Harold Lloyd, who reportedly dropped in on the set from time to time to offer a bit of sage comedy advice (note the "handkerchief" bit utlized by Edmond O'Brien; it had previously done service in Lloyd's own Welcome Danger). Not as big a moneymaker as Harold's starring features of the 1920s, the RKO film nonetheless turned a tidy profit for the studio. ~ Hal Erickson, All Movie Guide

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Starring:
George MurphyEdmond O'Brien, (more)

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