Lonette McKee Movies

A tightly knit group of working-class Atlanta teens spend their time bonding over hip-hop and roller skating while pondering life after high school in director Chris Robinson's coming-of-age comedy drama that draws inspirations from the real-life childhoods of Dallas Austin and Tionne Watkins. For a kid growing up on the south side of Atlanta, the Cascade roller-skating rink is the place to be seen, and it's the place where the orphaned high school senior Rashad (Tip Harris) and his little brother Ant (Evan Ross) go every weekend to forget their financial troubles, hang with their friends and get their groove on. But outside the rink, the brothers have problems they can't avoid: Ant is being recruited into the posse of charismatic drug dealer Marcus (Outkast's Antwan Andre Patton, aka Big Boi). Meanwhile, Rashad's three best friends -- including the ambitious Esquire (Jackie Long) -- are pulling him in different directions, and his new girlfriend New-New (Lauren London) may not be as "street" as she seems. As Rashad tries to hold on to his little brother, he also comes to the realization that if he's ever going to make something of himself, he's going to have to step out of his skates and into the real world. ~ Jason Buchanan, All Movie Guide

Directed by Spike Lee, She Hate Me follows John Henry "Jack" Armstrong (Anthony Mackie), who is fired from a posh job in biotechnology after informing the proper authorities of some sketchy business dealings from within the company. Unemployed and desperate for some quick cash, Jack accepts a strange offer -- his ex-girlfriend Fatima (Kerry Washington) says she will pay him generously if he successfully impregnates her. Once word gets out among the lesbian community, Jack is inundated with requests, and is initially quite happy with his new direction in life. However, things -- as they are wont to do -- get complicated. There's his former employer, who is actively trying to pin the blame for their wrongdoings on his shoulders, for one thing, and it isn't long before the moral implications of his life as a sperm donor come to the forefront. The film co-stars John Turturro, Ellen Barkin, Woody Harrelson, Monica Bellucci, and Q-Tip. ~ Tracie Cooper, All Movie Guide

The scene is the small Missouri town of Silver Shade in the mid-'60s. Despite deeply ingrained prejudice, black lawyer Daniel Webster Stewart (Louis Gossett Jr.) has managed to achieve success, and is now on the verge of winning an important political race. Things take a startling turn when Stewart's friend Curtis Gallegher (Sterling Macer) is accused of killing the wife of Daniel's white political opponent, Horton Roundtree (Robert Urich). Fearing accusations of "conflict of interest," Stewart at first refuses to defend Curtis in court, but a hitherto unrevealed secret in the past of his own wife Olivia (Lonette McKee) forces him to change his mind. Meanwhile, someone in town is determined to prevent Daniel from taking up Curtis' defense -- and that someone is clearly willing to stop at nothing. A sequel to the 1997 TV movie To Dance With Olivia, which also starred Louis Gossett Jr. and Lonette McKee, For Love of Olivia was telecast by CBS on March 18, 2001. ~ Hal Erickson, All Movie Guide

This military drama is based on the true story of Carl Brashear, who was the first African-American to serve as a diver in the United States Navy. Brashear (played by Cuba Gooding Jr.) was born to a poor farming family in the deep South, and joined the Navy in hopes of bettering himself. When Brashear applies for diving school, he first encounters Master Chief Billy Sunday (Robert De Niro), a gruff and tyrannical diving instructor who holds absolute sway over his charges. Sunday does little at first to encourage Brashear's ambitions, and the would-be diver discovers racism in the military is an ugly fact of life when his white comrades refuse to share barracks with him. But Brashear's courage and determination make an impression on Sunday, and the two men become allies as Brashear must fight prejudice, military bureaucracy, and even a crippling injury in order to realize his dreams. Originally announced under the title Navy Diver, Men of Honor also features Hal Holbrook, David Keith, Michael Rapaport, Charlize Theron, and Powers Boothe; Bill Cosby served as an executive producer for the project. ~ Mark Deming, All Movie Guide

Based on the best-selling book by Sarah L. Delany and A. Elizabeth Delany with Amy Hill Hearth, which was later adapted into a Broadway play, Having Our Say tells the true story of the Delany Sisters, two African-American women who were fathered by a former slave, went on to attend college, and witnessed the slow but steady advance of civil rights in America before a reporter for The New York Times sat down with them to record their story. In the film version, 103-year-old Sadie (Diahann Carroll) is a polite and soft-spoken woman who deals cheerfully with the questions of journalist Amy Hill Hearth (Amy Madigan). Sadie's considerably more feisty 101-year-old sister (and housemate) Bessie (Ruby Dee) grumbles about "white people who ask you to explain the obvious to them," but soon adds her own stories as the Delanys discuss their quietly remarkable lives as career women and racial pioneers who not only survived Jim Crow laws, they outlived Jim Crow, as well. Produced for CBS Television, Having Our Say was first aired April 18, 1999. Incidentally, Bessie Delany died in 1995 at age 104, while Sadie, at 110, passed on in 1999, only a few months before this was first aired. ~ Mark Deming, All Movie Guide

Lawyer John Williams (Courtney B. Vance) looks back in flashback to 1957 when he began as a lawyer while living in the Bronx with his older brother, Charles (Charles S. Dutton). Married to Carol (Lonette McKee), Charles is the NYPD's first African-American sergeant, and he plans a police exam for his oldest son, Charlie (Garland Whitt), who would rather study art. After a call that Charlie is under arrest for the murder of a white boy, John suspects he was beaten and forced to confess by the cops, but Charlie claims he did indeed kill an Irish-American youth. John takes on the case, feeling that Charlie is hiding something -- while the courts, police, and the public are all ready to see Charlie electrocuted. Director Ernest Dickerson (Juice) filmed in Toronto. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

In 1977, Alex Haley's groundbreaking mini-series Roots became one of the most watched programs in television history, telling the story of seven generations of the author's mother's family, from their capture in Africa and enslavement in the United States to their eventual emancipation more than a century later. With 1992's Queen, Haley, who passed away before completing the source material, presents the story of his father's family, focusing on his paternal grandmother, a mulato. Halle Berry stars as the title character, the daughter of a slave and a plantation owner. Amidst the Civil War and up through the turn of the century, Queen finds herself struggling to find acceptance from blacks as well as whites. With an all-star cast that also features Martin Sheen, Danny Glover, Dennis Haysbert, Ossie Davis, and Ann-Margret, Queen was directed by John Erman and originally aired in February of 1993. ~ Matthew Tobey, All Movie Guide

Spike Lee defines "jungle fever" as sexual attraction between members of two races. In his film Jungle Fever, he examines the repercussions of an interracial affair upon two very distinct communities. Wesley Snipes is Flipper, a happily married and successful architect, and Annabella Sciorra is Angie, an office temp. When she starts working in Flipper's Manhattan office, one day they look at each other and are soon having sex over a blueprint-strewn desk. Their liaison causes an explosion on both homefronts. Flipper's family consists of his father Doctor Purify (Ossie Davis), a former preacher; his mother Lucinda (Ruby Dee); his violent, crackhead brother Gator (Samuel L. Jackson); and his wife Drew (Lonette McKee), whom he loves, despite his sexual attraction to Angie. Angie's family is a typical Italian-American household from Bensonhurst. She's engaged to Paulie Carbonne (John Turturro), who works in a deli owned by his father Lou (Anthony Quinn). When the two families find out about Flipper and Angie's affair, their shock leads to recriminations and racial animosity. ~ Paul Brenner, All Movie Guide

Based on the novel by Gloria Naylor, The Women of Brewster Place was produced by and stars Oprah Winfrey. The film concerns a variety of women who live in the housing project located on Brewster Place, and tells about their lives as they struggle in the face of racism, poverty, and troublesome men. Winfrey portrays Mattie Michael who was kicked out of her parent's (Paul Winfield and Mary Alice) house after refusing to reveal the name of her soon-to-be-born child's father. She eventually inherits a house, but loses it after her son skips bail. Robin Givens plays Kiswana, a focused woman who does her best to improve the situations of those around her. During a conversation with her mother (Cicely Tyson), Kiswana learns how her decision to change her name from Melanie is a betrayal of her family history. Cora Lee (Phyllis Stickney) craves being needed by babies and continues to have children, although she becomes neglectful as her children age. Miss Sophie (Olivia Cole) traffics in neighborhood gossip. Theresa and Lorraine (Paula Kelly and Lonette McKee) are a lesbian couple who live on Brewster Place because they believe the people in the neighborhood might let them live in peace. The Women of Brewster Place aired March 18-19, 1989, on the ABC television network. ~ Perry Seibert, All Movie Guide

A French music lover befriends a once-great American jazz artist and attempts to save him from self-destruction in this moody drama. Saxophonist Dexter Gordon portrays Dale Turner, a fictional musician inspired by a number of famed jazz figures, including Bud Powell and Lester Young. Largely forgotten in his home country, Turner has moved to Paris in search of a more appreciative audience. He finds it in the form of Francis Borler (Francois Cluzet), a bebop aficionado who befriends the expatriate player. Borler soon becomes familiar with Turner's darker side, including his struggles with alcoholism, drug addiction, and depression. Fearing for the musician's life, the fan becomes his caretaker, an arrangement that leads to a brief improvement in Turner's health and fortunes but places great emotional strain upon them both. Director Bertrand Tavernier pays great attention to the visual and aural details of the jazz world, with outstanding musical supervision provided by Herbie Hancock. 'Round Midnight's greatest asset, however, is Gordon's Academy Award-nominated performance, informed by his own life experiences. His naturally fascinating presence combines with the film's obvious love of the music and its milieu to provide what many have hailed as one of the more authentic and affectionate presentations of the jazz world on the silver screen. ~ Judd Blaise, All Movie Guide

Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide

This Americanized remake of Lina Wertmuller's The Seduction of Mimi offered audiences the novelty of seeing Richard Pryor performing three different roles in the same film. Which Way Is Up? tells the tale of Leroy Jones (Pryor), a poor orange picker who gets fired from his job when he accidentally joins a worker's union during a demonstration. He is forced to travel to Los Angeles and abandon his family, which includes his wife, Annie Mae (Margaret Avery), and his perpetually randy father, Rufus (also Pryor). While there, he falls in love with labor organizer Vanetta (Lonette McKee), but is soon rehired by his former employers when they realize he is easily manipulated. Back home, Leroy discovers his new managerial role alienates him from his former friends as he tries to divide his time between Annie Mae and Vanetta. When he discovers Annie Mae has been impregnated by the Reverend Lennox Thomas (Pryor's 3rd role) during his absence, Leroy sets his sights on seducing Lennox's wife. The resulting film had ambition to spare, but was generally panned as an inferior remake by the critics and failed to find a mass audience. However, Which Way Is Up? gained a second lease on life via cable and home video and has become a cult favorite with Pryor's fans. ~ Donald Guarisco, All Movie Guide