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Peter McEnery Movies

While still in his early teens, English actor Peter McEnery studied his craft under the tutelage of Iris Warren. McEnery made his professional stage debut in 1958, and his first London appearance two years later. For nearly twenty years, he was associated with the Royal Shakespeare Company, playing virtually all the major roles and not a few minor ones. In films from 1960, McEnery was briefly a protégé of Walt Disney, who cast the personable, sandy-haired young leading man as Hayley Mills' love interest (her first!) in The Moon-Spinners (1964) and the eponymous hero of The Fighting Prince of Donegal (1965). Once free of his Disney commitments, McEnery appeared in such meatier fare as I Killed Rasputin (1967) and Tales That Witness Madness (1971); he also played the title roles in The Adventures of Gerard (1970) and Entertaining Mr. Sloane (1970). On British television, Peter McEnery was starred in the weekly series The Aphrodite Inheritance. ~ Hal Erickson, Rovi
1996  
 
Corruption on the boxing circuit at the turn of the century provides the basis of this French drama. The story centers on a talented young fighter, a logger that Abel Ginoux and his Italian partner Zipolino, a crooked doctor, discover during a fight in a woodland town. The logger, Passe Partout, is in a fight with Ginoux's best fighter and ends up accidentally killing the pugilist. Ever the opportunist, Ginoux lures Partout into the ring to replace the late fighter. Partout proves to be the classic provincial innocent with high, rugged ideals and little knowledge about the modern world. Ginoux takes him to town for the first time and the logger is delighted to discover amenities such as electricity and silent films. He soon falls in love with the beauteous Camille who works in her late father's cafe with her mother. Her father made many of the films, most of which are boxing matches, because he believed that the presence of a camera rendered a fight unfixable. Ginoux forces Partout to make a difficult decision when he demands that Partout take a dive in the ring during a filmed match. ~ Sandra Brennan, Rovi

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Starring:
Richard BohringerKarl Makinen, (more)
 
1992  
 
Lisa Harrow and Peter McEnery were among the powerhouse performers appearing in the two-part British miniseries Witchcraft. The story concerned the efforts by a detail-obsessed movie director to film the biography of an infamous 17th century Witchfinder. To this end, the director insisted upon shooting at the same locations where the Witchfinder had carried out his atrocities. The "fun" begins when the ghost of the film's "hero" suddenly pops up to wreak fatal havoc upon cast and crew alike. Witchcraft was originally broadcast in 1992. ~ Hal Erickson, Rovi

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Starring:
Gareth ArmstrongJudy Campbell, (more)
 
1988  
 
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Part of the long-running British mystery series based on the stories by Colin Dexter, Inspector Morse: Last Seen Wearing was first aired in the U.K. in 1988. Inspector Morse (John Thaw) and Sergeant Lewis (Kevin Whately) investigate the disappearance of missing teenager Valerie Craven (Melissa Simmonds). After visiting her acquaintances at the Homewood School for Girls, Morse believes she was murdered. Before they can solve the case, headmaster Cheryl Baines (Suzanne Bertish) turns up dead. ~ Andrea LeVasseur, Rovi

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1985  
 
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Jaclyn Smith is a curious choice to play the title character in the made-for-TV biopic Florence Nightingale. This fact, however, never enters into the consciousness of the viewer, thanks to Smith's excellent performance. Some liberties are taken with the details of the life of "The Lady with the Lamp," notably the addition of a largely speculative romance between Florence and her young swain (Timothy Dalton). The best scenes--and the most accurate--occur during the Crimean War sequences and during Nightingale's strenuous efforts to form the Red Cross. Co-produced by Tony Richmond, Jaclyn Smith's husband, Florence Nightingale debuted April 7, 1985. ~ Hal Erickson, Rovi

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Starring:
Jaclyn SmithTimothy Dalton, (more)
 
1983  
 
Pictures was a sequel of sorts to the 1981 British miniseries Flickers, which enjoyed great success on both sides of the Atlantic. Whereas the earlier program dramatized the formative years of the British motion-picture industry, this sequel covered the years between World War I and the Great Depression, when the silent cinema was at its zenith. The various interrelated characters, employees all of the movie business, weathered such crises as the "invasion" of autocratic German directors and the "talkie revolution" following the release of Al Jolson's The Jazz Singer. The seven hour-long installments of Pictures first aired in the U.K. in 1983. ~ Hal Erickson, Rovi

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Starring:
Anton RodgersPeter McEnery, (more)
 
1981  
 
This play gets its title from the name of a British holiday called Midsummer Day, the feast of John the Baptist, celebrated on June 24 with merrymaking. On Midsummer Night, witches, goblins, and fairies materialized to hold a festival of their own. Shakespeare's play capitalizes on the magic of the occasion. Set in Athens, it begins when Duke Theseus orders gala ceremonies for his coming marriage to Hippolyta, Queen of the Amazons. But domestic strife intrudes upon the gay atmosphere when one of the duke's subjects, Hermia, chooses Lysander as her future husband over her father Egeus' choice, Demetrius. Theseus reminds Hermia of a law requiring her to obey her father or face death or banishment. Hermia and Lysander then escape to the woods. There, tradesmen are rehearsing a play for the duke's wedding. Demetrius, the rejected suitor, searches the woods for Hermia, while another young lady, Helena, follows him, praying that he will bestow his love on her instead of Hermia. Also in the woods are fairies gathered to bless the duke's wedding. Oberon, the fairy king, argues violently with his queen, Titania, after she refuses to give him a boy he wants as a servant. In retaliation, Oberon orders a fairy named Puck to concoct a potion of flower juice, which, when squeezed on Titania's eyelids, will enamor her of the first creature she sees -- whether animal or man. Witnessing the love problems of Helena and Demetrius, Oberon decides a dose of flower juice will do them good. But because of mischief and mixups, Puck's potion anoints indiscriminately, and everyone temporarily falls in love with the wrong person. Titania ends up with bumpkin Bottom, a tradesman wearing the head of an ass. Eventually, remedial magic rights the wrongs and a triple wedding takes place. ~ Mike Cummings, Rovi

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Starring:
Helen Mirren
 
1978  
R  
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Frank Willard's 1927 stage play The Cat and the Canary was filmed several times before this 1978 version saw the light of day. In the story, Annabelle West (Carol Lynley) is one of several potential heirs to a huge fortune. Brought to his foreboding mansion to learn who will benefit from his death, the anxious heirs must sit still for the deceased's taped recitation of his bequests. The dead man, Cyrus West (Wilfred Hyde-White), takes advantage of the occasion to scold his greedy and unpleasant relatives. He leaves behind several posthumous practical jokes which drive his points home. It's a rainy night, the mansion is full of surprises, most of the heirs are an anxious, unpleasant lot, and at least one of them is not above committing murder to have his way. ~ Clarke Fountain, Rovi

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Starring:
Honor BlackmanMichael Callan, (more)
 
1974  
 
Italian filmmaker Luigi Bazzoni (Giornata Nera per l'Ariete) directed this stylish and surrealistic giallo thriller reminiscent of such paranoid classics of the form as Il Profumo della Signora in Nero and Tutti i Colori del Buio. Florinda Bolkan stars as a translator named Alice Cespi, whose life is falling apart due to strange memories from childhood when she was forced to watch a film called "Footprints on the Moon" involving an unethical experiment in leaving astronauts stranded on the moon's surface. Alice has terrible dreams and begins to become addicted to tranquilizers, desperate to shake surreal visions such as being chased across a beach by fully attired astronauts. The drugs and her deteriorating mental condition cause her to miss work and she is eventually fired, whereupon she travels to a dilapidated former tourist area called Garma after receiving a mysterious postcard. There, she runs into a girl named Paula Burton (Nicoletta Elmi from Profondo Rosso), who tells her that she looks exactly like another woman, Nicole, currently staying at the faded resort. Alice then encounters a series of strange people and circumstances, all leading her closer to unlocking the possibly deadly mystery. Shot by award-winning cinematographer Vittorio Storaro (Apocalypse Now), the film -- based on Mario Fenelli's novel Las Huerras -- uses its haunting settings and Alice's disorienting visions to create an air of sustained dread. Peter McEnery co-stars with Ida Galli (aka Evelyn Stewart), Klaus Kinski, and Lila Kedrova. Various available versions run from 88 to 110 minutes, with substantial variations in tone and effectiveness. ~ Robert Firsching, Rovi

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1973  
R  
Essentially a reworking of their earlier omnibus Asylum, this is another anthology of pulp horror tales from Amicus, this one helmed by the ever-reliable Freddie Francis. It features a quartet of eerie vignettes involving four patients in the care of psychiatrist Dr. Tremayne (Donald Pleasence), who is attempting to justify his strange theories to a colleague (Jack Hawkins, who died shortly after his scenes were filmed) by explaining the horrific events that drove the patients to their current state. The first tale centers on a young boy (Russell Lewis), whose parents' constant squabbling prompts him to conjure an imaginary tiger to devour them. The second involves a Victorian-era bicycle which allows its finder (Peter McEnery) to travel back in time and live as his own ancestor. The goofy third chapter pits a jealous wife (Joan Collins) against a strange rival for her husband's attention: a tree possessed by a human soul. The final segment stars Kim Novak (a last-minute replacement for Rita Hayworth) as a literary agent who must sacrifice her own daughter (Mary Tamm) to appease the restless spirit of her client's mother. Although certainly not the studio's best effort, this is still an amusing diversion, featuring the standard twist ending and a flamboyant approach suggestive of EC horror comics. ~ Cavett Binion, Rovi

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1970  
 
Peter McEnery stars as Col. Etienne Girard, Hussar officer of the Napoleonic era. The story takes place during the Little Corporal's 1808 campaign in the Spanish peninsula. Col. Gerard's adventures include an ongoing war of nerves against Napoleon's forces, not to mention a steamy affair with one Countess Teresa Claudia Cardinale. "Nappy" himself is played by Eli Wallach, who certainly has the right temperament for the role, even though he's much too tall to be thoroughly convincing. Filmed in Spain, The Adventures of Gerard is based on characters created by Sir Arthur Conan Doyle. ~ Hal Erickson, Rovi

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1970  
 
An attractive young charmer by the name of Mr. Sloane weasels his way into the lives of a middle-aged brother and sister, while trying to disguise the truth about his unpleasant past. This black comedy is based on a work by Joe Orton, the taboo-tweaking British playwright who delighted in loading his dialogue with satirical insights and racy double entendres. Indeed, sexual tension drives the plot from the very beginning, when the lonely Kath (Beryl Reid) spots Mr. Sloane (Peter McEnery) in a cemetery and invites him to become a boarder. Despite the age difference, Sloane coyly plays along with her flirtations for his own benefit. Their fun seems over when Kath's brother Ed (Harry Andrews) shows up, but the prim and proper gentleman also takes a shine to Sloane, hiring him as his chauffeur and taking particular interest in the young man's tight leather uniform. Kath and Ed's elderly father, however, develops a strong hatred of Sloane, and accuses to him of being involved in an old, unsolved murder. Though the translation to the screen is somewhat uneven, the controversial elements of Orton's text are mostly preserved, and his gleefully amoral tone survives intact. ~ Judd Blaise, Rovi

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Starring:
Beryl ReidPeter McEnery, (more)
 
1968  
 
A British engineer tries to convince the Mafia to allow an oil refinery on some prime waterfront real estate in Sicily. Proby (Peter McEnery) talks to the mob bosses about the project, but disagreements in the Mafia soon surface. One faction wants the refinery, the other a beachfront resort. Comedy ensues when Proby falls for the beautiful daughter of a mafioso, leading to a family argument. Rosa (Virna Lisi) is engaged to a mobster and causes a stir when she professes her love for the persistent Proby. The mob fights over which direction to choose for the property, as Proby and Rosa fall in love in this romantic comedy adventure. ~ Dan Pavlides, Rovi

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Starring:
Virna LisiPeter McEnery, (more)
 
1968  
 
An unmarried London couple tries to interject some life into their romantic pursuits in this uneven mystery. Theo (Peter McEnery) and Vivien (Glenda Jackson) take over the used furniture store owned by Theo's father, who is dying of cancer. Reingard (Diane Cliento) is the German neighbor who produces a photograph of World War I flying ace the Red Baron, who bears an uncanny resemblance to Theo. The couple then takes delight in enacting elaborate fantasies in which Theo is first the notorious turn-of-the century killer, Dr. Crippen and then the Red Baron. Things take a deadly turn when the couple invite a photographer in to film them. Theo goes so far as to buy a vintage airplane to put on the roof of his home. Vivien wishes to participate in the fantasy, but Theo becomes violent. ~ Dan Pavlides, Rovi

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Starring:
Peter McEneryDiane Cilento, (more)
 
1967  
 
This uneven docudrama concerns the monk Rasputin (Gert Frobe) and his friendship with Felix Youssopov (Peter McEnery). Rasputin's healing powers endeared him to the family of Czar Nicholas II with his ability to care for the Czar's hemophiliac son and heir to the throne, Alexei. Rasputin's friendship with Felix ultimately led to the much-publicized demise of the mad monk. The film deals with the events that led to Rasputin's death as supposedly recalled by his killer. ~ Dan Pavlides, Rovi

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Starring:
Gert FröbePeter McEnery, (more)
 
1966  
 
During the 16th century, it was prophesied that "When Hugh succeeds Hugh, Ireland shall be free." Hugh was the Prince of Donegal and his son Red Hugh, his successor. This lush and lively Disney adventure chronicles the young man's tumultuous ascension to the throne and his attempts to unite the many clans of Erin. Along the way, Red Hugh falls in love, is imprisoned by the British in Dublin Castle, and then fights to free Donegal Castle where his lady is being held. The film was shot in the United Kingdom and is based on Robert T. Reilly's story "Red Hugh, Prince of Donegal." ~ Sandra Brennan, Rovi

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Starring:
Peter McEnerySusan Hampshire, (more)
 
1966  
 
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Under the tutelage of one-time husband, director Roger Vadim, Jane Fonda plays the much-younger wife of stuffed-shirt millionaire Michel Piccoli. When Piccoli's handsome young stepson Peter McEnery comes to visit, Fonda is immediately smitten. When Piccoli forces McEnery into a marriage of convenience, she contemplates committing suicide over returning to her barren but lavish lifestyle. The Game is Over was inspired by the Emile Zola novel La Curee (the film's European title). ~ Hal Erickson, Rovi

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Starring:
Jane FondaPeter McEnery, (more)
 
1964  
PG  
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Disney produced this distilled Hitchcockian suspense yarn, diluted for the consumption of children. Hayley Mills stars as Nikky Ferris who is spending time in Crete at a small inn called The Moon-Spinners with her Aunt Frances (Joan Greenwood). One day Nikky discovers a handsome young man, Mark Camford (Peter McEnery), wounded in an empty church nearby. It turns out that Mark was once a London bank messenger, but he lost his job after a major jewel robbery. Tagged as a suspect, Mark has made his way to the inn to gather evidence against the inn's owner, Stratos (Eli Wallach), who Mark thinks is the real jewel thief. Nikky and Mark fall in love and decide to capture Stratos together. Silent screen vamp Pola Negri makes a luminous appearance as a jewelry aficionado. ~ Paul Brenner, Rovi

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Starring:
Hayley MillsEli Wallach, (more)
 
1962  
 
In its time, Victim was considered as a daring a film as had ever been made in England. Taken at face value, Janet Green and John McCormick's screenplay is nothing new: Dirk Bogarde plays a lawyer who agrees to defend an old friend (John McEnery) on a theft charge, only to be enmeshed in a blackmailing scheme. What set this one apart is the fact that the lawyer had once been the male lover of his client. At a time when homosexuality was a criminal offense in England, any film that depicted the gay scene in a non-judgmental light was in for a rough time from the bluenose brigades. What really startled filmgoers of 1962 is that the homosexuals shown in Victim were seemingly normal, everyday blokes, a far cry from the stereotyped "nance" characters common to films. Denied the MPAA seal when it was released to the United States, Victim surprisingly ran into very little interference when it was released to television in the mid-1960s. ~ Hal Erickson, Rovi

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Starring:
Dirk BogardeSylvia Syms, (more)
 
1960  
 
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A rebellious teenager runs away from home and joins the SoHo beatniks when her widowed father remarries a much younger woman. But beatnik life isn't all it seems and she ends up hanging out as a stripper in a sleazy club, hoping to learn about her mom. There the creepy club owner attempts to seduce her, and his lover gets jealous and stabs him. Now the two must do something fast. The film is also known as Wild for Kicks, and features music from rocker Adam Faith, the John Barry Seven, and other beatnik acts. ~ Sandra Brennan, Rovi

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Starring:
David FarrarNoëlle Adam, (more)
 
1960  
 
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Two excellent actors shine in powerful roles in this drama by Ronald Neame that pits one Scottish army colonel against another. Alec Guinness is Lt. Col. Jock Sinclair, a man who temporarily takes over command of a regiment until his replacement, Col. Basil Barrow (John Mills) arrives. Sinclair comes from the lower echelons of the social order but was at least able to work himself up the echelons in the military hierarchy. He is fairly well-liked though still a little rough around the edges for some. When Barrow takes over, the two men clash almost at once. Barrow is from the upper crust, went to all the "right" schools, and believes in discipline and then a little more discipline, as well as efficient and proper bureaucratic processes. The differences between the two men threaten to rupture the unity of the regiment, especially after Sinclair assaults a soldier he finds in the company of his daughter. Barrow opts to report his behavior, leading to a climactic series of events. ~ Eleanor Mannikka, Rovi

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Starring:
Alec GuinnessJohn Mills, (more)