Alec McCowen Movies

Hot on the heels of the BBC's multipart 1999 adaptation of Charles Dickens' semiautobiographical novel David Copperfield came this American-financed version, prepared for the TNT cable network as part of the Hallmark Hall of Fame. Child actor Max Dolbey and adult performer Hugh Dancy share the role of David Copperfield who, after enduring a tempestuous youth at the hands of his cruel stepfather Murdstone (Anthony Andrews), manages to survive into adulthood with the help and support of such sympathetic figures as Aunt Betsy Trotwood (Sally Field), the eternally-in-debt Mr. Micawber (Michael Richards), and loyal old Dan Peggoty (Nigel Davenport). Even so, David's later years are none too serene, thanks in great part to antagonists like the wheedling, "'umble" Uriah Heep (Frank MacCusker), and to his own star-crossed romantic misadventures. At the time of its first telecast on December 10, 2000, this two-part adaptation of David Copperfield was criticized for the "stunt" casting of former Seinfeld regular Michael Richards as Micawber, who is transformed into a Kramer-esque slapstick figure; however, one must remember that not everyone was enamored of W.C. Fields' now-classic interpretation of the same character in the 1935 film version. David Copperfield was lensed on location in Ireland. ~ Hal Erickson, All Movie Guide

In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, All Movie Guide

Richard Attenborough directed this dramatic story, based on actual events, about the friendship between two men struggling against apartheid in South Africa in the 1970s. Donald Woods (Kevin Kline) is a white liberal journalist in South Africa who begins to follow the activities of Stephen Biko (Denzel Washington), a courageous and outspoken black anti-apartheid activist. Woods and his wife Wendy (Penelope Wilton) get to know Biko, and they become friends, until Biko is brutally murdered at the hands of government troops in 1977 for his activities against the country's repression of the black majority population. Donald is shocked and appalled by Biko's murder and determined that the truth about Biko will become known to the world; eventually, Donald and Wendy Woods and their children must leave South Africa (and nearly everything they have) as they spread the word about Biko's life and death to ensure that he did not die in vain. Washington received an Academy Award nomination for his performance as Biko. ~ Mark Deming, All Movie Guide

When a workaholic businessman needs to be married to maintain a good image, he asks a woman to pose as his wife. The film is a British production originally made for The Romance Theatre. ~ John Bush, All Movie Guide

Two men who had been partners 20 years earlier reunite and rekindle old animosities in this routine, low-budget drama by director David Drury, made for the "First Love" British TV series but also released theatrically. James (James Aubrey), a teacher, and Father Michael (Nicholas Gecks) meet again long after their upbeat musical partnership ended and are overjoyed at seeing each other -- though that is short-lived. Personality differences emerge rather quickly, especially after James starts a sexual liaison with the mother of a little boy who adores Father Michael. Flashbacks to the 1950s help to illustrate the background of the two men in conflict. ~ Eleanor Mannikka, All Movie Guide

Playwright Tom Stoppard, best known for such works as Rosencrantz and Guildenstern are Dead and Arcadia, turned his attention to recent Polish history in this television film about the early 1980s formation of the Solidarity movement. Filmed just two years after the actual events, Squaring the Circle initially focuses on the inner workings of the Politburo and their reactions to the strikes led by deeply dissatisfied workers. When the strikes become more prominent and unified, with demands for independent trade unions, the film's attention shifts to the leaders of the workers, especially the charismatic Lech Walesa. For a brief period, the workers and the Politburo make a doomed attempt to come to an acceptable compromise in order to avoid internal violence and prevent the intervention of Russian troops. Stoppard addresses the complexities of dramatizing recent history by telling his tale through an unreliable narrator, who is occasionally interrupted and corrected by a native Pole regarding certain historical and political facts. Originally made for British television by director Michael Hodges, the film underwent a number of unauthorized changes in the hands of the American co-producers; the detrimental effects of these changes are detailed in Stoppard's introduction to the published script. ~ Judd Blaise, All Movie Guide

Part of the TV series entitled "The Shakespeare Plays," this is one of the subtlest and most enjoyable of the Shakespearian plays. Portraying the different types of love, it is set in a country house of aristocrats and there are practical jokes, poetry and songs that make this a most entertaining view. ~ Tana Hobart, All Movie Guide

In this WWII romance, Harrison Ford (face-to-face with superstardom from his involvement in Star Wars) is cast as David Halloran, an American bomber pilot stationed in London. During an air raid, Halloran meets and falls in love with beautiful Briton Margaret Sellinger (Lesley-Anne Down). Naturally, Margaret is married, and just as naturally David hopes that this won't make too much difference in their relationship. But this is not to be: Halloran is assigned behind enemy lines on a dangerous assignment, and his partner in this endeavor is Margaret's husband, Paul (Christopher Plummer). ~ Hal Erickson, All Movie Guide

Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed himself with Frenzy, however, which marked his return not only to England for the first time in 20 years but also to the subject matter with which he'd started his career in thrillers back in 1926 -- murder, and a hunt for a serial killer in London. As the latest female victim of the "Necktie Murderer" is found in the Thames, raped and strangled, we meet Richard Blaney (Jon Finch), a bitter, belligerent ex-Royal Air Force officer who can't seem to find his way in life. He drinks too much and holds grudges too easily, and has an explosive temper, which is very near the surface as he's just lost his job. We also meet his girlfriend, a barmaid (Anna Massey); his ex-wife, a professional matchmaker (Barbara Leigh-Hunt); and his best friend, Covent Garden fruit seller Bob Rusk (Barry Foster). Their connection to the necktie murders will be clear to us in the first 30 minutes of the movie and, not coincidentally, completely misinterpreted by the police, as Chief Inspector Oxford (Alec McCowan) and his men tighten a circle around the wrong man, who rapidly runs out of options and allies.

The chase and suspense are classic Hitchcock, favorably recalling a dozen of his earlier movies, from The Lodger and The 39 Steps through Saboteur and Spellbound to Dial M for Murder and North by Northwest, with some new twists and the added energy afforded by the extensive use of actual London locations. There's also a good deal more sex and nudity here than Hitchcock was ever allowed to use in his earlier movies, owing to the relaxation of "decency" standards that had taken place in the years leading up to this production. The suspense derives from multiple interlocking and overlapping layers of uncertainty -- when will each of the two men, suspect and murderer, slip? (And which will slip first?) When and how will the police realize their mistake, and will it be in time to save the innocent man? Amid the straightforward storytelling and thriller elements, Hitchcock manages to slip in a few bravura cinematic moments, the best of them a pullback shot down a flight of stairs into a busy street as the killer invites his next victim into his home, as well as a scene aboard a truck, with a murderer desperately wrestling with a corpse hidden in a sack of potatoes. Frenzy was adapted from Arthur La Bern's novel Goodbye Picadilly, Farewell Leicester Square by mystery aficionado Anthony Shaffer, but for all of that and its decidedly modern trappings of sex and violence, it bears the indelible stylistic stamp of Alfred Hitchcock. ~ Bruce Eder, All Movie Guide

The Hawaiians is the sequel to 1969's Hawaii; both films were adapted from the same sprawling novel by James A. Michener. Charlton Heston is top-billed as a sailor who returns to his Hawaiian homestead, only to learn that his grandfather's fortune has been bestowed upon his hated cousin Alec McCowan. As a reprisal, Heston sets up his own pineapple plantation in competition with his cousin. Heston's son John Phillip Law falls in love with the daughter (Virginia Ann Lee) of a Chinese farmer (Mako). The issue of miscegenation rears its ugly head, but by the end of this very long film Heston's family is united by marriage to the Chinese clan. The British title of The Hawaiians was Master of the Islands. ~ Hal Erickson, All Movie Guide

In this drama of romantic intrigue and infidelity, Sam and Christine Bonner (Arthur Hill and Jane Fonda) are a married couple whose relationship has hit a rough spot. While Sam loves Christina very much and would do anything for her, she feels unsatisfied and suffocated by him; she wants more space for herself and would like to have a baby. Sam is more than willing to help, but matters become more complicated when he introduces Christine to Murray Logan (Peter Finch), a friend from work, and his wife Sybil (Angela Lansbury). Murray and Sybil are not at all happy together; ever since an auto wreck claimed the life of their son, Sybil has been emotionally on edge and blames her husband for the death of her child. When Murray meets Christine, he finds himself attracted to her; she is also interested in him, but neither are in a position to do anything about it. Sam arranges for the two couples to take a vacation to Greece together, hoping a change of scenery will bring a spark back into their lives. However, Sam's father Frederick (Alexander Knox) falls ill just as the couples are about to leave, and he's forced to stay behind. While in Greece, Murray and Christine finally succumb to their desires and begin an affair; an angry Sybil retaliates by both having a fling with a local man and spilling the beans to Sam about Murray and his wife. John Houseman, later to become famous as an actor, served as a producer on this film. ~ Mark Deming, All Movie Guide