Michael McClure Movies

This program documents the making of the first album by The Doors. In addition to archival footage exploring the band's early history, the living members of the group demonstrate how the band's sound developed. In addition, Bruce Botnik, the group's recording engineer, explains how their sound was captured for posterity. A number of other musicians weigh in with their explanations of why this record has remained a classic. ~ Perry Seibert, Rovi

Beat poet Michael McClure served as inspiration and mentor to late rock legend Jim Morrison. In Love Lion, McClure joins Morrison bandmate and Doors co-founder Ray Manzarek for a collaboration of music and poetry. Regarded by many as having pushed American poetry into new directions of ecological and social consciousness, McClure has been cited as an influence by many of the significant Beat writers. Manzarek improvises on the keyboard, delivering supple melodies and staccato accompaniment as McClure reads from his sprawling works in this video from directors Sheldon Rochlin and Maxine Harris. ~ Sean Hurley, Rovi

Director Ron Mann has put together readings by 24 different poets (after filming a total of 60 writers reciting their works), and then has poet and author Charles Bukowski verbalize "everyman's" criticisms of poetry: it is boring, irrelevant, self-indulgent, and does not make much sense. Then he counterpoints these statements with dynamic, entertaining, and inspiring works by poets such as Allen Ginsberg, Leroi Jones, Anne Waldeman, Helen Adams and 20 others. ~ Eleanor Mannikka, Rovi

The third (and last) of author Norman Mailer's experiments in cinéma vérité filmmaking created between 1968 and 1970, Maidstone stars Mailer as Norman T. Kingsley, a celebrated filmmaker who is often described as "the American Buñuel." Kingsley and a large retinue of friends, actors, and colleagues have descended on his estate in Upstate New York to work on his latest project, a sexually provocative drama. At the same time, Kingsley is planning to launch a campaign for president, and he's visited by a large number of guests eager to discuss his political perspectives, including journalists, academics, and a handful of African-American radicals. Also on hand is Kingsley's ever-present posse of hangers-on nicknamed "the cash box," led by his half-brother Raoul (Rip Torn). As a British television reporter records the proceedings for an upcoming profile, a shadowy group of American intelligence agents questions if the nation might be better off without the possibility of a Kingsley candidacy. In the film's final reels, Mailer and his cast and crew drop their collective improvisation and discuss their work so far before the camera, but Torn takes it upon himself to give the film the ending he feels it needs by attacking Mailer with a hammer. Fascinating if only for its remarkable portrait of Mailer's legendary ego in full flight, Maidstone would be the writer's last stab at filmmaking until he was hired to direct a film adaptation of his novel Tough Guys Don't Dance in 1987. ~ Mark Deming, Rovi