Orlando Martins Movies

A scam artist is forced to pose as a miracle worker in this adventure tale with comic touches. Joe Moses (Robert Mitchum) is a confidence man and jewel smuggler from America who somehow finds himself in Africa, attempting to pull a fast one on some natives who quickly prove to be sharper than he expected. Tossed into the river for his troubles, Joe floats downstream, where he's eventually rescued by Julie Anderson (Carroll Baker), the daughter of Rev. Anderson (Alexander Knox), a missionary doing the Lord's work in a small village. The village is to be flooded when a new dam becomes operational in a few days, but while government functionary Robert (Ian Bannen) attempts to relocate the villagers, most of them refuse to budge. Robert has told them that they cannot bring their animals with them, and since they consider their animals members of the family, they would prefer to stay and face the inevitable. Hoping to amuse the people who helped save his life, Joe performs a few sleight-of-hand tricks for the natives and sets a bush on fire. Soon they believe that Joe is the Moses that they've heard about from the Holy Bible, and that he's come to lead the people of the village to safety. Joe's not so sure that he's the right man for the job, but when Julie hears of Joe's criminal past, she gives him the option of helping to save the villages, or being turned in to the police. However, Ubi (Raymond St. Jacques), a native who was educated in the U.S., has the feeling that Joe is up to no good, and doesn't appreciate the way he's been preying on the naiveté of his people, even if it is supposedly for their own good. This was Carroll Baker's last film before her massively-hyped title role in the biopic Harlow, whose box office failure proved disastrous to her career. ~ Mark Deming, Rovi

Released in the US as A Boy Ten Feet Tall, Sammy Going South is a rugged youngster's-eye-view adventure set in South Africa. 10-year-old orphan Sammy (Fergus McClelland), who resides in Port Said, tries to locate his only relative, who lives 5000 miles away across the desert in Durban. After the death of his first guide, an erstwhile peddler, Sammy is rescued by a wealthy tourist (Constance Cummings). Not anxious to return to Port Said, Sammy escapes his benefactress and links up with a crafty old hunter/diamond smuggler (Edward G. Robinson), whose life is saved by the boy. When the police search for Sammy, they arrest the old man, who has been a fugitive for years. When Sammy is finally united with his Aunt (Zena Walker), he learns that the old smuggler has willed him his fortune. Released in the US at 88 minutes, Sammy Going South was restored to its full 118 minutes for television. ~ Hal Erickson, Rovi

Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film. ~ Hal Erickson, All Movie Guide

A poor Irishman goes to Africa to help a friend harvest his tobacco, but upon arrival, he learns that his friend was eaten by a crocodile. His friend's French mistress proposes marriage and they work on the tobacco crop until the natives helping them leave for a ritual. He starts hunting crocodiles and gets enough skins to send both he and his mistress back home, but some traders steal the skins and three of the natives are killed getting them back. He and the mistress decide to repay the natives by staying and adapting to their way of life while teaching them about Western culture. ~ Steve Huey, Rovi

In this supenseful and provocative high-seas drama, the captain of a luxury liner is suddenly faced with life or death decisions when his ship sinks, leaving himself and a few survivors floating at sea in an overcrowded lifeboat that does not contain enough food, water and medical supplies to support them all. The captain, Alec Holmes (Tyrone Power) is a decent fellow, and initially intends to save everyone. But it soon becomes clear to one of the ship's men, Frank Kelly (Lloyd Nolan) that this is impossible. As Kelly sacrifices himself by leaping overboard and into the sea, he shouts out a warning to Holmes that it will be necessary to rid the boat of its ill passengers if the rest are to survive, as not enough food and water exists to provide for everyone. Defying the requests of his sweetheart, Nurse Julie White (director Mai Zetterling), and his buddy and fellow officer, Will McKinley (Stephen Boyd), Holmes disposes of the sick individuals on board. He initially gains the support of the rest of the passengers, but when a rescue ship finally turns up, their support turns to contempt and hostility. In Great Britain the story is titled Seven Waves Away. ~ Sandra Brennan, Rovi

The recent Mau Mau uprising in Kenya served as story material for the 1955 British film Simba. White farmer Dirk Bogarde and his neighbors are targeted for extermination by the zealously nationalistic Mau Maus. Native doctor Joseph Tomelty, whose brother had earlier been killed under questionable circumstances, endeavors to help the whites escape the hordes, only to discover that his own father is the local leader of the insurrectionists. Given the cruelties of colonial rule in Africa, it is hard for any film to make the Mau Mau total villains, despite their own well-documented brutal treatment of their enemies. Simba downplays side-taking and ideology, choosing instead to concentrate on the adventure and suspense elements. ~ Hal Erickson, Rovi

Heart of the Matter is a faithful if somewhat austere adaptation of the same-named novel by Graham Greene. Set in Sierra Leone during WW II, the film stars Trevor Howard as assistant police commissioner Scobie. While his wife Louise (Elizabeth Allan) is away on vacation, Scobie falls in love with Helen (Maria Schell), the widow of a U-boat victim. Scobie would like to get a divorce from his wife, and she from him, but their Catholicism prevents not only this break but Scobie's planned remarriage to Helen. In despair, Scobie chooses a desperate means of solving his dilemma--which only furthers to exacerbate the religious quandary in which everyone finds themselves. Posing several ethical questions throughout its 105 minutes, Heart of the Matter wisely allows the viewers to come up with their own answers. ~ Hal Erickson, Rovi

The year is 1942. Ensign Chuck Palmer (Tyrone Power) is stranded in the Japanese-occupied Philippines after his ship is torpedoed. Linking up with several other American refugees, Palmer helps the Filipinos organize a resistance movement against the enemy. They even manage to construct a few jerry-built radio stations to keep tabs on Japanese fleet movements. Hard to believe that Palmer finds romance under these trying circumstances, but he does, in the form of Jeanne Martinez (Micheline Presle), the wife of a Filipino war hero. Based on the novel by Ira Wolfert, American Guerilla in the Philippines is directed with unvarnished efficiency by Fritz Lang. Standouts in the supporting cast include Tom Ewell as Tyrone Power's wisecracking buddy and Robert Barrat as General Douglas MacArthur. ~ Hal Erickson, Rovi

Good Time Girl, directed by David MacDonald and based on a story by Arthur La Bern (It Always Rains On Sunday) starts off unpromisingly, as juvenile justice official Flora Robson tries to keep a would-be female felon on the straight-and-narrow, telling the cautionary tale of Gwen Rawlings (Jean Kent). A victim of an unhappy home and her own stupidity, Rawlings leaves home and, with help from her sleazy new neighbor Jimmy Rosso (Peter Glenville, the future director), gets a job as a hat-check girl at a club run by Max Vine (erbert Lom). But Jimmy's jealousy soon gets him fired, and leaves him aiming for revenge on Max and Gwen. Despite the best efforts of Michael Farrell (Dennis Price), the one truly decent man she's ever met, Jimmy achieves his goal and Gwen is sent to a reformatory. It is there that she's truly corrupted by being locked up with more seasoned juvenile (and not so juvenile) felons, who know how to game the system -- whem she escapes, she's a professional criminal, and, taking on a new alias, falls in with a pair of loose-living gents. She manages to commit a vehicular homicide, and then falls in with a pair of American military deserters (Bonar Colleano, Hugh McDermott) who aren't above committing pre-meditated murder. ~ Bruce Eder, Rovi

Released in Britain in 1944, Man from Morocco made it to American shores the following year. Anton Walbrook plays the title character, the head of an intrepid band of WW2 freedom fighters. The film's heavy is a Nazi-sympathizing French officer of unbounded cruelty. Margaretta Scott portrays Manuela, a patriotic Frenchwoman who poses as a Red Cross nurse to insinuate herself into the villain's lair. In true "Judith of Bethulia" fashion, Manuela romances the fiend, thereby affording her the opportunity to murder him and thus save the lives of 2000 French hostages. It's a good thing that Man From Morocco was a British film; otherwise, the Hollywood production code would have obliged Manuela to be punished for her murder, justified or no. ~ Hal Erickson, Rovi

Based on the book by Edgar Wallace and produced by London Film Productions, the adventure drama Sanders of the River is an Imperialist propaganda film about British Colonial rule in Africa. Leslie Banks plays Commissioner "Lord Sandy" Sanders, who maintains British rule over the N'Gombi district of Nigeria. The fugitive Bosambo (Paul Robeson) helps out Sanders by humiliating the evil Chief Mofolaba (Tony Wane). Sanders then recognizes Bosambo as chief of the Ochuri people and peace is maintained for five years. When Sanders leaves for London, word gets out that he is dead and white men come in to sell guns and liquor to the natives. Chief Mofolaba kills Sanders' replacement, Ferguson (Martin Walker), and captures Bosambo's wife Lilongo (Nina Mae McKinney). Father O'Leary (Allan Jeayes) gets Sanders to come back and stop Mofolaba, and eventually Bosambo is crowned king. Robeson and McKinney sing several songs in this film. ~ Andrea LeVasseur, Rovi