Frank White Movies
- 1972
The made-for-television No Place to Run stars Herschel Bernardi as a seriously ill 73-year-old grandparent. Despite his many ailments, Bernardi is roused into action when he is denied custody of his orphaned grandson (Scott Jacoby). Grandpa and grandson decide to skip town together, with the authorities hot on their heels. Ironically, production of No Place to Run had to shut down briefly when star Herschel Bernardi fell ill for real. During this period, original director John Badham had to leave for another commitment; the film was completed by Delbert Mann, who receives sole directorial credit. Advertised as a "touching film drama" (well, it was!), No Place to Run debuted on September 19, 1972. ~ Hal Erickson, Rovi
In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) soon come nosing around to welcome the Woodhouses to the building; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, Guy starts spending time with the Castevets. Shortly after Guy lands a plum Broadway role, Minnie starts showing up with homemade chocolate mousse for Rosemary. When Rosemary becomes pregnant after a mousse-provoked nightmare of being raped by a beast, the Castevets take a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets' circle is not what it seems. The diabolical truth is revealed only after Rosemary gives birth, and the baby is taken away from her. Polanski's camerawork and Richard Sylbert's production design transform the realistic setting (shot on-location in Manhattan's Dakota apartment building) into a sinister projection of Rosemary's fears, chillingly locating supernatural horror in the familiar by leaving the most grotesque frights to the viewer's imagination. This apocalyptic yet darkly comic paranoia about the hallowed institution of childbirth touched a nerve with late-'60s audiences feeling uneasy about traditional norms. Produced by B-horror maestro William Castle, Rosemary's Baby became a critically praised hit, winning Gordon an Oscar for Best Supporting Actress. Inspiring a wave of satanic horror from The Exorcist (1973) to The Omen (1976), Rosemary's Baby helped usher in the genre's modern era by combining a supernatural story with Alfred Hitchcock's propensity for finding normality horrific. ~ Lucia Bozzola, Rovi
- Starring:
- Mia Farrow, John Cassavetes, (more)
- 1960
A Tennessee outlaw wants to create a huge network of other outlaws. In the process, he kills the father of a man's fiance, and the man swears his revenge. ~ Steve Huey, Rovi
- 1948
In this romantic comedy, a wealthy heiress marries hastily and realizes her mistake on her honeymoon in New York. Though it is her wedding night, she decides not to consummate the union and so ends up hiding in the room of a fellow whose airplane cargo company is facing financial ruin. He assumes that the frightened girl is poor and homeless and so takes her in. She then overdoses on sleeping pills and cannot wake up. The fellow is forced to take her back to California. The flight back is tumultuous as she, a fugitive criminal, two enamored newlyweds, a cigar smoking chimp, a corpse, and a shipment of lobsters are aboard the plane. Mayhem really ensues when the plane crashes in a farmer's field. By this time, the woman and the fellow have fallen in love. ~ Sandra Brennan, Rovi
- Starring:
- Joan Fontaine, James Stewart, (more)
