Damon Martin Movies

- 1992
- Add Amityville 1992: It's About Time to QueueAdd Amityville 1992: It's About Time to top of Queue
Eschewing any connection with previous installments of the creatively strip-mined Amityville saga, this film is actually derived from one of a series of novels by John G. Jones and focuses on a mantle clock from the original Long Island horror-house which serves as a vessel of supernatural evil. A real estate developer (Stephen Macht) purchases the clock in Long Island and brings it home to California, where it promptly anchors itself to the wall and begins to exert a nightmarish influence on the house and its inhabitants. As creepy phenomena and violent behavior run rampant through Macht's family, the occultist neighbor (Nita Talbot) begins to take notice -- but is killed in a freak accident shortly after discovering the secret of the clock's Satanic history. In a twist that echoes the original Amityville Horror, Macht succumbs to the clock's evil influence and turns on his family, just as his scale-model of a planned development is transformed into a block of very familiar-looking houses. Tony Randel's direction is remarkably restrained, allowing the horror to unfold gradually until the final act, where he pulls out all the stops in a style reminiscent of his earlier Hellbound: Hellraiser II. The script makes a valiant attempt to breathe new life into a long-dead franchise, but many interesting subplots fail to develop beyond their sketchy origins. The creepy inner workings of the clock are reminiscent of the ancient machinery of The Church or the vampire-bug-machine of Guillermo del Toro's Cronos, but little is done to explain their origins. ~ Cavett Binion, All Movie Guide
C. Thomas Howell stars as the otherwise-nameless title character, a young man whose hippie parents were murdered years ago by a gang of rednecks. Years later, the Kid has returned to the scene of the crime to avenge their deaths, only to find that one of the killers is now the town sheriff. ~ Jason Ankeny, All Movie Guide
This pedantic sequel to Empire Pictures' less-than-original Ghoulies was released directly to video and summarily slipped into oblivion. At the outset of this one, the title creatures -- rubbery puppets originally conceived as cut-rate Gremlins lookalikes -- are shanghaied by a priest who intends to exterminate them, but they manage to escape to a low-rent carnival. There they take up residence in "Satan's Den," a foundering, old-fashioned haunted house attraction run by Royal Dano, who fears he may lose ownership of the show due to sagging attendance. The presence of the ghoulies at first gives business a much-needed boost ... until the slimy little buggers start dining on the patrons. Despite some enhancements in the lackluster monster effects (by John Buechler, who's done better work elsewhere) and clever stop-motion animation by David Allen, this film is just as pointless as its predecessor. There is, however, one memorable scene, which makes good on the promise of the first film's ad campaign -- which featured one of the reptilian critters leaping from a toilet bowl, accompanied by the tagline "They'll get you in the end!" ~ Cavett Binion, All Movie Guide
- Starring:
- Damon Martin, Royal Dano, (more)
Co-written by Paul Reubens and Phil Hartman, Pee Wee's Big Adventure marks the debut of director Tim Burton, who stamps the entire film with his quirky trademark style. The premise: Pee Wee (Reubens), an overgrown pre-pubescent boy sporting a molded Princeton cut, blush, lipstick, and a shrunken gray flannel suit, lives an idyllic life in his bizarre home (some have compared the remarkable set design to the expressionistic The Cabinet of Dr. Caligari) until someone nabs his most prized possession: a fire engine-red customized bicycle. He then embarks on an epic cross-country search to find his lost love, not to mention more than a little adventure. Along the way, he makes friends with various oddball characters, visits the Alamo, endures various hallucinatory nightmares, and has a supernatural run-in with a spectral trucker. In this reprisal of his popular standup routine, Reubens is wonderful as the nerdy man child; he plays it silly, yet he manages to imbue the role with some sensitivity without ever seeming maudlin. The score by Danny Elfman is terrific -- as is the case in nearly every film Burton has directed -- and the script is fresh and inventive. Some of the most memorable moments: the opening sequence involving Pee Wee's morning activities is a stroke of genius (note the bunny slippers and talking breakfast), as are the scenes at the truck stop, and the "Hollywood" version of Pee Wee's story at the end (starring James Brolin and Morgan Fairchild in surprise cameos). In all, Pee Wee's Big Adventure is a delightful film, enjoyable for children as well as adults. ~ Jeremy Beday, All Movie Guide
- Starring:
- Paul Reubens, Elizabeth Daily, (more)










