Jeanne Bates Movies
Jeanne Bates had acted in stock in California when, in 1942, she was signed to a Columbia Pictures contract. So far as many horror aficionados are concerned, her most significant work under the Columbia banner consisted of a pre-credits bit as Bela Lugosi's first victim in Return of the Vampire (1943) and the "haunted" heroine of Soul of a Monster (1944). Her other Columbia work ranged from the leading-lady stint in the 1942 serial The Phantom to a minor role in Death of a Salesman (1952). She worked steadily in television in the 1950s, 1960s and 1970s, most regularly as Nurse Wills on the weekly Ben Casey (1961-66). After accumulating some impressive credits in regional theater and as an acting instructor, Bates showed up as Mary's mother in the midnight-movie favorite Eraserhead (1978). Jeanne Bates' latter-day film appearances included small but worthwhile roles in Die Hard 2 (1992) and Grand Canyon (1992). Bates died of breast cancer at age 89 in November 2007. ~ Hal Erickson, Rovi- 1996
Adhering to the "rules are rules" mentality, temporary ticket-counter clerk Antonio (Tony Shalhoub) refuses to let late arrival Danny Connelly (David Gianopoulos) board a plane. Unfortunately, Danny happens to be "Dead End" Connelly, star goalie for the Boston Bruins -- and thanks to Antonio, he misses an important game. Antonio's shame is compounded when even Jay Leno jokes about the incident! Meanwhile, Nantucket pays host to a most unusual social club. ~ Hal Erickson, Rovi
A man discovers that what he doesn't know can hurt him, especially when it comes to his wife, in this suspense drama. Ray Reardon (James Spader) is an architect who has just gone through a messy divorce; while his friends sing the praises of the single life, Ray would prefer to settle into a life of middle-class domesticity with a home, wife, and family. Ray meets a beautiful but mysterious woman named Lena (Madchen Amick) at a party, and for him it's love at first sight; while she remains elusive, Ray pursues her avidly, and before long he proposes, even though he doesn't know her especially well. A few years later, they're seemingly happily married with children. But Lena's behavior starts to become erratic and depressive, and she is no longer willing to account for where she's been or what she's been doing. Ray is convinced that Lena has been having an affair and begins doing some research into her past; he soon discovers her previous life bears little resemblance to what she told him and that she's been lying to him about nearly every part of her history and their relationship. Lena contends that she's just "a regular screwed-up person," but in time, Ray realizes that there's a purpose behind her duplicity: she's trying to convince people that he is insane. Dream Lover was the directorial debut of screenwriter Nicholas Kazan. ~ Mark Deming, Rovi
- Starring:
- James Spader, Mädchen Amick, (more)
- 1992
- R
- Add Wild Orchid 2: Two Shades of Blue to QueueAdd Wild Orchid 2: Two Shades of Blue to top of Queue
All poor Blue really wants is to be a regular, suburban Southern California teen from the 1950s, with a boy friend and lots of normal friends. Unfortunately, Fate has other plans. This erotic drama (related to it's predecessor in name and director only) chronicles her experiences. Blue's father is a heroin-addicted jazz musician and her estranged mother is a hooker. The trouble begins when her father, Ham, runs out of heroin and gets too upset to play. Blue procures him a fix, but when he learns that she sold herself to the club owner to get it, he drops dead of shock. Blue continues working at the club, but she is no great shakes in the sex department and the club owner sells her to an upscale brothel that caters to high-ranking government officials. On one of her days off, she meets a handsome young man outside a church. Josh is everything she dreams of, clean-cut and kind. Unfortunately, she cannot tell him of her true profession and they must separate. Blue is despondent and makes a lousy call girl. To try and liven her up a bit, a senator hires her for a private gang bang. He films the festivities, but fortunately, just before she is raped by the depraved politicians, her chauffeur, Sully, who has become her friend, rushes in to save her and they leave town. Eventually they end up in Josh's town. She and Josh fall in love. Unfortunately, the irate madame has come looking for her. To break them up, she show's the young football captain the politician's video-tape of his girlfriend in action. ~ Sandra Brennan, Rovi
- Starring:
- Nina Siemaszko, Wendy Hughes, (more)
Director Lawrence Kasdan's Grand Canyon is a gathering of random events, uniting the film's wildly divergent protagonists. Driving home from an LA Lakers game, Mack (Kevin Kline), an immigration attorney, is stranded in an unsavory part of town when his car breaks down. He is rescued from a gang of hoods by Simon (Danny Glover), an African-American tow truck driver, inaugurating a friendship between these two men. Mack offers to repay Simon's kindness by helping his sister (Tina Lifford) find an apartment in a better neighborhood, and by arranging a blind date between Simon and Jane (Alfre Woodard), a friend of Mack's secretary Dee (Mary Louise Parker). Woven into this fabric are the tribulations of Mack's best friend, a pompous exploitation movie producer (Steve Martin), who is later wounded in a robbery similar to the one threatening Mack at the beginning of the film; of Mack's wife Claire (Mary McDonnell), who adopts an abandoned baby, and disenfranchised son Roberto (Jeremy Sisto); and of Simon's nephew (Patrick Malone), who is contemplating joining a street gang. The title is symbolic, referring to the class-imposed chasms which would normally separate the characters. Kasdan co-wrote the screenplay with his wife Meg. ~ Hal Erickson, Rovi
- Starring:
- Kevin Kline, Danny Glover, (more)
"Another basement, another elevator...how can the same thing happen to the same guy twice?" asks John McClane (Bruce Willis), in what is doubtless the key question of this film. A year after foiling the terrorist takeover of a high-rise office building in the first movie, McClane is waiting to pick up his wife, Holly (Bonnie Bedelia), at Dulles International Airport just outside Washington, D.C., on Christmas Eve. Scheduled to arrive the same evening is Ramon Esperanza (Franco Nero), a South American political figure who is being brought to the United States to stand trial for his role in a drug-smuggling ring. However, a group of terrorists, led by renegade American military officer Col. Stuart (William Sadler), take control of the airport, scuttling radio transmissions and placing their own men in the control tower. Stuart and his men ensure that Esperanza's plane lands safely, and then demand that Stuart and his men be given a fully-fueled 747 and free passage wherever they choose to go. Otherwise, they will guide the many circling jets waiting for landing instructions into definite crash landings, killing the many passengers on board. Not willing to stand aside as terrorists once again threaten his wife's life, the wise-cracking McClane once again leaps into action to foil Stuart's plans and bring the passenger jets safely to the ground. William Atherton, John Amos, Dennis Franz, and John Leguizamo highlight the supporting cast. ~ Mark Deming, Rovi
- Starring:
- Bruce Willis, Bonnie Bedelia, (more)
- 1990
- R
In this horror film, the murderous Ricky returns under the control of a cult of demon-possessed women, who use the killer for their own evil means. ~ Iotis Erlewine, Rovi
- 1989
- R
While investigating a bizarre series of slayings, reporter Clay Dwyer (Mark Thomas Miller) begins to suspect his tenant (Brion James) of being a vampire, and indeed, the man soon turns Dwyer's mother (Jeanne Bates) into one of the undead. Though Clay is able to kill the original blood-sucker, he just can't bring himself to off good old Mom. ~ John Bush, Rovi
- 1979
Having solved many a crime in the past, Quincy finds himself in the uneviable position of being accused of criminal behavior. The family of 21-year-old kidney donor Jack Murphy insist that Quincy declared the man dead prematurely in order to harvest his organs. In his efforts to clear his name, Quincy butts heads with sleazy, ambulance-chasing malpractice attorney Raymond Morrison (Granville Van Dusen), who will go to any lengths to win a multimillion-dollar lawsuit against the entire LA Coroner's Office. ~ Hal Erickson, Rovi
- 1978
In this romantic comedy, a news anchorwoman's prenuptial jitters increase dramatically when another man, a songwriter, falls deeply in love with her and decides that he would do anything to be her husband. ~ Sandra Brennan, Rovi
- Starring:
- Richard Thomas, Bess Armstrong, (more)
Filmed intermittently over the course of a five-year period, David Lynch's radical feature debut stars Jack Nance as Henry Spencer, a man living in an unnamed industrial wasteland. Upon learning that a past romance has resulted in an impending pregnancy, Henry agrees to wed mother-to-be Mary (Charlotte Stewart) and moves her into his tiny, squalid flat. Their baby is born hideously mutated, a strange, reptilian creature whose piercing cries never cease. Mary soon flees in horror and disgust, leaving Henry to fall prey to the seduction of the girl across the hall (Judith Anna Roberts). An intensely visceral nightmare, Eraserhead marches to the beat of its own slow, surreal rhythm: Henry's world is a cancerous dreamscape, a place where sins manifest themselves as bizarre creatures and worlds exist within worlds. Interpreting the film along the lines of Lynch's claims that it's the product of his own fears of fatherhood may make Eraserhead easier to digest on a narrative level, if need be. ~ Jason Ankeny, Rovi
- Starring:
- Jack Nance, Charlotte Stewart, (more)
In this Disney film, Hank Cooper (Ed Asner) the owner of a losing professional football team, recruits Gus, a Yugoslavian soccer player, to his team. Even though Gus is a mule, he figures the animal can be taught to make field-goal kicks. Despite the outrage of his team, and sabotage efforts by Crankcase, Spinner and Gwymm (Tim Conway, Tom Bosley and Harold Gould), Gus the Mule kicks his team all the way to a championship. ~ Clarke Fountain, Rovi
- Starring:
- Ed Asner, Don Knotts, (more)
- 1975
Jim (James Garner) is asked by Angie Perris (Elayne Heilveil) to locate her brother, stockbroker Tom Perris (Eugene Peterson), who disappeared shortly after giving her the combination to his safe. Using that combination, Jim and Angie discover that her far-from-wealthy brother had somehow salted away nearly one million dollars. It so happens that the Feds are looking for Tom as well, and they're not in the mood to cooperate with Jim or provide him any helpful information as to what exactly is going on. The situation becomes even more vexing when Angie is kidnapped and Tom turns up dead. ~ Hal Erickson, Rovi
- 1972
Stone (Karl Malden) and Keller (Michael Douglas) match wits with Amory Gilliam, a wealthy but demented executive who "molds" his women into his own special image of perfection--then murders them if they fail to live up to his standards, or dare to walk out on him. Gilliam's latest girlfirend is Toni Craig (Stefanie Powers), who he has "re-invented" as Kim Ahern. Racing against time, the detectives hope to save Toni/Kim from meeting the same grisly fate as her unfortunate predecessors. (Ironically, Edward Mulhare played a far more benign "Pygmalion" of women as Henry Higgins during the original Broadway run of "My Fair Lady"). ~ Hal Erickson, Rovi
- 1971
In the conclusion of a two-part story, Inspector Erskine (Efrem Zimbalist Jr.) has managed to capture one of the three men involved in a daring $1,800,000 amusement park robbery. Though Erskine knows where to find the other two criminals, Curtis Breer (Bradford Dillman), the criminal genius who masterminded the heist, remains out of reach. But it looks like Breer's luck is running out: this time around, he has double-crossed one partner too many. ~ Hal Erickson, Rovi
- 1970
- PG
- Add Suppose They Gave a War and Nobody Came? to QueueAdd Suppose They Gave a War and Nobody Came? to top of Queue
War Games is the streamlined reissue title for the satirical Suppose They Gave a War and Nobody Came? The story is set in a sleepy Southern town, the site of a tranquil army base. Commanding officer Col. Flanders (Don Ameche), anxious to win the hearts and minds of the locals, invites the populace to an ice-breaking dance. When the festivities degenerate into a fistfight, right-wing militia leader Billy Joe Davis (Tom Ewell) declares war against the Army. The film's romantic subplot is carried by Tony Curtis as a love-'em-and-leave-'em sergeant and Suzanne Pleshette as a smarter-than-she-looks local gal. Suppose They Gave a War and Nobody Came? was reworked as in 1984 as Tank. ~ Hal Erickson, Rovi
- Starring:
- Brian Keith, Tony Curtis, (more)
- 1970
Buffy (Anissa Jones) befriends a deaf Puerto Rican girl named Juanita (Diana Holly), who is forbidden to attend school by her overprotective mother (Margarita Cordova). Hoping to help Juanita and put her mom on the right track, Bill (Brian Keith) seeks the advice of a children's doctor--who is also hearing-impaired. The role of Dr. Robinson is played by Audree Norton, in real life a member of the National Theater of the Deaf. ~ Hal Erickson, Rovi
- 1964
In 1964, as the "Boston Strangler" killings of young nurses in Boston remained unsolved, this film was rushed into release to exploit the horrifying situation. Victor Buono gives a chilling performance as Leo Kroll, a worker in a Boston hospital who has a propensity for strangling young nurses. Like Norman Bates in Psycho, Leo has an extremely unhealthy mother fixation. When Mom (Ellen Corby) suffers a heart attack and Clara (Jeanne Bates), a young and attractive nurse, is assigned to care for her, Leo's hormones start to rage. On one hand Leo is attracted to Clara, but he is also jealous of her, fearing that she has replaced him in his mother's affections. Leo proceeds to go on a killing spree, targeting young and attractive nurses. But Leo's downfall is imminent; he is a collector of kewpie dolls, and mistakenly leaves one behind at the scene of one of his murders. ~ Paul Brenner, Rovi
- Starring:
- Victor Buono, David McLean, (more)
- 1961
Adapted by Rod Serling from a story by Jerome Bixby, "It's a Good Life" stands the test of time as one of the best-ever Twilight Zone episodes -- not to mention one of the series' most frightening efforts. The terrified citizens of Peaksville, Ohio, are held in thrall by a "monster" in the form of angelic-looking youngster Anthony Fremont (Billy Mumy). Possessed with the ability to read minds, coupled with mysterious destructive powers, Anthony bristles whenever he senses that someone is thinking bad thoughts -- and whenever he bristles, something really bad happens (yes, this is the one with the cornfield and the jack-in-the-box). Understandably, this episode has always been a favorite of youngsters, who would give anything to wield Anthony Fremont's awesome powers over their own parents. First telecast November 3, 1961, "It's a Good Life" was later reworked in the 1983 theatrical film Twilight Zone: The Movie -- and a few years after that, it was delightfully lampooned on one of The Simpsons' "Treehouse of Horror" episodes. ~ Hal Erickson, Rovi
- Starring:
- Cloris Leachman, John Larch, (more)
- 1960
This poignant episode catalogues the many strange occurences and paranormal phenomena surrounding the death of President Abraham Lincoln in April of 1865. It is well documented that both Lincoln (here played by Barry Atwarter) and his wife Mary Todd (Jeanne Bates) both had premonitions of his violent death. What is less well known is that, throughout the country, thousands of other people bore witness to ominous signs and portents...a blood-red moon, the sounds of sobbing, eerie visions of a distant shore... ~ Hal Erickson, Rovi
- 1960
Chicago physician Dr. Barnes (Alex Gerry) is baffled when Dominic DiNovio (Mike Kellin), who has never been sick a day in his life, suddenly begins developing strange symptoms--such as an acute attack of claustrophobia and an insatiable thirst. It takes some doing, but Barnes finally determines that Dominic is suffering from the exact same pains which are currently being endured by a man trapped in a desert mine shaft, thousands of miles away. But this bizarre link between Dominic and the mysterious stranger goes far, far beyond their state of health. ~ Hal Erickson, Rovi
