Ged Marlon Movies
- 2007
Noted screenwriter Jean-Louis Milesi branches out into acting and directing with this independent drama. Milesi plays a man in his mid-fifties who has become involved with a woman who has a two-year old son, Lino (Lino Milesi). The man isn't sure who the boy's father is, and given his girlfriend's checkered past, he's not inclined to find out. However, when she dies following an overdose of drugs, the man finds himself looking after the boy, who has started calling him "Papa." In time, the man does some digging and finds a man who seems a good bet to be Lino's biological father, but with no firm proof the family is reluctant to claim the boy, and the man Lino thinks of as his dad becomes an unwilling parent. Lino also stars Aurelie Verillon, Serge Riaboukine and Ged Marlon. ~ Mark Deming, Rovi
- Starring:
- Jean-Louis Milesi, Lino Milesi, (more)
During the Nazi occupation of France during World War II, the nation's movie studios continued to operate; some filmmakers and technicians simply went along with what their new leaders demanded in hopes keeping themselves and their families safe, while others sought to subvert the messages of their captors through their work. Safe Conduct, directed by Bertrand Tavernier, is a fact-based period drama which examines two men working for a Parisian film company during 1942 and 1943, as well as their friends, family, and loved ones. Jean Devaivre (played by Jacques Gamblin) is an assistant director for Continental Pictures, a studio which has recently been taken over by the Germans and is headed by Dr. Greven (Christian Berkel), a self-styled aficionado of French filmmaking. With a wife (Marie Desgranges) and a newborn son to support, Devaivre feels he has little choice but to continue with his work, though as he rises from assisting to becoming a full fledged director thanks to the efforts of Maurice Tourneur (Philippe Morier-Genoud), he struggles to work his own views into his pictures as much as he can. Screenwriter Jean Aurenche (Denis Podalydes), a man who lives for wine, women and song (not necessarily in that order), refuses to work for Greven, and as he bounces between his many lovers - actress Suzanne Raymond (Charlotte Kady), no-nonsense streetwalker Olga (Marie Gillain), and soft-hearted Reine (Maria Pitarresi), a struggles to find a way to make a living with his words. Both Devaivre and Aurenche were real-life figures in the French film industry during the occupation, as were many of Safe Conduct's supporting characters; the real life Aurenche went on to write the screenplay for Bertrand Travernier's first feature film. ~ Mark Deming, Rovi
- Starring:
- Jacques Gamblin, Denis Podalydès, (more)
- 1996
In this film, director/screenwriter Jean Teule adapts his novel Rainbow pour Rimbaud. Arthur Rimbaud (1854-1891) was a leading light in the symbolist movement of French literature, which rejected the use of realism in the depiction of emotions and ideas. In this film, Robert (Robert MacLeod) is an eccentric, oversized young man who puzzles and infuriates his parents by locking himself into a closet for long periods of time; at the same time, he loudly recites poetry by Arthur Rimbaud. Kicked out of the house by his exasperated parents, he decides to make a pilgrimage of the exotic African sites Rimbaud haunted in his final years. He meets and then travels with Isabelle (Laure Marsac), who is attempting to escape from a rejected suitor's unwanted attentions. In addition to that problem, she has another, more curious problem. It seems she is turning into a hawthorn bush. ~ Clarke Fountain, Rovi
- Starring:
- Laure Marsac, Bernadette Lafont, (more)
- 1987
A fading television personality and radio quiz-show host is shielded by his right-hand man from learning his show has been cancelled in this situation comedy. Rivetot (Gerard Jugnot) is the loyal longtime assistant to Mortez (Jean Rochefort) who believes the news of the show's demise will be fatal to his boss. He tries to keep the news from Mortez as long as possible as the show travels from town to town. ~ Dan Pavlides, Rovi
- Starring:
- Jean Rochefort, Gérard Jugnot, (more)
A French music lover befriends a once-great American jazz artist and attempts to save him from self-destruction in this moody drama. Saxophonist Dexter Gordon portrays Dale Turner, a fictional musician inspired by a number of famed jazz figures, including Bud Powell and Lester Young. Largely forgotten in his home country, Turner has moved to Paris in search of a more appreciative audience. He finds it in the form of Francis Borler (Francois Cluzet), a bebop aficionado who befriends the expatriate player. Borler soon becomes familiar with Turner's darker side, including his struggles with alcoholism, drug addiction, and depression. Fearing for the musician's life, the fan becomes his caretaker, an arrangement that leads to a brief improvement in Turner's health and fortunes but places great emotional strain upon them both. Director Bertrand Tavernier pays great attention to the visual and aural details of the jazz world, with outstanding musical supervision provided by Herbie Hancock. 'Round Midnight's greatest asset, however, is Gordon's Academy Award-nominated performance, informed by his own life experiences. His naturally fascinating presence combines with the film's obvious love of the music and its milieu to provide what many have hailed as one of the more authentic and affectionate presentations of the jazz world on the silver screen. ~ Judd Blaise, Rovi
- Starring:
- Dexter Gordon, François Cluzet, (more)
- 1985
Inspired by Fyodor Dostoyevsky's The Idiot and intended as "a homage to the great writer," this film is set in modern France rather than 19th century Russia. This is a story of Léon (Francis Huster), who has been recently released from a mental asylum and claims to be a descendant of a Hungarian prince. On his way from Hungary to France, he meets Mickey (Tchéky Karyo), a hood who has committed a successful bank robbery and plans to take brutal revenge on the brothers Venin for what they did to his girlfriend Mary (Sophie Marceau). Léon can hardly understand what Mickey is up to but he follows him everywhere and soon falls in love with Mary. This odd love triangle resolves in a tragic ending. The frantic pace of the film's action can be compared to that of a runaway, hell-bound train. The colors and sounds go out of control, and violence abounds -- all of which is intended to convey to a viewer the craziness of the time. ~ Yuri German, Rovi
- Starring:
- Sophie Marceau, Francis Huster, (more)
- 1985
In a somewhat deflated story of robbery and deception set against the rooftops and byways of Paris, a group of enterprising petty thieves take advantage of the dog days of August to burglarize vacated apartments. At this time of year, all Parisiens are on vacation elsewhere, and the city is invaded by tourists on vacation from their own cities. In this mass rearrangement of the European population, the thieves get away with their looting until they run into an architect who catches them in the act. But his morals are nothing to brag about, as he gets more involved in what they are doing and wants some of their take. He is also smitten with one of the down-and-out women the thieves have been supporting (Dominque Laffin). As in so many French dramas, these conflicting relationships are doomed to be resolved only by tragedy. ~ Eleanor Mannikka, Rovi
- Starring:
- Dominique Laffin, France Camus, (more)
- 1984
Some young international terrorists are holed up in the apartment Loulou Dupin (Coluche) inherited from his recently deceased grandmother, a premise that quickly leads to unlikely entanglements in this low-brow political farce. When Loulou opens the closets and finds dynamite, nitroglycerine, and various weapons, he begins to get suspicious about the intentions of the young men and women who have commandeered the apartment. In fact, they are planning to smuggle their leader out of prison and then head to Mexico to plant a bomb at a meeting of world leaders in Cancún. The imprisoned gang leader assigns the most seductive terrorist (Maruschka Detmers) the task of eliminating Loulou -- which she finds increasingly difficult and finally, impossible to do. After the leader is freed from prison, the gang takes off for Mexico and Loulou, furious, follows in hot pursuit. Their destination is the Mayan ruins, and Loulou is the only one who can stop their dastardly plot -- though he cannot do much for this plot which is rarely paired with funny lines or inspired comedy. ~ Eleanor Mannikka, Rovi
- Starring:
- Maruschka Detmers, Coluche, (more)
Yet another incarnation of Mary Shelley's 1818 Frankenstein, this uneven spoof by Alain Jessua casts Victor Frankenstein as a cybernetics wizard who constructs his monster with a notable lack of aesthetic sense but invests him with great microprocessors, and the newly-minted ogre finds life rather lonely until he sees Frankenstein's lover and is smitten. In the meantime, the warped doctor has also created a lithesome female out of the sundry body parts of slain go-go dancers who went-went, and he falls in love with his creation. The original odd couples then flounder a little as director Jessua loses his grip on the story, and the cybernetic protagonist heads for Frankenstein's castle. ~ Eleanor Mannikka, Rovi
- Starring:
- Jean Rochefort, Eddy Mitchell, (more)
- 1984
Through a series of convoluted turns, like a tornado going through Kansas, director Claude Lelouch has managed to keep a vacuum at the center of his film. A corporate executive (Michel Piccoli and a young actress (Evelyne Bouix) suddenly disappear and reappear and disappear, almost as fast as blinking Christmas tree lights. Since neither can remember what is going on, it is likely that they are suffering from the classic "I was kidnapped by an extraterrestrial" syndrome. And in fact, that may be the case because it seems that some ETs wanted to speak through these two people to tell earthlings to quit gearing up their nuclear arsenals. Jean-Louis Trintignant plays an acting teacher and Charles Aznavour plays a restaurant owner in this complex story -- yet both stars cannot carry the film on their own merits. For many viewers the labyrinth that wends its way to the final credits is a bit difficult to follow, and at the center of the labyrinth is a woefully inadequate ending. ~ Eleanor Mannikka, Rovi
- Starring:
- Charlotte Rampling, Michel Piccoli, (more)
