Corinne Marchand Movies

Claude Lelouch's Bandits combines a murder story with a skewered view of "family values." Jewel thief Jean Yanne ships his daughter Marie-Sophie Lelouch off to a Swiss boarding school. His motives are not altogether paternal: Yanne intends to avenge the murder of his wife, and doesn't want his daughter around to complicate his plans. In Switzerland, Lelouch falls in love with a young criminal, and the cycle that has entrapped her father starts all over again. Nothing is what it seems and nothing that happens is what we expect in Bandits. ~ Hal Erickson, Rovi

Like other young men in his soccer-obsessed town, a belligerent and rebellious factory worker Francois Perrin plays on a local team. His obnoxious tendencies endear him to no one. Trouble brews when a woman cries rape and the team's star player becomes the chief suspect. To protect the valued kicker, the team owners decide to frame the boorish Francois for the crime. As a result, he loses his job, gets booted from the team and tossed into jail. Shortly thereafter, the team is en route to a key match and their bus gets into an accident (in one of the story's comical highlights) that disables half the team. Now desperate for players, the owners arrange to get Francois temporarily released. The rest of this lively French farce follows Francois as he gets sweet revenge upon all those who wronged and rejected him. The screenplay was penned by distinguished writer/director Francis Veber, who is best known for writing La Cage aux Folles. ~ Sandra Brennan, Rovi

This French film updates a classic tale by Voltaire and uses it as an allegory in which divisions of race and class are explored. In the film, Ingenu (Renaud Verly) is a native of India, working in another country. His charms beguile the youngest daughter of an upper-class family, and she falls in love with him and wants to marry him. This upsets the family for several reasons: he is not wealthy, he is dark-skinned, and he is not of their class. Indeed, before he came along, the daughter was slated to marry a wealthy business tycoon who, even though he was not of the "right" class, at least had money and the right skin color. ~ Clarke Fountain, Rovi

In the lively comedy/adventure Travels with My Aunt, adapted from Graham Green's book, Henry (Alec McCowan), a timid, bookish accountant whose life seems to have died stillborn, discovers how to live with gusto thanks to the rough ministrations of his thoroughly eccentric aunt Augusta (Maggie Smith). Aunt Augusta bursts into Henry's life during the funeral for his mother, Augusta's sister. She whisks him to her apartment for a general cheering up, and he is thoroughly bemused by her bohemian ways and her much-younger black Caribbean boyfriend. In the next few hours, she manages to pry him from his dusty life and involve him in a series of incredible adventures involving old love affairs, espionage, kidnappings, and more money than he has ever dreamt of. Before the story ends, Henry has properly gotten into the spirit of his madcap aunt's adventuring. ~ Clarke Fountain, Rovi

Adapted from a novel by acclaimed mystery writer Sébastien Japrisot, this French/Italian nailbiter stars Marlène Jobert as Mélancolie "Mellie" Mau, a young woman stalked by on a rainy afternoon by a mysterious stranger. The man eventually breaks in on Mellie while her husband is gone and rapes her. She grabs a shotgun and kills her assailant, dumping the body into the ocean. When the body is recovered, American military officer Dobbs (Charles Bronson) accuses Mellie of the murder -- and of stealing the U.S. Army money that the rapist had been carrying with him -- and that's only the beginning. The plot piles one twist upon another, deliriously confounding the audience at every turn. ~ Hal Erickson, Rovi

Gina Lollobrigida plays a woman who attempts suicide when her affair with the successful businessman Laurent Louis Jourdan fails to satisfy. He has rushed to save his daughter from a philandering lothario much like himself, but Gina is heartbroken when Laurent does not call and give her the attention she feels she deserves. She is helped by her talkative neighbor who is the paramour to the dull doctor who lives next door. Gina soon decides that these so-called "ladies men" she usually falls for are not right for her. ~ Dan Pavlides, Rovi

This Italian/French/Spanish sagebrusher stars Giuliano Gemma as the Arizona Colt, a notorious bandit. Imprisoned in a desert town, the Colt is sprung by gang leader Gordon Watch (Fernando Sancho). Instead of galloping off into the sunset, Our Hero elects to stay in town to defend its citizens from the film's real bad guys: Watch's gang. Had Clint Eastwood and Sergio Leone had anything to do with it, Arizona Colt would probably be hailed as a classic; as it stands, it's just another spaghetti western. The film was also released as Man From Nowhere. ~ Hal Erickson, Rovi

The seven major sins receive treatment from some of France's greatest directors in this lively portmanteau. "Anger" by Dhomme, chronicles a single horrific day when every bowl of soup in France is found to contain a fly. This causes a devastating nationwide revolt. "Envy" by Molinaro tells the story of a chambermaid whose dream of sleeping with a millionaire comes true. Unfortunately, she goes back to work and finds herself still consumed with jealousy. De Broca's "Gluttony" provides one of the film's most enjoyable episodes as it follows the exploits of a voracious family heading off for a funeral. "Lust" by Demy is set at a Parisian sidewalk cafe and eavesdrops upon the lusty conversation between two young men, one of whom has x-ray eyes that enable him to see through women's clothing. "Laziness" by Godard features real life matinee idol Constantine as a movie star who finds himself too sluggish to respond to the starlet trying so hard to seduce him. "Pride" by Roger Vadim tells the satirical tale of a philandering wife who changes her mind and stays with her husband after learning that her happy home is being threatened by another woman. Finally in Chabrol's "Greed," young men who have pooled their meager resources to buy a prostitute, fight for the chance to be with her. ~ Sandra Brennan, Rovi

Jacques Demy's auspicious debut -- "a musical without music" set in the port city of Nantes -- stars Anouk Aimée as the title character, a cabaret singer awaiting the return of Michel (Jacques Hardin), her long-absent lover and the father of her child. Michel went to America seven years ago and promised to return when he became rich. In Michel's absence, Lola is being courted by her childhood friend Roland (Marc Michel) and American sailor Frankie (Allan Scott). At some point, it seems that Lola will settle down with one of them, but her heart still belongs to Michel. The film is dedicated to Max Ophüls and the film title obviously alludes to Ophüls' Lola Montes as well as to the heroine of Josef Von Sternberg's The Blue Angel. Marc Michel makes a reference to his unrequited love towards Lola when he reappears in Demy's The Umbrellas of Cherbourg (1964). ~ Yuri German, Rovi