Robert Manuel Movies

With Life is a Bed of Roses, filmmaker Alain Resnais wanted to create a lighthearted tribute to three important French directors, each of whom defined a particular era in his country's cinema Melies (the first French filmmaker to use narrative--his most famous film is A Trip to the Moon), the impressionist L'Herbier (most famous for his inspirational avant garde work during the '20s) and Rohmer (most famed for his sextet of "Moral Tales" during the '60s). To present his chronicle of the human quest for a utopia of personal happiness and fulfillment, Resnais created two distinct narratives representing the past and present, and then interspliced them with a third more fantastical tale to provide contrast. Representing the past, the first tale centers on a monied eccentric who creates a "temple of happiness' in his chateau. There, guests are given a special potion, laid inside enormous cribs and surrounded by pleasant sensations to help them return to the blissful state of infancy. The second story takes place in the same chateau where a symposium on the techniques and philosophies of the eccentric are hotly debated and elaborated upon. Weaving its way between the two tales is the third, which represents the medieval fantasies of children in a forest who imagine the struggle between a wicked king and a brave good-hearted warrior. ~ Sandra Brennan, Rovi

This is Mel Brooks' spoof of over ten Alfred Hitchcock classics, including Psycho, Vertigo, and The Birds (Brooks actually used the bird trainer from that classic suspense movie in making his film). Brooks plays Dr. Richard H. Thorndyke, a renowned Harvard psychiatrist with a concealed fear of heights, or High Anxiety. Thorndyke takes over as the newest director of the PsychoNeurotic Institute for the Very, Very Nervous after the last director dies under suspicious circumstances. He soon finds himself to be in the company of some very strange colleagues, including longtime Brooks collaborators Cloris Leachman and Harvey Korman, with Madeline Kahn as Victoria Brisbane, the eccentric daughter of a patient at the institute and Thorndyke's love interest. Korman takes on the role of Dr. Charles Montague, a psychiatrist with a closeted habit of his own. Leachman plays Charlotte Diesel, a charge nurse with a dark sneer and tendency towards domination. As Thorndyke heads to a psychiatry conference, he is faced with saving the Institute, his reputation, and his own sanity. Although the film was not well-received by critics, it picked up a 1978 Golden Globe nomination for best picture (musical or comedy) and landed Brooks a nomination for best actor. The movie has a number of cameos, from a young Barry Levinson's spot as an unstable bellboy to a small part by Hitchcock's right-hand special effects man, Albert J. Whitlock, who plays Kahn's father. ~ Rachel Koetje, Rovi

In this French comedy, a desperate gambler has one week to repay a large debt; and therefore, enlists the aide of a bungling thief to help him rob a large Paris department store. They choose to pull the heist on Christmas Eve. With the help of another, the gambler poses as Santa Claus. They fill a sack with stolen money, but unfortunately, the bag is taken by another who plans to abscond to Chile. After a bumbling chase, the gambler reclaims his loot. Unfortunately, it has been accidently covered with glue and must be washed and dried. In the end, the gambler is captured. ~ Sandra Brennan, Rovi

Alain Delon stars as twin brothers in Christian-Jaque's film based on a novel from Alexandre Dumas. Set in 18th century France during rumblings of revolution, Guillaume De Saint-Preux is the legendary Black Tulip, battling for the people against the monarchy. In reality, he is not much more than a self-serving thief who steals from the rich in the name of the people, but keeps it for himself rather than giving to those in need. After his face is scarred to mark him as a bandit, he enlists the aid of his identical twin, Julien, to carry on his work. Unfortunately for him, Julien is a revolutionary at heart and the ensuing events are nowhere close to Guillaume's expectations. ~ Kristie Hassen, Rovi

Wily police officials set a trap for corrupt Central American politician Maurice Leprince (Jean Servais) in this rare thriller from director Jesus Franco. Leprince's gang murders all those who stand in their way, including a bartending informant (Manuel Gas), but they are soon murdered as well. Fernando Fernan Gomez stars as the prime suspect, Lt. Miguel Mora, who had been the informant's police contact. With the aid of dedicated Inspector Stevens (Antonio Prieto), Leprince is brought to justice in the end. American director Orson Welles was so impressed with this dark, stylish film that he hired Franco to be his assistant on the 1965 Falstaff variant Chimes at Midnight. ~ Robert Firsching, Rovi

Hampered by over-orchestrated music, smeary color photography and (in the English version at least) poor dubbing, this 1963 French/German adaptation of the Kurt Weill-Bertolt Brecht piece The Three Penny Opera nonetheless has its attractions. Not least of these is the central performance of Curt Jurgens as robber captain MacHeath, whose romance with Polly Peachum (June Ritchie), daughter of beggar king J. J. Peachum (Gert Frobe), puts his life in jeopardy. Hildegarde Neff has an effective cameo as whore-ish Pirate Jenny. For the film's American release, distributor Joseph E. Levine hired Sammy Davis Jr. to play the Ballad Singer, who narrates the story, introduces the scenes, and sings the opera's most famous song "Moritat (The Ballad of Mack the Knife)." Unlike the music in the rest of the film, Davis' rendition of "Mack the Knife" is rearranged in Bobby Darin "pop" fashion. ~ Hal Erickson, Rovi

A police inspector on the trail of the murderer of a nightclub owner falls for the dead man's drug-addicted mistress. He tries to get her to talk, but the commissioner suspects her and wants the case solved, so he orders her arrested. She disappears, and the inspector is led to the home of the real killer. ~ Steve Huey, Rovi

This French social comedy makes fun of the upper crust. It is based on a Moliere play and is the first appearance of the entire Comedie Francaise troupe. Usually, the troupe only allowed one member at a time to appear in a film. ~ Sandra Brennan, Rovi

Jules Dassin -- in his second European film after being driven out of the United States during the years of the house Un-American Activities Committee hearings -- directed this landmark caper film about the planning and execution of a nighttime robbery at a swanky English jewelry shop in the Rue de Rivoli. The story concerns a collection of thieves who band together to commit a seemingly impossible robbery. The gang consists of a tough, straight-talker named Tony Stephanois (Jean Servais); a young man under Tony's tutelage named Jo (Carl Mohner; a happy-go-lucky Italian by the name of Mario Farrati (Robert Manuel); and a safecracker named Cesar (the director Jules Dassin under the pseudonym of Perlo Vita) who likes to jiggle the combinations of women in his off hours. The set piece of the film is an intricate 28-minute sequence that depicts the robbery in detail -- all filmed silently without dialogue or music. After the success of the robbery, the gang barely has time to celebrate when a rival gangster, Pierre Gruuter (Marcel Lupovici), decides that he wants a cut of the take. When Tony's gang refuses to cooperate, Pierre kidnaps Jo's son, and the gang has to get tough with their nemesis. ~ Paul Brenner, Rovi