Sune Mangs Movies

1988  
 
I Skugga Hrafnsins--released in English-speaking countries as Shadow of the Raven--is essentially Tristan and Isolde, Icelandic style. During the late 11th century, Iceland is gradually being converted to Christianity, but old ways die hard. Tratusi (Reine Brynolfsson), a young Norseman, returns home to discover that his family is embroiled in a deadly feud...over the beached carcass of a whale. When the rival clan leader is killed, he is replaced by his daughter Isold (Tinna Gunnlaugsdottir) To assure that peace will reign in the region, Isold is promised in marriage to the son of the Bishop of Iceland (Sune Mangs)--who, despite his position as official spokesperson of Christian values, is corrupt and power-hungry. Isold would be willing to swallow her indignation and concede to this marriage of diplomacy, but she has fallen in love with her "enemy" Tratusi. Her plan to follow her heart while seeming to follow her duty inevitably ends in tragedy. Slow going for non-Scandanavian audiences, I Skugga Hrafnsina picks up tremendously in its violent final third. ~ Hal Erickson, All Movie Guide

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Starring:
Reine Brynolfsson
1982  
R  
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Though he made allusions to his own life in all of his films, Fanny and Alexander was the first overtly autobiographical film by Ingmar Bergman. Taking his time throughout (188 minutes to be exact), Bergman recreates several episodes from his youth, using as conduits the fictional Ekdahl family. Alexander, the director's alter ego, is first seen at age 10 at a joyous and informal Christmas gathering of relatives and servants. Fanny is Alexander's sister; both suffer an emotional shakedown when their recently-widowed mother (Ewa Froling) marries a cold and distant minister. Stripped of their creature comforts and relaxed family atmosphere, Fanny and Alexander suddenly find their childhood unendurable. The kids' grandmother (Gunn Wallgren) "kidnaps" Fanny and Alexander for the purpose of showering them with the first kindness and affection that they've had since their father's death. This "purge" of the darker elements of Fanny and Alexander's existence is accomplished at the unintentional (but applaudable) cost of the hated stepfather's life. Ingmar Bergman insisted that Fanny and Alexander, originally a multipart television series pared down to feature-film length, represented his final theatrical film, though within a year after its release he was busy with several additional Swedish TV projects, and his final work, the 2003 Saraband (also produced for Swedish television), eventually received global theatrical distribution. Oscars went to Fanny and Alexander for Best Foreign Film, Best Cinematography (Sven Nykvist), Best Costume Design and Best Art Direction/Set Decoration. ~ Hal Erickson, All Movie Guide

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Starring:
Pernilla AllwinBertil Guve, (more)
1978  
 
Rarely does a film do homage to a serious artist through the medium of a madcap farce, as this one does; however, Picasso was known for an irreverent and ribald sense of humor which is quite in line with this Swedish film, Picassos Aeventyr. In a skit recounting his birth, a woman's heavy breathing is demonstrated to have nothing to do with childbirth. Another skit features an appearance by Alice B. Toklas and Gertrude Stein, played by two very masculine men in dowdy drag. In one particularly irreverent scene, Dr. Albert Schweitzer operates on Picasso. Picasso (Goesta Ekman) himself escapes the excessive commercialization of his works through a kind of suicidal self-transcendance. Told in a stripped-down mixture of French, Spanish and English, most will have no difficulty understanding the film's humor. Picassos Aeventyr is done in a style which has been compared that of Mel Brooks; as with Brooks' works, and some might not appreciate its broad humor. ~ Clarke Fountain, All Movie Guide

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Starring:
Gösta Ekman, Jr.Hans Alfredson, (more)
1970  
PG  
A young man learns the identity of his father's mistress after finding a teddy bear in the car after his father's fatal auto accident. He threatens to tell his mother about the affair unless the mistress pretends to be his fiancee. They end up falling in love, but she leaves soon after finding out that she is pregnant by the young man's father. ~ Steve Huey, All Movie Guide

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1961  
 
In this romantic comedy, a young heir sets off to prove he can make a fortune on his own by working from the ground up at a bank. To assist his rise, he woos the daughter of a wealthy client. At first it's only business, but in time he comes to love her. When he eavesdrop on a conversation in the bank and overhears some hot market tips, his good fortune is assured. ~ Sandra Brennan, All Movie Guide

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Starring:
Jarl KulleChristina Schollin, (more)
1958  
 
Jazzgossen (The Jazz Boy) is the filmed biography of famed Swedish showbiz entrepreneur Teddy Anker. During the Roaring '20s, socialite Anker (played by Hasse Ekman, who also directed), diverts his family millions into managing a nightclub, promoting prizefights, inaugurating a movie company, and various and sundry other forms of entertainment-industry largesse. Losing his fortune in the financial crash of the early 1930s, Anker picks himself up, dusts himself off, and starts all over again. The story ends during WWII when, despite Sweden's neutrality, Anker vows to do his bit for the war effort. Several of Teddy Anker's contemporaries play themselves, including musican Karl Gerhard, who originally popularized the title song. ~ Hal Erickson, All Movie Guide

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Starring:
Maj-Britt NilssonElof Ahrle, (more)

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