Albert Basserman Movies

Based on a play and novel by Margaret Kennedy, Escape Me Never is a remake of the same-named 1935 British film. Largely set in Italy, the story concerns the relationship between poverty-stricken musician Sebastian Dunbrok (Errol Flynn) and unwed mother Gemma Smith (Ida Lupino). Suspecting that her fiancé, Caryl (Gig Young), Sebastian's brother, is the father of Gemma's child, young heiress Fennella McLean (Eleanor Parker) retreats to the Italian Alps. Attempting to straighten out the situation, Sebastian finds himself falling in love with Fennella. For his brother's sake, Sebastian breaks off the relationship and marries Gemma, but while awaiting the birth of her child, he writes a heartfelt ballet score dedicated to Fennella. However, when Gemma's baby dies, the conscience-stricken Sebastian changes the dedication to his wife, whom he has learned to genuinely love. The main redeeming feature of this treacly soap opera is the stirring musical score by Erich Wolfgang Korngold. ~ Hal Erickson, All Movie Guide

The troublesome years "between the wars" provide the backdrop for the romantic drama The Searching Wind. Adapted by Lillian Hellman from her own stage play, the film stars Robert Young as Alex Hazen, an idealistic but incredibly naïve US ambassador who fails to heed the warning signals when Mussolini and then Hitler ascend to power in Europe. Feeding into Hazen's ingenuousness is his beautiful but shallow wife Emily (Ann Richards), who is far more preoccupied with tuxedos and dinner gowns than with brown shirts and Nazi armbands. Only journalist Cassie Bowman (Sylvia Sidney), a character obviously based on playwright Hellman, can foresee the impending horror-even when her judgment is occasionally clouded by her undying love for Hazen. Benefiting from the mistakes of his elders is the Hazens' son Sam (Douglas Dick), who represents the "Never Again" viewpoint of the post-WW2 years. The Searching Wind was the sort of politically supercharged fare that earned Hellman condemnation as a "premature anti-fascist" during the infamous Hollywood Blacklist. ~ Hal Erickson, All Movie Guide

There's slightly more fancy than fact in this lavish film biography of legendary American composer George Gershwin, but oh! That music! Director Irving Rapper had wanted Tyrone Power to play Gershwin, but Power was still serving in the Marines, so Rapper had to settle for Robert Alda--who isn't bad at all, just a trifle over-enthusiastic. The film traces Gershwin's rise from a "song plugger" for a Manhattan music publishing company to the heights of international fame and fortune. Gershwin's first big hit is "Swanee," introduced on Broadway by Al Jolson (who plays himself, making his first film appearance in six years). In collaboration with his lyricist brother Ira (well played by Herbert Rudley), George pens hit after hit in show after show. Impresario Charles Coburn is happy with this, but George's kindly old music teacher Albert Basserman wants his prize pupil to aspire to something more artistic. Gershwin responds with "Rhapsody in Blue", which debuts at Aeolian Hall in 1924 under the baton of bandleader Paul Whiteman (also playing himself). As his fame and workload grows, George finds he has no time at all for romance; the two (fictional) ladies in his life, both of whom eventually realize that they'll always have to play second fiddle to Gershwin's muse, are musical comedy star Joan Leslie and socialite Alexis Smith. Gershwin continues to compose such masterpieces as "An American in Paris", "Cuban Overture", "Concerto in F" and the 1935 folk opera Porgy and Bess. He will not allow himself to rest on his laurels, ruthlessly pushing himself to top all his previous accomplishments. Finally, the strain proves too great: George Gershwin dies of a cerebral hemorrhage in 1937, at the age of 39. Featured in the cast as themselves (in addition to those already mentioned) are Gershwin's lifelong friend Oscar Levant, producer George White, and Broadway performers Tom Patricola and Hazel Scott. Morris Carnovsky and Rosemary DeCamp play George's parents, while Julie Bishop is cast as Ira's wife Lee, who is saddled with the film's silliest line: "Ira, promise me that you'll never become a genius." Alternately hokey and inspired, Rhapsody in Blue has weathered the years as one of Hollywood's most solid biopics. And, as a bonus, we are treated to a virtually complete performance (running a full reel) of the title composition. ~ Hal Erickson, All Movie Guide

Greer Garson and Walter Pidgeon team for the third time in this fact-based biography directed by Mervyn Leroy, based on Eve Curie's book about her mother. In early 1900s Paris, poor Polish student Marie (Greer Garson) gets a chance to study magnetism with kindly professor Jean Perot (Albert Basserman). Perot also arranges for the shy scientist Pierre Curie (Walter Pidgeon) to share the lab with Marie. As they work together, Pierre and Marie fall in love. Pierre eventually musters up the courage to ask her to marry him, and she accepts. After their honeymoon, Marie becomes obsessed with a piece of pitchblende that has been displaying some peculiar properties. After five years of work, Marie discovers radium. But as the years go on, Marie and Pierre struggle to raise money to continue their research, hoping to one day be able to isolate radium from the pitchblende. ~ Paul Brenner, All Movie Guide

Better known as Reunion in France, this women's-magazine-style romantic melodrama was the first major production for director Jules Dassin -- who was promptly demoted back to the MGM "B" department when the picture tanked at the box office. Joan Crawford stars as Frenchwoman Michele de la Becque, who comes to believe that her fiancé, wealthy munitions manufacturer Robert Cortot (Philip Dorn) is a Nazi collaborator. When her suspicions are apparently corroborated, Michelle falls in love with Pat Talbot (John Wayne), a downed American aviator stranded in occupied Paris. Only then does Michelle discover that she's been all wrong about Cortot -- but what to do about Talbot, who has been marked for death by the Gestapo? Ava Gardner has a tiny role as a Parisian shopgirl. ~ Hal Erickson, All Movie Guide

The surrealistic opening sequence, featuring a WW2 calendar as written "by A. Hitler", should be indication enough that Once Upon a Honeymoon is no ordinary lighthearted romantic trifle. Ginger Rogers plays Katie, an American chorus girl who seeks to better herself by marrying titled European Baron von Luber (Walter Slezak), despite the warnings of reporter Pat (Cary Grant). Katie thinks Pat is just jealous, but both he and the audience are aware that Von Luber is secretly a high-ranking Nazi, whose "unofficial" visits to Czechoslovakia, Poland and France precipitate the German invasions of those countries. When Katie wises up, she agrees to help counterespionage agent LeBlanc (Albert Dekker) in his efforts to stop Von Luber before he can reach New York-and along the way, she falls in love with the ubiquitous Pat. The bizarre ending, in which one of the main characters is casually murdered, is played for laughs, as if WW2 is merely fodder for a screwball comedy. In the film's most unsettling scene, Katie and Pat, mistaken for Jews, are briefly interred in a Polish concentration camp; their outrage over this treatment seems to be founded not on Germany's crimes against humanity, but over the fact that the Gestapo would have the audacity to incarcerate two non-Jewish Americans! A curious and often tasteless misfire from producer-director Leo McCarey, One Upon a Honeymoon is an undeniably fascinating historical artifact. ~ Hal Erickson, All Movie Guide

Universal's "Invisible Man" series does its bit for the war effort in this slyly tongue-in-cheek action melodrama. Jon Hall stars as Frank Raymond, grandson of the man who invented the invisibility formula several pictures back. When Nazi agents try to coerce the secret formula out of Raymond, he eludes them by becoming transparent himself. Shortly afterward, the US government parachutes Raymond behind enemy lines, reasoning that an invisible counterespionage agent would be an invaluable tool in defeating the Axis. He is aided and abetted by the beautiful Maria Sorenson (Ilona Massey), who may or may not be in league with villains Helser (J. Edward Bromberg in a scene-stealing turn), Stauffer (Cedric Hardwicke) and Japanese spy Ikito (Peter Lorre). As was always the case in Universal's mid-1940s fantasies, David Horsley's special effects work in Invisible Agent is absolutely first-rate, with some truly eye-popping moments. Incidentally, this is the film in which an elderly victim of Nazi persecution moans "I can't sign? I can't sign? You have broken my fingers!" ~ Hal Erickson, All Movie Guide

Also released as The Great Awakening, New Wine purports to recreate an incident in the life of Austrian composer Franz Schubert. Though the real-life Schubert was chubby and homely, he is played on screen by the slim-and-handsome Alan Curtis. Unable to convince the world of his talent, Schubert is on the verge of starvation when he is rescued by a gorgeous patron: Countess Anna, portrayed by Curtis' then-wife Ilona Massey. In the film's most memorable scene, Ludwig Van Beethoven (Albert Basserman) advises Schubert to finish that Unfinished Symphony. It's that kind of picture. At least New Wine is full of glorious music, written by Schubert and his contemporaries and only slightly Hollywoodized in the arrangements. ~ Hal Erickson, All Movie Guide

Knute Rockne-All American was Pat O'Brien's finest hour: thanks to intensive rehearsals and numerous makeup applications, he so closely resembled the title character that, in the words of Rockne's widow, "I almost expected him to make love with me". The life of the legendary Notre Dame football coach is recounted from his childhood, when young Rockne (played by Johnny Sheffield) startles his Norwegian-immigrant parents by announcing at the dinner table that he's just been introduced to "the most wonderful game of the world." As an adult, Rockne works his way through Indiana's Notre Dame university, under the watchful and benevolent eye of Father Callahan (Donald Crisp) A brilliant student, Rockne is urged by Father Nieuwland (Albert Basserman) to become a chemist, or at the very least remain a chemistry teacher. Newly married to Bonnie Skilles (Gale Page), Rockne at first sticks to academics, but the call of the gridiron is too loud for him to ignore, and before long he has built his reputation as the winningest college football coach in America. One of his most significant contributions to the game is the invention of the tactical shift, inspired by the precision choreography of a team of nightclub dancers! Among the players nurtured by Rockne are the immortal Four Horsemen-Miller (William Marshall), Stuhlreder (Harry Lukats), Laydon (Kane Richmond) and Crowley (William Byrne), and of course the tragic George Gipp, superbly enacted by Ronald Reagan. His career continues unabated until his death in a plane crash in 1931. The screenplay of Knute Rockne-All American tends to be all highlights and little story, with several of the more dramatic passages telegraphed well in advance (just before her husband's death, Bonnie Rockne comments forebodingly "It's gotten cold all of a sudden"). Still, the film remains one of the best and most inspirational sports biographies ever made, with a heart-wrenching conclusion guaranteed to moisten the eyes of even the most jaundiced viewer. Ironically, the film's most famous scene, George Gipp's deathbed admonition to "Win one for the Gipper", was for many years excised from all TV prints due to a legal entanglement stemming from an earlier radio dramatization of Rockne's life; fortunately, this and several related scenes were restored to the film in the early 1990s. ~ Hal Erickson, All Movie Guide

As part of his new contract with Warner Bros., Edward G. Robinson agreed to appear in the gangster comedy Brother Orchid on the condition that the studio permit him to play the leading role in the lavish biopic A Dispatch from Reuters. Robinson is cast as Baron Paul Julius Reiter, who in 1833 inaugurates a "pigeon post" messenger service which is soon rendered obsolete by the invention of the telegraph. Eventually adapting to the new communications process, Reuters is able to extends his links to the major capitals of Europe, achieving success by scooping his competition with a transcription of a speech by Louis Napoleon. By 1858, Reuters has expanded his operation to the English-speaking countries, seriously over-extending himself financially. Ultimately, Reuters is rescued from bankruptcy in 1865 when he broadcasts on a worldwide basis the news of President Lincoln's assassination-even before the American ambassador in England has been informed of the tragedy. Throughout the highs and lows of his career, Reuters is encouraged by his loyal and loving wife Ida (Edna Best), who continually reminds him that he is a communicator and not a grandstander. Though not as entertaining and satisfying as Robinson's previous biographical film Dr. Ehrlich's Magic Bullet, A Dispatch from Reuters' benefits immeasurably from the almost terrifying expertise of the Warners production staff and its stellar supporting cast (Eddie Albert, Gene Lockhart, Nigel Bruce, Otto Kruger et. al.) ~ Hal Erickson, All Movie Guide

In this German drama, a French military officer finds himself discriminated against during a trial because he is Jewish. ~ Sandra Brennan, All Movie Guide