Valérie Mairesse Movies

A beleaguered housewife watches her dreams come true when her obnoxious husband dies, in actress-turned-director Isabelle Mergault's romantic comedy The Merry Widow (AKA Enfin veuve). For years, Anne-Marie Gratigny (Michele Laroque) has buckled beneath the weight of her condescending husband, Gilbert's (Wladimir Yordanoff) constant oppressiveness. An unrelenting boor, he belittles her, chides her, and torments her - until the day that he perishes in an automobile accident. Anne-Marie, of course, is thrilled by this turn of events. Among other things, it will give her the freedom to abscond with her extramarital lover, Leo (Jacques Gamblin), a builder of boats who is preparing to head off to China on business and to take Anne-Marie along. Unfortunately for Anne-Marie, these plans are dashed when her unwittingly intrusive family moves in to "console" her and upsets her relationship with Leo. More problematically, Anne-Marie finds that she can never quite bring herself to the point of confessing her true feelings about any of the tumultuous events that have happened. ~ Nathan Southern, Rovi

Un Couple Épatant (An Amazing Couple) is the second installment in the ambitious French-language trilogy directed by Belgian-born filmmaker Lucas Belvaux. Where the first film, Cavale (On the Run), was a film noir thriller, this sequel is a lighthearted romantic comedy in the style of a classic French farce. Schoolteacher Cecile Costes (Ornella Muti) is worried about her husband, Alain (François Morel). He's overly concerned with his physical health and well-being, so much so that he keeps his hospital appointments a secret from his wife. Thinking he's been having an affair, Cecile hires Pascal Manise (Gilbert Melki) to spy on him. Alain then starts to suspect Cecile of being unfaithful, even though he knows Pascal is married to her friend Agnes (Dominique Blanc). An Amazing Couple was following by the third installment in the trilogy, the melodrama Après la Vie (After Life). ~ Andrea LeVasseur, Rovi

When a man kills his wife -- who happened to be the most hated woman in the village -- no one is sure if he should be punished or congratulated in this darkly farcical comedy. Jojo (Jacques Villeret) runs a small farm in rural France, and asks for little from life; all he wants to do is finish his chores, tend his goats, and work on his stamp collection. But Jojo's wife Lulu (Josiane Balasko) will not hear of it; often drunk and chronically ill-tempered, Lulu goes out of her way to make Jojo miserable, and she's earned the frightened enmity of nearly everyone in town. After Lulu destroys both his stamp collection and his milk pails in a fit of pique, Jojo visits a lawyer, Jacquard (Andre Dussollier), and posing as a wife-killer, asks how he would defend him in court. With Jacquard's strategy fresh in mind, Jojo contemplates doing away with Lulu when he finds out that she's already made plans to finish him off with poisoned wine. A sudden fight with a bread knife finds Lulu dead and Jojo on trial for murder. Jacquard finds himself putting his earlier theories to work when he's hired to defend Jojo, but to his surprise, many of Jojo and Lulu's neighbors arrive to lend a degree of support. While practically no one will say that Jojo is innocent of the crime, everyone agrees that the community is better off without Lulu -- and are willing to say so in court. Un Crime Au Paradis is a remake of the 1951 hit La Poison; the box-office success of Un Crime Au Paradis in France led to a theatrical re-release of the earlier film. ~ Mark Deming, Rovi

In this bittersweet look back at the trials of growing up in the late 1970s and early 1980s, Emilie (Magali Woch), Ines (Ingrid Molinier), Stella (Julie-Marie Parmentier), and Marion (Camille Rousselet) become friends as they share the humiliations that are a part of adolescent life -- going to school, dealing with your parents, dealing with the emotional abuse of your peer group. La vie ne me fait pas peur spent several years in production; during a layoff in shooting, director Noemie Lvovsky shot a television film with the same characters entitled Petites, and later incorporated footage from the TV project into this film. ~ Mark Deming, Rovi

Victor Dargelas is smart but for some reason wasn't accepted at one of France's top universities, so he has taken a scholarship to begun study at a business-management school instead. He is a computer whiz, and his scholarship is based on his ability to straighten out a glitch in the school's computer systems. Meanwhile, the dean of the school has been embezzling from the school at a ferocious rate and plans on pinning the blame on the scholarship boy. Meanwhile, Victor has been making friends with his rich-boy roommate François. The two of them get wise to the schemes of the embezzler and concoct a counter-plan themselves: why not conduct a leveraged buy-out of the school and run it themselves? Beloved French actor Jean Poiret's appearance here as the criminal school director was his last before his death in March, 1992, and the film is dedicated to him. ~ Clarke Fountain, Rovi

Fabrice (Richard Berry) is an otherwise brutish truck driver who loves the disciplines involved in bicycle racing. He's no champion and doesn't appear to care much whether he wins any or not. In the crowded spaces of his world, the aloneness that comes with being a racer in training affords him a much-needed solitude and peace of mind. It's probably best for the people around him, too. In fact, it would be good if he could remain on his bike forever, because his nearly insane fear and distrust of others leads him to some pretty obnoxious behavior, especially with the women in his life. ~ Clarke Fountain, Rovi

The Sacrifice, director Andrei Tarkovsky's final film, begins in Bergmanesque fashion on a small, remote island, where friends and family gather for drama critic Alexander's (Erland Josephson) birthday celebration. The revelry is interrupted by a radio announcement: World War III has begun, and Mankind is only hours away from utter annihilation. Each of the guests reacts differently to the news: the most dramatic response is Alexander's, who promises God that he'll give up everything he holds dear--including his beloved 6-year-old son -- if war is averted. Allan Edwall, a local mailman with purported mystical powers, offers to intervene with the Creator on Josephson's behalf. The Sacrifice is so dependent upon its visuals and overall mood that any attempt at a detailed synopsis would be woefully inadequate. The willingness of Tarkovsky's protagonist to forego all his possessions may well have sprung from the cancer-ridden director's awareness that he, too, would soon be giving up everything to face his Maker. The Sacrifice won four awards at the Cannes Film Festival, including the Grand Prix. ~ Hal Erickson, Rovi

This senseless comedy is based on a cartoon-strip character drawn by the late Jean-Marc Reiser and has no real plot to speak of -- it is just a series of ribald, raunchy sketches. The character in question is a man who goes about wearing only one oversized pair of stained underwear, with one testicle visible. That garb aptly describes the level of humor throughout the film. ~ Eleanor Mannikka, Rovi

In this embarrassment of an action thriller, the poor storyline and direction are only matched by the underpar acting, all to tell the tale of Berg (Daniel Auteuil), a young stunt car driver who leaves his profession and starts working at a private security service when his lover is killed in an accident at one of their meets. The young man's future is threatened by his dead lover's brother, who had an incestuous love for his sister, and is now out to wreak vengence on Berg for her death. Loud and shrill, the dialogue alone would grate on a viewer's nerves, even if its content were better. ~ Eleanor Mannikka, Rovi

The action in this attempt at farce and drama starts moving when a prostitute just out of prison overwhelms a young man with her charms in their shared train compartment and ends up getting invited to his home. Once there, other than inducing some unusual behavior in the members of the family, she plans to kill off the pimp who got her into jail on false charges -- and get away with murder. ~ Eleanor Mannikka, Rovi

Pierre Richard directs and stars in this comedy about a ghost writer employed by a successful comic. He assumes the comic's identity and talks his way into a joint venture with an Italian screen star. The two travel to Tunisia to work on their collaboration and experience romantic and professional comic mishaps. ~ Dan Pavlides, Rovi